“Dont you think dreams and the Internet are similar? They are both areas where the repressed conscious mind vents.”
― Yasutaka Tsutsui, quote from Paprika
“Asmodai, the demon of wrath and destruction. Master of all malevolent deities and governor of hellish legions, a monster with the three heads of a bull, a ram, and a man, the tail of a serpent, and the webbed feet of a goose. The monster sat astride an infernal dragon and held a lance bearing the war standard of hell. The three heads simultaneously breathed fire from their mouths while they surveyed the room. A television cameraman engulfed in flames ran screaming toward the window.”
― Yasutaka Tsutsui, quote from Paprika
“The officers entered the Clinic with Noda. Passing through the mouth-like lobby, they proceeded along endlessly winding corridors and stairways lit only by red night lights, like a journey through the innards of a body, before at last finding themselves on the fourth floor. Yamaji’s research had already told them that Inui lived on the fourth floor, but it would have been too dangerous to use the elevator. Elevators commonly appear in dreams as symbols of sexual desires. As such, they thought it highly probable that the elevator would be used for an attack from the subconscious.”
― Yasutaka Tsutsui, quote from Paprika
“His eyes were like black obsidian holes that threatened to suck everything in. Hypnotized, Atsuko couldn’t help being drawn down to his face. “Ah. You poor thing. You poor thing.”
― Yasutaka Tsutsui, quote from Paprika
“themselves. They work towards unattainable goals and assume too much responsibility. They try to perform several tasks correctly and to the same high standard. When told that their expectations are too high, they reply that they wouldn’t be doing their job properly if they didn’t meet those expectations. And since they’ve convinced themselves that they should be able to meet them, their ears are closed to advice.”
― Yasutaka Tsutsui, quote from Paprika
“Inui’s insane laughter filled the sanctuary. The ceiling peeled off and shards of stained glass danced through the air. They turned into dead rats, German dictionaries, wineglasses, fountain pens, scorpions, cats’ heads, syringes, and a motley jumble of other objects that filled the space, flying around madly, swirling like a whirlwind, surging like a raging sea.”
― Yasutaka Tsutsui, quote from Paprika
“As he sat at his desk in his comfortable office armchair, he allowed his body to sink into a creeping state of drowsiness, and for a few moments enjoyed the sensation of dozing off. It was a sensation akin to numbness, as if his hands and feet were melting away.”
― Yasutaka Tsutsui, quote from Paprika
Yasutaka Tsutsui
Born place: in Osaka, Japan
Born date September 24, 1934
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“The page on which I wrote is the second page in section 19 of the Doctrine and Covenants, in the old edition of the triple combination. On the bottom of the page, in capital letters, is written the word REPENTANCE. And then an arrow leads to a notation that reads: "Greek word. To have a new mind.”
― Henry B. Eyring, quote from To Draw Closer To God: A Collection Of Discourses
“She looked like something that might have occurred to Ibsen in one of his less frivolous moments.”
― P.G. Wodehouse, quote from Summer Lightning
“Whatever happens next, I'm sure it's going to be a great adventure.”
― Jen Calonita, quote from Paparazzi Princess
“Sometimes not telling people anything is a good thing.”
― quote from Exit Here.
“All business in Iran is like first time sex: first there are the promises, then a little foreplay, followed by more promises and perhaps a little petting...at that stage things get complicated - you're not sure who's the boy and who's the girl, but what you do know is that if you continue, you might get fucked...so you decide to proceed cautiously, touching here and touching there, showering the other party with compliments, and whispering an undying commitment, and then maybe, just maybe, it will all end in coitus, but it is rarely as satisfying for one party as it is for the other.”
― Hooman Majd, quote from The Ayatollah Begs to Differ: The Paradox of Modern Iran
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True Love Story
Wedding NightBookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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