“What GOD has joined together, let no man put asunder. Your consummation is an eternal binding. It is a glorious mystery not realized by many, and abused by most." ~SCRIBER~”
― Lucian Bane, quote from The Judgement
“Hating the wrong is right, forgiving sin where there has been no justification is wrong! Loving what should not be loved is wrong! Having mercy where judgement is called for is wrong!" ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“He was the epitome of danger and safe all in one breath." ~Isadore Taylor”
― Lucian Bane, quote from The Judgement
“If it was bad that I didn’t love you, I’d know. I don’t feel like it’s bad.”
― Lucian Bane, quote from The Judgement
“Everything seemed to have less to do with power, and more to do with right and wrong. And it was also apparent that laws were being manipulated using the inconsistency of free will and the shitty make-up of human nature. ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“Every human act had a power behind it, every power had an authority, and every authority had a purpose-dirty bombs constituted by free will and amended by angelic and demonic influence unto the driving of humanity-it was very much active directing. ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“And what is love, Angel? What is love! he yelled. Is it a pressure inside that makes me want to scream when you do this? he palmed his chest roughly, Is it my body in constant chaos when you're around me? Is it murder in cold blood when I even think of you being with anybody but me! he roared. Or maybe it's not being able to think or speak when your life is in danger, or wanting to spend every second - of every - fucking day with you, wanting to never leave your side. Is that love? Is it, Isadore? He drew closer and hit his fist repeatedly against his chest. Is it pain so hard and heavy that I can't fucking breathe unless I smell you, touch you, taste you? His body heaved as his bright green gaze seared her heart. Because if it is, Angel...he held his lips together and shook his head slowly, then I am....slain with an eternal and violent love for you.”
― Lucian Bane, quote from The Judgement
Lucian Bane
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“She leans over Roop the way Sardarji leaned over Satya the years she cried for children, brushing tears from Roop's heavy lashes with her lips. She strokes her head as a mother would, says. "Slpee little one, we are together now."
And Roop sleeps, overcome by the afternoon heat.
While Satya watches her.
So trusting, so very stupid.”
― quote from What the Body Remembers
“You're dressed for dancing," she said in her throaty stage voice.
"Being undressed for dancing occured to me, but I didn't think Merris would like it.”
― Sarah Rees Brennan, quote from The Demon's Lexicon
“He ended up in this place because these supposed pals of his had screwed up. He knew that he was going to end up making up with them, going to end up getting deeper into this. He knew that this was how good people did shitty things: one tiny rotten compromise at a time. Well, he wasn't going to go there.”
― Cory Doctorow, quote from Makers
“Usava uma camisola larga demais, de crepe cor-de-cereja, que surgia negra contra o lençol. Os cabelos soltos, agora penteados, pareciam negros. O rosto, pescoço e braços, sobre as cobertas, eram cinzentos. Depois que os outros saíram ela ficou durante algum tempo com a cabeça escondida sob o lençol. Assim continuou até ouvir fechar-se a porta, até se apagar o som dos passos que desciam a escada, da voz do médico que se exprimia com volubilidade, da respiração ofegante de Miss Reba. Sons que adquiriram, no sombrio saguão, a cor do luar, e desapareceram. Depois Temple pulou da cama e foi até a porta, fazendo correr o trinco. Voltou ao leito e cobriu-se, inclusive a cabeça, ali ficando encolhida até faltar-lhe o ar.
Derradeiros reflexos cor-de-açafrão tingiam o teto e a parte das paredes onde viam-se as sombras de paliçada da avenida, que a oeste se erguia contra o céu. Ela viu-os desaparecer, consumidos pelos sucessivos bocejos da cortina. Viu também a última luz condensar-se na parte fronteira do relógio e o mostrador passar, no escuro, de orifício redondo a disco suspenso no nada, no primitivo caos, e mudar depois para bola de cristal que continha, na sua tranquila e misteriosa profundidade, o caos ordenado do mundo complicado e sombrio sobre cujos flancos, marcados de cicatrizes, as velhas feridas rolam vertiginosamente para a frente, mergulhando na escuridão onde se escondem novos desastres.”
― William Faulkner, quote from Sanctuary
“the faster it ran away from me. And I found myself reasoning that perhaps one more beer would unlock the doors of perception,”
― Jeff Lindsay, quote from Dearly Devoted Dexter
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