“Dont you think dreams and the Internet are similar? They are both areas where the repressed conscious mind vents.”
― Yasutaka Tsutsui, quote from Paprika
“Asmodai, the demon of wrath and destruction. Master of all malevolent deities and governor of hellish legions, a monster with the three heads of a bull, a ram, and a man, the tail of a serpent, and the webbed feet of a goose. The monster sat astride an infernal dragon and held a lance bearing the war standard of hell. The three heads simultaneously breathed fire from their mouths while they surveyed the room. A television cameraman engulfed in flames ran screaming toward the window.”
― Yasutaka Tsutsui, quote from Paprika
“The officers entered the Clinic with Noda. Passing through the mouth-like lobby, they proceeded along endlessly winding corridors and stairways lit only by red night lights, like a journey through the innards of a body, before at last finding themselves on the fourth floor. Yamaji’s research had already told them that Inui lived on the fourth floor, but it would have been too dangerous to use the elevator. Elevators commonly appear in dreams as symbols of sexual desires. As such, they thought it highly probable that the elevator would be used for an attack from the subconscious.”
― Yasutaka Tsutsui, quote from Paprika
“His eyes were like black obsidian holes that threatened to suck everything in. Hypnotized, Atsuko couldn’t help being drawn down to his face. “Ah. You poor thing. You poor thing.”
― Yasutaka Tsutsui, quote from Paprika
“themselves. They work towards unattainable goals and assume too much responsibility. They try to perform several tasks correctly and to the same high standard. When told that their expectations are too high, they reply that they wouldn’t be doing their job properly if they didn’t meet those expectations. And since they’ve convinced themselves that they should be able to meet them, their ears are closed to advice.”
― Yasutaka Tsutsui, quote from Paprika
“Inui’s insane laughter filled the sanctuary. The ceiling peeled off and shards of stained glass danced through the air. They turned into dead rats, German dictionaries, wineglasses, fountain pens, scorpions, cats’ heads, syringes, and a motley jumble of other objects that filled the space, flying around madly, swirling like a whirlwind, surging like a raging sea.”
― Yasutaka Tsutsui, quote from Paprika
“As he sat at his desk in his comfortable office armchair, he allowed his body to sink into a creeping state of drowsiness, and for a few moments enjoyed the sensation of dozing off. It was a sensation akin to numbness, as if his hands and feet were melting away.”
― Yasutaka Tsutsui, quote from Paprika
Yasutaka Tsutsui
Born place: in Osaka, Japan
Born date September 24, 1934
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“There is no delight the equal of dread”
― Clive Barker, quote from Books of Blood: Volumes One to Three
“Mr. Harinton was real.
There were adults in the world who would actually make sacrifices for others - not just for their own families but for anyone who needed help.
Nicholas had always had the impression that families looked after one another, and he had come to understand that, on rare ocassions, children would do the same... But this was different.
What Mr. Harinton was doing certainly helped Nicolas - but it also simply felt right to Nicholas. It made him want to be exactly like Mr. Harinton himself.”
― Trenton Lee Stewart, quote from The Extraordinary Education of Nicholas Benedict
“This is a quiet, frightened, insignificant old man who has been nothing all his life, who has never had recognition, his name in the newspapers. Nobody knows him, nobody quotes him, nobody seeks his advice after seventy-five years. That's a very sad thing, to be nothing. A man like this needs to be recognized, to be listened to, to be quoted just once. This is very important. It would be so hard for him to recede into the background ...”
― Reginald Rose, quote from Twelve Angry Men
“A mistake isn’t a mistake unless it can’t be put right.”
― Sophie Kinsella, quote from The Undomestic Goddess
“A team of horses cannot overtake a word that has left the mouth.”
― Wu Cheng'en, quote from Monkey: The Journey to the West
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