“Love without risk is an impossibility, like war without death.”
― Alain Badiou, quote from In Praise of Love
“What kind of world does one see when one experiences it from the point of view of two and not one? What is the world like when it is experienced, developed and lived from the point of view of difference and not identity? That is what I believe love to be.”
― Alain Badiou, quote from In Praise of Love
“We could say that love is a tenacious adventure. The adventurous side is necessary, but equally so is the need for tenacity. To give up at the first hurdle, the first quarrel, is only to distort love. Real love is one that triumphs lastingly, sometimes painfully, over the hurdles erected by time, space and the world.”
― Alain Badiou, quote from In Praise of Love
“إن إعلان الحب هو الانتقال من الصدفة إلى القدر، ولهذا هو محفوف بالخطر ومشحون بنوع من رهبة خشبة المسرح المرعب.”
― Alain Badiou, quote from In Praise of Love
“I think… that love encompasses the experience of the possible transition from the pure randomness of chance to a state that has universal value. Starting out from something that is simply an
encounter, a trifle, you learn that you can experience the world on the basis of difference and not only in terms of identity. And you can even be tested and suffer in the process. In today’s world, it is generally thought that individuals only pursue their own self-interest. Love is an antidote to that. Provided it isn’t conceived only as an exchange of mutual favours, or isn’t calculated way in advance as a profitable investment, love really is a unique trust placed in chance. It takes us into key areas of the experience of what is difference and, essentially, leads to the idea that you can experience the world from the perspective of difference. In this respect it has universal implications: it is an individual experience of potential universality, and is thus central to philosophy, as Plato was the first to intuit.”
― Alain Badiou, quote from In Praise of Love
“I think... that love encompasses the experience of the possible transition from the pure randomness of chance to a state that has universal value. Starting out from something that is simply an encounter, a trifle, you learn that you can experience the world on the basis of difference and not only in terms of identity. And you can even be tested and suffer in the process. In today's world, it is generally thought that individuals only pursue their self-interest. Love is an antidote to that. Provided it isn't conceived only as an exchange of mutual favours, or isn't calculated way in advance as a profitable investment, love really is a unique trust placed in chance. It takes us into key areas of the experience of what is difference and, essentially, leads to the idea that you can experience the world from the perspective of difference. In this respect it has universal implications: it is an individual experience of potential universality, and is thus central to philosophy, as Plato was the first to intuit.”
― Alain Badiou, quote from In Praise of Love
“The absolute contingency of the encounter with someone I didn’t know finally takes on the appearance of destiny. The declaration of love marks the transition from chance to destiny, and that’s why it is so perilous and so burdened with a kind of horrifying stage fright.”
― Alain Badiou, quote from In Praise of Love
“وحده الفن يستعيد بُعد المعاني للقاء، للثورة، للتمرد. إن الفن في كل أشكاله هو تأمل عظيم للحدث كما هو. إن اللوحة العظيمة هي القبض على شيء ما لا يمكن اختصاره إلى ماتعرضه بأسلوبها.”
― Alain Badiou, quote from In Praise of Love
“So love remains powerful, subjectively
powerful: one of those rare experiences where,
on the basis of chance inscribed in a moment,
you attempt a declaration of eternity.”
― Alain Badiou, quote from In Praise of Love
“The world is full of new developments and love must also be something that innovates. Risk and adventure must be re-invented against safety and comfort.”
― Alain Badiou, quote from In Praise of Love
“El amor es siempre la posibilidad de presenciar el nacimiento de un mundo.”
― Alain Badiou, quote from In Praise of Love
“Believing in nothing except the truth of Montgomery, who for all his faults was as steady as the sea, as honest as the sun. My eyes watered with unexpected tears, and I kissed him harder, desperately. It wasn't a happy ending.”
― Megan Shepherd, quote from The Madman’s Daughter
“It was getting to be so ridiculous, she was surprised there weren't special schools for the boring, average children.”
― Karin Slaughter, quote from Fractured
“CAPT. J. W. SIMMONS, master of the steamship Pensacola, had just as little regard for weather as the Louisiana’s Captain Halsey. He was a veteran of eight hundred trips across the Gulf and commanded a staunch and sturdy ship, a 1,069-ton steel-hulled screw-driven steam freighter built twelve years earlier in West Hartlepool, England, and now owned by the Louisville and Nashville Railroad Company. Friday morning the ship was docked at the north end of 34th Street, in the company of scores of other ships, including the big Mallory liner Alamo, at 2,237 tons, and the usual large complement of British ships, which on Friday included the Comino, Hilarius, Kendal Castle, Mexican, Norna, Red Cross, Taunton, and the stately Roma in from Boston with its Captain Storms. As the Pensacola’s twenty-one-man crew readied the ship for its voyage to the city of Pensacola on Florida’s Gulf Coast, two men came aboard as Captain Simmons’s personal guests: a harbor pilot named R. T. Carroll and Galveston’s Pilot Commissioner J. M. O. Menard, from one of the city’s oldest families. At”
― Erik Larson, quote from Isaac's Storm: A Man, a Time, and the Deadliest Hurricane in History
“The sniper puts the cellist in his sights. Arrow is about to send a bullet into him, but stops. His finger isn't on the trigger...His hand isn't even in the vicinity of the trigger...His head leans back slightly, and she sees that his eyes are closed, that he is no longer looking through his scope. She knows what he's doing. It's very clear to her, unmistakable. He's listening to the music. And then Arrow knows why he didn't fire yesterday...She is at once, sure of two things. The first is that she does not want to kill this man, and the second is that she must. Time is running out. There's no reason not to kill him. A sniper of his ability has wihtout doubt killed dozens, if not hundreds. Not just soldiers. Women crossing streets. Children in playgrounds. Old men in water lines. She knows this to a certainity. Yet she doesn't want to pull her trigger. All because she can see that he doesn't want to pull his...The final notes of the cellist's melody reach him, and he smiles. ”
― Steven Galloway, quote from The Cellist of Sarajevo
“Shit,” Seth grunts. “Maybe he does have a magic dick.”
Jackson snickers, but I don’t find it funny at all. Not in the slightest.
“He doesn’t have a magic dick.” I spit. “You two are just being immature.”
― Skyla Madi, quote from Consumed
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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