“People shouldn't have to earn kindness. They should have to earn cruelty.”
“People don't change who they are. They only change what they do with it.”
“There is no better taste than this: someone else’s laughter in your mouth.”
“You're getting your weird all over me.”
“If I only have ten minutes, Sam, this is what I want to say. You're not the best of us. You're more than that. You're better than all of us. If I only have ten minutes, I would tell you to go out there and live. I'd say...please take your guitar and sing your songs to as many people as you can. Please fold a thousand more of those damn birds of yours. Please kiss that girl a million times.”
“Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.”
Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees.
Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.”
Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota.
Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —”
Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.”
Voicemail #20: “I wish you’d answer.”
“I hated this. I hated knowing what I wanted and knowing what was right and knowing they weren't the same thing.”
“Many, many readers have written asking me wistfully about the nature of Sam and Grace's relationship, and I can assure you, that sort is absolutely real. Mutual, respectful, enduring love is completely attainable as long as you swear you won't settle for less.”
“Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn't know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth.
It wasn't the sort of kiss I'd had with anyone before. This kiss was so soft it was like a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole's hand touched my neck, thumb pressed into the skin next to my jaw. It wasn't a touch that said I need more. It was a touch that said I want this.
It was all completely soundless. I didn't think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, "That's how I would kiss you, if I loved you.”
“Are you high? Why are you never wearing a shirt?"
"I sleep naked," Cole said. He put both milk and sugar in my coffee. "As the day goes on, I put on more and more clothing. You should've come over an hour ago.”
“Sam Roth, you bastard," Cole said. There was admiration in his voice, which probably meant I'd made a poor decision.”
“And then I did laugh, even though the future was a dangerous place, because I loved her, and she loved me, and the world was beautiful.”
“Poor bastards," Cole said, his gaze still on the stars. "They must get pretty tired of watching us make the same damn mistakes all the time.”
“Suddenly, Shelby started, at the same time that we heard Cole's voice across the backyard: "Clear off, you psychotic bitch!"
She slid off into the darkness as the back door slammed.
"Thanks, Cole," I said. "That was incredibly subtle."
"That," replied Cole, "is one of my finest traits.”
“In the darkness, he is invisible, but I can still feel him beside me. Sometimes you don't have to see something to know it is there.”
“I always listen to you. Except when I don't.”
“I thought, possibly, that what I really needed was to go where nobody knew me and start over again, with none of my previous decisions, conversations, or expectations coming with me.”
“Cole,” I said, “do you think I’m lovable?”
“As in ‘cuddly and’?”
“As in ‘able to be loved,’” I said.
Cole’s gaze was unwavering. Just for a moment, I had the strange idea that I could see exactly what he had looked like when he was younger, and exactly what he’d look like when he was older. It was piercing, a secret glimpse of his future. “Maybe,” he said. “But you won’t let anybody try.”
I closed my eyes and swallowed. “I can’t tell the diference between not fighting,” I said,“and giving up.”
Despite my eyelids being tightly shut, a single, hot tear ran out of my left eye. I was so angry that it had escaped. I was so angry.
Beneath me, the bed tipped as Cole edged closer. I felt him lean over me. His breath, warm and measured, hit my cheek. Two breaths. Three. Four. I didn’t know what I wanted. Then I heard him stop breathing, and a second later, I felt his lips on my mouth. It wasn’t the sort of kiss I’d had with him before, hungry, wanting, desperate. It wasn’t the sort of kiss I’d had with anyone before. This kiss was so soft that it was like a memory of a kiss, so careful on my lips that it waslike a memory of a kiss, so careful on my lips that it was like someone running his fingers along them. My mouth parted and stilled; it was so quiet, a whisper, not a shout. Cole’s hand touched my neck, thumb pressed into the
skin next to my jaw. It wasn’t a touch that said “I need more”. It was a touch that said “I want this.”
It was all completely soundless. I didn’t think either of us was breathing.
Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered.
He said, “That’s how I would kiss you, if I loved you.”
“Mutual, respectful, enduring love is completely attainable as long as you swear you won't settle for less.”
“Where are Sam and Grace?"
"Ringo left in his car a few hours ago. He must've taken Grace with him. I don't know where they went."
"You didn't ask?"
"We're not married" Cole said, and added, in a more humble tone, "yet".”
“The thing I was beginning to figure out about Sam and Grace, the thing about Sam not being able to function without her, was that that sort of love only worked when you were sure both people would always be around for each other. If one half of the equation left, or died, or was slightly less perfect in their love, it became the most tragic, pathetic story invented, laughable in its absurdity. Without Grace, Sam was a joke without a punch line.”
“I'm so tired I never want to wake up again. But I've figured out now that it was never them that made me feel that way. It was just me, all along.”
“He started to dance. And all at once, because Cole was dancing, I was dancing. And this Cole was even more persuasive than the last one. This was everything about Cole's smile made into a real thing, a physical object made out of his hands looped around me, and his long body pushed up against mine. I loved to dance, but I'd always been aware that I was dancing, aware of what my body was doing. Now, with this music thumping and Cole dancing with me, everything became invisible but the music. I was invisible. My hips were the booming bass. My hands on Cole were the wails of the synthesizer. My body was nothing but the hard, pulsing beat of the track.
