Daniel Mendelsohn · 512 pages
Rating: (4.4K votes)
“Closeness can lead to emotions other than love. It's the ones who have been too intimate with you, lived in too close quarters, seen too much of your pain or envy or, perhaps more than anything, your shame, who, at the crucial moment, can be too easy to cut out, to exile, to expel, to kill off.”
“As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.)
It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.”
“At night, I think about these things. I'm pleased with what I know, but now I think much more about everything I could have known, which was so much more than anything I can learn now and which now is gone forever.”
“...that the holocaust is so big, the scale of it is so gigantic, so enormous that it becomes easy to think of it as something mechanical. Anonymous. But everything that happened, happened because someone made a decision to pull a trigger, to flip a switch, to close a cattle door, to hide, to betray.”
“...I like to see things through the lens of Greek tragedy, which teaches us, among other things, that real tragedy is never a straightforward confrontation between Good and Evil, but is rather much more exquisitely and much more agonizingly, a conflict between two irreconcilable views of the world.”
“I had traveled far, had circled the planet and studied my Torah, and at the very end of my search I was standing, finally, in the place where everything begins: the tree in the garden, the tree of knowledge that, as I learned long ago, is something divided, something that because growth occurs only through the medium of time, brings both pleasure and, finally, sorrow.”
“To be alive is to have a story to tell.”
“real tragedy is never a straightforward confrontation between Good and Evil, but is, rather, much more exquisitely and much more agonizingly, a conflict between two irreconcilable views of the world.”
“I did and do believe, after all that I've seen and done, that if you project yourself into the mass of things, if you look for things, if you search, you will, by the very act of searching, make something that would not otherwise have happened, you will find something, even something small, something that will certainly be more than if you hadn't gone looking in the first place, if you hadn't asked our grandfather anything at all...There are no miracles, no magical coincidences. There is only looking and finally seeing, what was always there.”
“To be alive today is to have a story to tell. To be alive is precisely to be the hero, the center of a life story. When you can be nothing more than a minor character in somebody else's tale, it means that you are truly dead.”
“sunt lacrimae rerum, “There are tears in things.”
“And so the picture that I showed her that Sunday, a picture I'd seen countless times since I was a boy, brought home to me for the first time the strangeness of my relationship to the people I was interviewing, people who were rich in memories but poor in keepsakes, whereas I was so rich in the keepsakes but had no memories to go with them.”
“the Holocaust wasn’t something that simply happened, but is an event that’s still happening.)”
“Something in her had been broken... The ones who were killed were not the only ones who'd been lost.”
“There are many ways to lose your relatives, I thought; war is only one of them.”
“You weren't out there that long, were you? I can't bear to think that no one found you right away."
Noah shook his head. "No more than a couple of hours, I'd guess."
"A couple of hours!" Jane and Kate exclaimed. They froze, exchanging horrified looks.
"Maybe a little longer. Hard to tell because the clouds were blocking the sun."
"Longer?" Jane asked. Her hands were clenched into fists.
"And I was wet, too. I guess it must have rained on me. Or maybe the sprinklers came on."
"You could have died out there!" Kate cried.
"Oh, it wasn't so bad. A little water never hurt anyone. The worst part was the raccoon when I finally came to. With the way he kept staring at me, I thought he might be rabid. Then he came at me."
"You were attacked by a raccoon?" Jane looked as though she might faint.
"Not really attacked. I fought him off before he could bite me."
"It tried to bite you!" Kate cried.
"Oh, it's no big deal. I've fought off raccoons before."
Kate and Jane stared at each other with shell-shocked expressions, then turned toward their siblings. Appalled silence reigned before Noah finally smiled. He pointed his finger at them and winked. "Gotcha.”
“He must love me, i thought, amazed. A faint whiff of nausea hit me at seeing pain as proof of love, but it seemed true. Unavoidable.”
“If you happen to pass by 84 Charing Cross Road, kiss it for me? I owe it so much.”
“I need him to know that I came for him. I need him to know that somehow, at some point in the tunnels, I began to love him.”
“Don't be wasting your sympathy on me, kid. I did pretty damn well, I'll tell you what. You snag a woman like that, you don't ask what you did to deserve it. You just hope she never wises up and changes her mind.”
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