“What GOD has joined together, let no man put asunder. Your consummation is an eternal binding. It is a glorious mystery not realized by many, and abused by most." ~SCRIBER~”
― Lucian Bane, quote from The Judgement
“Hating the wrong is right, forgiving sin where there has been no justification is wrong! Loving what should not be loved is wrong! Having mercy where judgement is called for is wrong!" ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“He was the epitome of danger and safe all in one breath." ~Isadore Taylor”
― Lucian Bane, quote from The Judgement
“If it was bad that I didn’t love you, I’d know. I don’t feel like it’s bad.”
― Lucian Bane, quote from The Judgement
“Everything seemed to have less to do with power, and more to do with right and wrong. And it was also apparent that laws were being manipulated using the inconsistency of free will and the shitty make-up of human nature. ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“Every human act had a power behind it, every power had an authority, and every authority had a purpose-dirty bombs constituted by free will and amended by angelic and demonic influence unto the driving of humanity-it was very much active directing. ~RUIN Katara Aggelos”
― Lucian Bane, quote from The Judgement
“And what is love, Angel? What is love! he yelled. Is it a pressure inside that makes me want to scream when you do this? he palmed his chest roughly, Is it my body in constant chaos when you're around me? Is it murder in cold blood when I even think of you being with anybody but me! he roared. Or maybe it's not being able to think or speak when your life is in danger, or wanting to spend every second - of every - fucking day with you, wanting to never leave your side. Is that love? Is it, Isadore? He drew closer and hit his fist repeatedly against his chest. Is it pain so hard and heavy that I can't fucking breathe unless I smell you, touch you, taste you? His body heaved as his bright green gaze seared her heart. Because if it is, Angel...he held his lips together and shook his head slowly, then I am....slain with an eternal and violent love for you.”
― Lucian Bane, quote from The Judgement
Lucian Bane
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“I don't think there's a good reason to run unless someone's chasing me. Seriously.”
― Janet Gurtler, quote from I'm Not Her
“He sees my smile and his eyes shine in a way that will never make me doubt the love he has for me, making me feel like there is no separation between our two bodies; that despite our separate forms we still remain a whole, and no amount of distance can change that.”
― quote from Becoming Noah Baxter
“For, or so they whispered, she would take the camp-stool and draw it up close below the face of the man or woman that hung down over the edge of the interrogation table. Then she would squat down on the stool and and look into the face and quietly say 'No. 1' or 'No. 10' or 'No. 25' and the inquisitors would know what she meant and they would begin. And she would watch the eyes in the face a few inches away from hers and breathe in the screams as if they were perfume.”
― Ian Fleming, quote from From Russia With Love
“Someone tells me I’ve been touched by Jesus, I remember.”
“Not Jesus,” he said in all seriousness. “The hand of God.”
― Gretchen McNeil, quote from Possess
“We all know the elementary form of politeness, that of the empty symbolic gesture, a gesture-an offer-which is meant to be rejected. In John Irving's A Prayer for
Owen Meany, after the little boy Owen accidentally kills John's-his best friend's, the narrator's-mother, he is, of course, terribly upset, so, to show how sorry he is, he discreetly delivers to John a gift of the complete collection of color photos of baseball stars, his most precious possession; however, Dan, John's delicate stepfather, tells him that the proper thing to do is to return the gift. What we have here is symbolic exchange at its purest: a gesture made to be rejected; the point, the "magic" of symbolic exchange, is that, although at the end we are where we were at the beginning, the overall result of the operation is not zero but a distinct gain for both parties, the pact of solidarity. And is not something similar part of our everyday mores? When, after being engaged in a fierce competition for a job promotion with my closest friend, I win, the proper thing to do is to offer to withdraw, so that he will get the promotion, and the proper thing for him to do is to reject my offer-in this way, perhaps, our friendship can be saved....
Milly's offer is the very opposite of such an elementary gesture of politeness: although it also is an offer that is meant to be rejected, what makes hers different from the symbolic empty offer is the cruel alternative it imposes on its addressee: I offer you wealth as the supreme proof of my saintly kindness, but if you accept my offer, you will be marked by an indelible stain of guilt and moral corruption; if you do the right thing and reject it, however, you will also not be simply righteous-your very rejection will function as a retroactive admission of your guilt, so whatever Kate and Densher do, the very choice Milly's bequest confronts them with makes them guilty.”
― Slavoj Žižek, quote from The Parallax View
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