“Dont you think dreams and the Internet are similar? They are both areas where the repressed conscious mind vents.”
― Yasutaka Tsutsui, quote from Paprika
“Asmodai, the demon of wrath and destruction. Master of all malevolent deities and governor of hellish legions, a monster with the three heads of a bull, a ram, and a man, the tail of a serpent, and the webbed feet of a goose. The monster sat astride an infernal dragon and held a lance bearing the war standard of hell. The three heads simultaneously breathed fire from their mouths while they surveyed the room. A television cameraman engulfed in flames ran screaming toward the window.”
― Yasutaka Tsutsui, quote from Paprika
“The officers entered the Clinic with Noda. Passing through the mouth-like lobby, they proceeded along endlessly winding corridors and stairways lit only by red night lights, like a journey through the innards of a body, before at last finding themselves on the fourth floor. Yamaji’s research had already told them that Inui lived on the fourth floor, but it would have been too dangerous to use the elevator. Elevators commonly appear in dreams as symbols of sexual desires. As such, they thought it highly probable that the elevator would be used for an attack from the subconscious.”
― Yasutaka Tsutsui, quote from Paprika
“His eyes were like black obsidian holes that threatened to suck everything in. Hypnotized, Atsuko couldn’t help being drawn down to his face. “Ah. You poor thing. You poor thing.”
― Yasutaka Tsutsui, quote from Paprika
“themselves. They work towards unattainable goals and assume too much responsibility. They try to perform several tasks correctly and to the same high standard. When told that their expectations are too high, they reply that they wouldn’t be doing their job properly if they didn’t meet those expectations. And since they’ve convinced themselves that they should be able to meet them, their ears are closed to advice.”
― Yasutaka Tsutsui, quote from Paprika
“Inui’s insane laughter filled the sanctuary. The ceiling peeled off and shards of stained glass danced through the air. They turned into dead rats, German dictionaries, wineglasses, fountain pens, scorpions, cats’ heads, syringes, and a motley jumble of other objects that filled the space, flying around madly, swirling like a whirlwind, surging like a raging sea.”
― Yasutaka Tsutsui, quote from Paprika
“As he sat at his desk in his comfortable office armchair, he allowed his body to sink into a creeping state of drowsiness, and for a few moments enjoyed the sensation of dozing off. It was a sensation akin to numbness, as if his hands and feet were melting away.”
― Yasutaka Tsutsui, quote from Paprika
“Ah, Kerry. You've found your heart. Who is she?"
...
"A healer, but she's... gone.”
― Maria V. Snyder, quote from Scent of Magic
“kinds of disguises and dance to all sorts of tunes to make myself Harry’s addiction. If he had not been fatally flawed, early corrupted by the brutality of his school, I should never have been able to keep him from Celia. I knew I was a hundred times more beautiful than she, a hundred times stronger. But I could not always remember that, when I saw the quiet strength she drew on when she believed she was morally right. And I could not be certain that every man would prefer me, when I remembered how Harry had looked at her with such love when we came back from France. I would never forgive Celia for that summer. Even though it was the summer when I cared nothing for Harry but rode and danced day and night with John, I would not forget that Celia had taken my lover from me without even making an effort at conquest. And now my husband bent to kiss her hand as if she were a queen in a romance and he some plighted knight. I might give a little puff of irritation at this scene played out before my very window. Or I might measure the weakness in John and think how I could use it. But use it I would. Even if I had felt nothing else for John I should have punished him for turning his eyes to Celia. Whether I wanted him or not was irrelevant. I did not want my husband loving anyone else. For dinner that afternoon I dressed with extra care. I had remodelled the black velvet gown that I had worn for the winter after Papa’s death. The Chichester modiste knew her job and the deep plush folds fitted around my breasts and waist like a tight sheath, flaring out in lovely rumpled folds over the panniers at my hips. The underskirt was of black silk and whispered against the thick velvet as I walked. I made sure Lucy powdered my hair well, and set in it some black ribbon. Finally, I took off my pearl necklace and tied a black ribbon around my throat. With the coming of winter, my golden skin colour was fading to cream, and against the black of the gown I looked pale and lovely. But my eyes glowed green, dark-lashed and heavy-lidded, and I nipped my lips to make them red as I opened the parlour door. Harry and John were standing by the fireplace. John was as far away from Harry as he could be and still feel the fire. Harry was warming his plump buttocks with his jacket caught up, and drinking sherry. John, I saw in my first sharp glance, was sipping at lemonade. I had been right. Celia was trying to save my husband. And he was hoping to get his unsteady feet back on the road to health. Harry gaped openly when he saw me, and John put a hand on the mantelpiece as if one smile from me might destroy him. ‘My word, Beatrice, you’re looking very lovely tonight,’ said Harry, coming forward”
― Philippa Gregory, quote from Wideacre
“Good food and good eating are about risk.”
― Anthony Bourdain, quote from Kitchen Confidential: Adventures in the Culinary Underbelly
“I'm trying to remember how you tell the time by looking at the sun." -"I should leave it for a while, it's too bright to see the numbers at the moment.”
― Terry Pratchett, quote from The Last Continent
“I've tried to make choices. You don't really trust me to.”
― Kiera Cass, quote from The Prince
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