Quotes from Fools Rush In

Janice Thompson ·  336 pages

Rating: (11.8K votes)


“I had to wonder if the Lord above had flashed a heavenly spotlight over my head and whispered, "Preach this sermon just for her. She's not going to get the message otherwise.”
― Janice Thompson, quote from Fools Rush In


“He flashed the warmest smile I'd ever seen, and my heart felt comforted. Maybe D.J. saw my insecurities, my fears. Maybe he knew God still had a lot of work to do in my life before I'd be good girlfriend material.
Or maybe, just maybe, he saw beyond all that and simply wanted to flirt with the wedding coordinator instead of rehearse for the big night.
I did my best to relax...and let him.”
― Janice Thompson, quote from Fools Rush In


“You're valuable to God...It doesn't matter what you look like or even what talents you have. He cherishes you. You're beautiful in his sight.”
― Janice Thompson, quote from Fools Rush In


“picture flash into my mind. I could just see Aunt”
― Janice Thompson, quote from Fools Rush In


“Finché c’è vita c’è speranza.” As long as there was life, there was hope.”
― Janice Thompson, quote from Fools Rush In



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Janice Thompson
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“Grief is forever. It doesn't go away; it becomes part of you, step for step, breath for breath.”
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“The man was of fine figure, swarthy, and stern in aspect; and he showed in profile a facial angle so slightly inclined as to be almost perpendicular. He wore a short jacket of brown corduroy, newer than the remainder of his suit, which was a fustian waistcoat with white horn buttons, breeches of the same, tanned leggings, and a straw hat overlaid with black glazed canvas. At his back he carried by a looped strap a rush basket, from which protruded at one end the crutch of a hay-knife, a wimble for hay-bonds being also visible in the aperture. His measured, springless walk was the walk of the skilled countryman as distinct from the desultory shamble of the general labourer; while in the turn and plant of each foot there was, further, a dogged and cynical indifference personal to himself, showing its presence even in the regularly interchanging fustian folds, now in the left leg, now in the right, as he paced along.”
― Thomas Hardy, quote from The Mayor of Casterbridge


“Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.

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..I have danced with the spider. I have cut a caper with the dancing mad god.”
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