“I think some have to fight harder to choose good over evil because the evil’s got it out for them. And maybe it’s because those’re the ones evil knows will become the strongest warriors, recognizing true wickedness when it rears its head.”
― Mary Weber, quote from Storm Siren
“That this tragic war that’s been waged in and around each of us, this battle that’s gone on in our souls—that’s ravaged us and beaten us down and clawed away our humanity—has simply been evil trying to destroy who we are. Because evil knows what we will become: Stronger. Wiser. Unstoppable. Don’t let him take who you are. Make him fear who you will become.”
― Mary Weber, quote from Storm Siren
“You just put one foot in front of the other and ’opefully not in yer mouth.”
― Mary Weber, quote from Storm Siren
“Look, all I’m asking you to consider is that you have the power to change things. What if the reason you were given that power is to defend those without any? Both from external and internal harm. Like a shieldmaiden for your people.”
― Mary Weber, quote from Storm Siren
“He skims his fingers across my neck to move aside my long braid, and I try not to remember the protective look on his face from earlier or notice his earthy scent or the way my rib cage squirms as he leans in, like I’ve got a trapped butterfly in there.”
― Mary Weber, quote from Storm Siren
“Don't let him take who you are. Make him fear who you'll become.”
― Mary Weber, quote from Storm Siren
“My hailstorm tore them limb from limb.”
― Mary Weber, quote from Storm Siren
“I can’t do this. They’re going to know I’m a fraud.” “Everyone’s a fraud, you idiot. You’ll be same as the rest of ’em. You just put one foot in front of the other and ’opefully not in yer mouth. Now ’urry up cuz I’m missin’ my dinner.” But”
― Mary Weber, quote from Storm Siren
Mary Weber
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“Had I crossed the pass
Supported by a stick,
I would have spared myself
The fall from the horse.”
― Matsuo Bashō, quote from Backroads to Far Towns: Basho's Travel Journal
“Frederick?
Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside.
He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him.
Nothing was said. Not a word.
Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said.
He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress.
Stop! But he didn't.
Don't! But he did.
Nothing. Not one word.
The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done.
Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything.
When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”
― Timothy Findley, quote from The Piano Man's Daughter
“Аварийна спирачка на времето. Какъвто и да е настоящият момент, аз съм го задържал. Твърде късно. Придържайки се към този прост метод, през нашите, колко бяха, дванайсет, дванайсет години и три месеца съвместен живот би следвало да съм обездвижил стотици хиляди такива мигновения, заплащайки може би умопомрачителни глоби, но съм успявал да спра влака. Кажи. Защо го направи? – би попитал облещеният кондуктор. Защото ми харесваше гледката. Защото исках да спра тези бягащи дървета и пътечката, която се виеше между тях. Като настъпя нейната изплъзваща се опашка. Това, което я сполетя, вероятно нямаше да ѝ се случаи, ако бях имал навика да спирам едно или друго късче от нашия съвместен живот, профилактично, пророчески, да позволявам на този или онзи миг да поеме спокойно дъх и да си почине. Да укротявам времето. Да дам отдих на пулса ѝ. Да се грижа за живота, живота – нашия пациент.”
― Vladimir Nabokov, quote from Bend Sinister
“He stopped. “You're upset. I'll shut up and leave you”
― Iris Johansen, quote from The Killing Game
“Whaddaya mean 'old maids,' ha? The term is 'unclaimed treasure,' buddy, 'unclaimed treasure!”
― Laurie Notaro, quote from Autobiography of a Fat Bride: True Tales of a Pretend Adulthood
The Sign of Four
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