“Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men--that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.”
― Susan Fletcher, quote from Shadow Spinner
“There are some stories that you don't tell aloud, that you make up and tell silently to yourself.”
― Susan Fletcher, quote from Shadow Spinner
“If you let words go buzzing out of your mouth like bees, she always told me, they will come back and sting you.”
― Susan Fletcher, quote from Shadow Spinner
“My auntie Chava used to tell me to chew my words before letting them out. "Seven times, Majan," she would say. "Chew them seven times.”
― Susan Fletcher, quote from Shadow Spinner
“There are many different words inside a city. The world of the rich and the world of beggars. The world of men and the world behind the veil. The worlds of Muslims and of Christians and of Jews.
If you are a rich woman living inside a harem, the world of a poor Christian beggarman is as foreign as China or Abyssinia.
All the worlds touch at the bazaar. And the other place where they touch is in stories. Shahrazad crossed borders all the time, telling tales of country women and Bedouin sheikhs, of poor fishermen and scheming sultanas, of Jewish doctors and Christian brokers, of India and China and the lands of the jinn.
If we don’t share our stories—trading them across our borders as freely as spices and ebony and silk—we will all be strangers forever.”
― Susan Fletcher, quote from Shadow Spinner
“The Sultan tapped his tented fingers, staring into the distance. Suddenly, he lunged toward me, took hold of my wrist, and pulled me roughly down to sit on the cushion beside him. “This . . . mermaid,” he said through clenched teeth, leaning in so close to me that I could smell the mint on his breath. “The one who sang to the king at night.” His voice was fierce, but quiet. I couldn’t tell if anyone but me could hear. “How . . .” he began. “How did she think of the king . . . in her heart?”
I glanced quickly up at his face and saw there a look that took me by surprise. An oddly soft, vulnerable, hurting look. The look of a man who might cry out in his sleep at night, like a child. But then the stony mask slid back.
“Did she despise him,” the Sultan asked, “for making her sing for her life each night? Did she only pretend affection to save her own skin? Did she . . . loathe him for what he had done before, to his other wives? For his . . . sins?”
“No, my lord,” I said softly. “She loved him.”
“Do you swear it?” He gripped my wrist harder, until it hurt.
“Yes, my lord. She told me—” I stopped, corrected myself. “She told the mermaid with the broken fin. She said the king—the merman king, my lord—she said that he had a deep hurting inside him. She said that she wanted to soothe him. And when the mermaid with the broken fin . . . questioned how the queen could love him—because of the things you just said, my lord—the queen said, ‘I’m not ashamed of loving him. There’s nothing wrong with loving someone. It’s hating—that’s what’s wrong.”
― Susan Fletcher, quote from Shadow Spinner
Susan Fletcher
Born place: in Pasadena, The United States
Born date May 28, 1951
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“If you need anything, let me know,’ he said. Stop talking to me.”
― Durjoy Datta, quote from Our Impossible Love
“The Savage nodded, frowning. "You got rid of them. Yes, that's just like you. Getting rid of everything unpleasant instead of learning to put up with it. Whether 'tis better in the mind to suffer the slings and arrows or outrageous fortune, or to take arms against a sea of troubles and by opposing end them...But you don't do either. Neither suffer nor oppose. You just abolish the slings and arrows. It's too easy."
..."What you need," the Savage went on, "is something with tears for a change. Nothing costs enough here.”
― Aldous Huxley, quote from Uljas uusi maailma
“Knuckleballers don't keep secrets. It's as if we have a greater mission beyond our own fortunes. And that mission is to pass it on, to keep the pitch alive. Maybe that's because we are so different, and the pitch is do different, but I think it has more to do with the fact that this is a pitch that almost all of us turn to in desperation. It is what enables us to keep pitching stay in the big leagues, when everything else has failed. So we feel gratitude toward the pitch. It becomes way more than just a means to get and out.
It becomes a way of life.”
― quote from Wherever I Wind Up: My Quest for Truth, Authenticity and the Perfect Knuckleball
“I have always been suspicious of the phrase, the glow of pregnancy, and my suspicions were only confirmed by Lillian's appearance. Instead of a glow, her whole body seemed to become more and more dull, sallow and sickly sweet and vague, like a candle burning out or a line of smudged writing.”
― John Burnside, quote from The Dumb House
“His colleagues at the Bar called him Filth, but not out of irony. It was because he was considered to be the source of the old joke, Failed In London Try Hong Kong. It was said that he had fled the London Bar, very young, very poor, on a sudden whim just after the War, and had done magnificently well in Hong Kong from the start. Being a modest man, they said, he had called himself a parvenu, a fraud, a carefree spirit.
Filth in fact was no great maker of jokes, was not at all modest about his work and seldom, except in great extremity, went in for whims. He was loved, however, admired, laughed at kindly and still much discussed many years after retirement.”
― Jane Gardam, quote from Old Filth
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