“Smiles like that should be against the law. Considering what they do to a girl.”
― Meg Cabot, quote from Size 14 Is Not Fat Either
“I'd leave too, but i still had half a beer left. You can't just leave a beer like that. It's un-American”
― Meg Cabot, quote from Size 14 Is Not Fat Either
“The discovery of a corpse's head on campus has worked as an expedient in getting the administrative staff to work before ten, despite the impending blizzard.”
― Meg Cabot, quote from Size 14 Is Not Fat Either
“But don't you worry," Dad says, after he spends a moment digesting this information, "that if you don't have children, there'll be one one to care for you in your old age?"
"No," I say. "Because I could have children, and they could turn out to hate me. The way I see it, I have friends who care about me now, so I'll probably have friends who'll care about me when I'm old, too. We'll take care of each other.”
― Meg Cabot, quote from Size 14 Is Not Fat Either
“Beautiful girls who love too much, as Lindsay appeared to have done, often meet unpleasant ends.”
― Meg Cabot, quote from Size 14 Is Not Fat Either
Meg Cabot
Born place: in Bloomington, Indiana, The United States
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“Hester shook her head. 'Don't confuse what you do with who you are, dearie. Besides, there's no shame in humble work. Why, Aesop himself, the king of storytellers, was a slave his whole life. Never drew a free breath, yet he shaped the world with just three small words: there once was. And where are his great masters now, hmm? Rotting in tombs, if they're lucky. But Aesop - he still lives to this day, dancin' on the tip of every tongue what's ever told a tale.' She winked at Molly. 'Think on that, next time you're scrubbing floors.”
― Jonathan Auxier, quote from The Night Gardener
“The conversation swings from the brothers Bush to the war in Iraq to the emerging rights of Muslim women to postfeminism to current cinema—Mexican, American, European (Giorgio goes spasmodically mad over Bu-ñuel), and back to Mexican again—to the relative superiority of shrimp over any other kind of taco to the excellence of Ana’s paella, to Ana’s childhood, then to Jimena’s, to the changing role of motherhood in a postindustrial world, to sculpture, then painting, then poetry, then baseball, then Jimena’s inexplicable (to Pablo) fondness for American football (she’s a Dallas Cowboys fan) over real (to Pablo) fútbol, to his admittedly adolescent passion for the game, to the trials of adolescence itself and revelations over the loss of virginity and why we refer to it as a loss and now Óscar and Tomás, arms over each other’s shoulders, are chanting poetry and then Giorgio picks up a guitar and starts to play and this is the Juárez that Pablo loves, this is the city of his soul—the poetry, the passionate discussions (Ana makes her counterpoints jabbing her cigarette like a foil; Jimena’s words flow like a gentle wave across beach sand, washing away the words before; Giorgio trills a jazz saxophone while Pablo plays bass—they are a jazz combo of argument), the ideas flowing with the wine and beer, the lilting music in a black night, this is the gentle heartbeat of the Mexico that he adores, the laughter, the subtle perfume of desert flowers that grow in alleys alongside garbage, and now everyone is singing— México, está muy contento, Dando gracias a millares… —and this is his life—this is his city, these are his friends, his beloved friends, these people, and if this is all that there is or will be, it is enough for him, his world, his life, his city, his people, his sad beautiful Juárez… —empezaré de Durango, Torreón y Ciudad de”
― Don Winslow, quote from The Cartel
“Never make the negative the object of your study, because the negative is not there. You can go on and you will never arrive anywhere. Try to understand what light is, not darkness. Try to understand what life is, not death. Try to understand what love is, not hate.
If you go into hate you will never understand it, because hate is only the absence of love. So is darkness the absence of light.”
― Osho, quote from The Book of Wisdom
“DUMBLEDORE: Those that we love never truly leave us, Harry. There are things that death cannot touch. Paint . . . and memory . . . and love.”
― John Tiffany, quote from Harry Potter and the Cursed Child - Parts I & II
“ليس تاريخ العالم، ومع كل أسف، قصيدة جميلة. إنه تاريخ لا يتغير كثيراً، وغالباً فإن ما يتكرر المرة تلو المرة هى الأشياء البغيضة.”
― E.H. Gombrich, quote from A Little History of the World
Only Human
Release
The Peripheral
The Fellowship of th...
Invisible
The Infernal Devices...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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