My thoughts were flashes in between the downbeats.
beat:
my hand pressed on Cole's stomach
beat:
our hips crushed together
beat:
Cole's laugh
beat:
we were one person
Even knowing that Cole was good at this because it was what he did didn't make it any less of an amazing thing. Plus, he wasn't trying to be amazing without me--every move of his body was to make us move together. There was no ego, just the music and our bodies.
When the track ended, Cole stepped back, out of breath, half a smile on his face. I couldn't see how he could stop. I wanted to dance until I couldn't stand up. I wanted to crush our bodies against each other until there was no pulling them apart.
"You're an addiction," I told him.
"You should know.”
“You're assuming they would listen to me," I said.
Cole lifted his hands off the roof of the Volkswagen; cloudy fingerprints evaporated seconds ater he did. "We all listen to you, Sam."
He jumped to the pavement. "You just don't always talk to us.”
“I'd learned a long time ago that one of the finest weapons in my arsenal was my ability to invade personal space”
“I was trying to decide if you still had free will as a wolf. If I was a terrible person for planning to drug my girlfriend and drag her back to my house to keep in the basement.”
“Cole sat back up, slowly, and I opened my eyes. His expression, as ever, was blank, the face he wore when something mattered. He said, "That's how I would kiss you, if I loved you.”
“Cole made a hissing sound. "Are you inside yet? God bless America and all her sons. What is taking you so long?"
The front door was locked. "Here, talk to Grace"
"Mommy isn't going to give a different answer than Daddy," Cole said, but I handed her the phone anyway.”
“For among these winters there is one so endlessly winter that only by wintering through it will your heart survive.
- Rilke”
“While I pressed the tissue to my face, Beck said, “Can I tell you something? There are a lot of empty boxes in your head, Sam.”
I looked at him, quizzical. Again, it was a strange enough concept to hold my attention.
“There are a lot of empty boxes in there, and you can put things in them.” Beck handed me another tissue for the other side of my face.
My trust of Beck at that point was not yet complete; I remember thinking that he was making a very bad joke that I wasn’t getting. My voice sounded wary, even to me. “What kinds of things?”
“Sad things,” Beck said. “Do you have a lot of sad things in your head?”
“No,” I said.
Beck sucked in his lower lip and released it slowly. “Well, I do.”
This was shocking. I didn’t ask a question, but I tilted toward him.
“And these things would make me cry,” Beck continued. “They used to make me cry all day long.”
I remembered thinking this was probably a lie. I could not imagine Beck crying. He was a rock. Even then, his fingers braced against the floor, he looked poised, sure, immutable.
“You don’t believe me? Ask Ulrik. He had to deal with it,” Beck said. “And so you know what I did with those sad things? I put them in boxes. I put the sad things in the boxes in my head, and I closed them up and I put tape on them and I stacked them up in the corner and threw a blanket over them.”
“Brain tape?” I suggested, with a little smirk. I was eight, after all.
Beck smiled, a weird private smile that, at the time, I didn’t understand. Now I knew it was relief at eliciting a joke from me, no matter how pitiful the joke was. “Yes, brain tape. And a brain blanket over the top. Now I don’t have to look at those sad things anymore. I could open those boxes sometime, I guess, if I wanted to, but mostly I just leave them sealed up.”
“How did you use the brain tape?”
“You have to imagine it. Imagine putting those sad things in the boxes and imagine taping it up with the brain tape. And imagine pushing them into the side of your brain, where you won’t trip over them when you’re thinking normally, and then toss a blanket over the top. Do you have sad things, Sam?”
I could see the dusty corner of my brain where the boxes sat. They were all wardrobe boxes, because those were the most interesting sort of boxes — tall enough to make houses with — and there were rolls and rolls of brain tape stacked on top. There were razors lying beside them, waiting to cut the boxes and me back open.
“Mom,” I whispered.
I wasn’t looking at Beck, but out of the corner of my eye, I saw him swallow.
“What else?” he asked, barely loud enough for me to hear. “The water,” I said. I closed my eyes. I could see it, right there, and I had to force out the next word. “My …” My fingers were on my scars.
Beck reached out a hand toward my shoulder, hesitant. When I didn’t move away, he put an arm around my back and I leaned against his chest, feeling small and eight and broken.
“Me,” I said.”
“Funerals are absolutely fatal for a man of your age.”
“Where I come from, family's defined as those who don't screw you over a paycheck. Blood makes no difference. If you can trust them with your life and know that they'll be there come whatever hell rains down, then they're your family.”
“Fear doesn't shut you down, (...) it wakes you up. I've seen it. It's fascinating.”
“The old man slowly unwrapped the shining blade and let the lamplight slip along it for a moment. Then he wrapped it up again. 'You go now. I want to go to bed. He blew out the lamp almost before Jody had closed the door.
As he went back towards the house, Jody knew one thing more sharply than he had ever known anything. He must never tell anyone about the rapier. It would be a dreadful thing to tell anyone about it, for it would destroy some fragile structure of truth. It was truth that might be shattered by division.”
“I had eventually come to understand that friendship was a delicate, gradual process that mustn’t be rushed or seized upon but allowed and encouraged to take its course over time. I pictured it as a butterfly, simultaneously beautiful and fragile, that once afloat belonged to the air and any attempt to grab at it would only destroy it.”
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