“They say fifty lashes will kill a man. So I'll spare you the last one.”
― Jade Parker, quote from To Catch a Pirate
“He wouldn’t charm her. She’d almost forgot what his kiss tasted like., felt like. She only remembered it when she drifted into dreams. Then it became so vivid, so real. To her mortification, she always felt a little thrill. Her life had been filled with gentlemen of the finest quality. James Sterling was like none of them, he was unpolished. A diamond in the rough. A scoundrel. A pirate.”
― Jade Parker, quote from To Catch a Pirate
“Better to face the devil than have him at your back.”
― Jade Parker, quote from To Catch a Pirate
“I’ll always be there, Anna, in every ship you see sailing past. I’ll be the wind in its sail.”
― Jade Parker, quote from To Catch a Pirate
“How did you come to be a pirate?”
“I was aboard a pirate ship.”
She rolled her eyes at him. “How did you come to be aboard a pirate ship?”
― Jade Parker, quote from To Catch a Pirate
“When she returned to her cabin, Dr.Gabriel was already there examining Sterling's back. Sterling lay on his stomach, on her bunk, his eyes closed. She wondered if he was sleeping. She doubted it. He was probably unconscious. Or perhaps he'd closed his eyes in order to hide what he was feeling.”
― Jade Parker, quote from To Catch a Pirate
“Her heart lurched and tears burned her eyes. “Surely you can escape.”
“Not this time.” He captured a tear that rolled down her cheek. “Don’t cry. You’ve given me more joy than I’ve ever known.”
“It’s not enough.”
He gave her a sad grin. “That’s how pirates are made. The plunder we take is never enough. We’re never content with what we have. We always want more.”
― Jade Parker, quote from To Catch a Pirate
“Keep telling yourself that, m'lady. Maybe you'll come to believe it.”
― Jade Parker, quote from To Catch a Pirate
“You were his protector, yet he betrayed you.”
James shrugged. “Odd thing is, I know if I asked, he’d die for me.”
She studied him for a moment. “But you’d never ask.”
“Nay. I never would.”
“You’re a complicated man, James Sterling.” She said softly.”
― Jade Parker, quote from To Catch a Pirate
“You're the only treasure I'll ever need.”
― Jade Parker, quote from To Catch a Pirate
“She’d looked so beautiful standing there, gazing out to sea. Crimson had once told him a tale about Sirens, magical creatures that lived on an island. Their songs lured mariners to their destruction – their ships were destroyed by the rocks surrounding the island. And even knowing that death awaited them, they couldn’t resist the lure of the Sirens’ song.”
― Jade Parker, quote from To Catch a Pirate
Jade Parker
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“She won't give him back his look.”
― Raymond Carver, quote from Cathedral
“I always loved twilight: it was the only time of day I had the feeling that something important could happen. All things were more beautiful bathed in twilight, all streets, all squares, and all the people walking through them; I even had the feeling that I was a handsome young man, and I liked looking at myself in the mirror, watching myself in the shop windows as I strode along, and even when I touched my face, I felt no wrinkles at my mouth or forehead.”
― Bohumil Hrabal, quote from Too Loud a Solitude
“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others.
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
― Haruki Murakami, quote from Underground: The Tokyo Gas Attack and the Japanese Psyche
“But we assure the socialists that we repudiate only forced organization, not natural organization. We repudiate the forms of association that are forced upon us, not free association. We repudiate forced fraternity, not true fraternity. We repudiate the artificial unity that does nothing more than deprive persons of individual responsibility. We do not repudiate the natural unity of mankind under Providence.”
― Frédéric Bastiat, quote from The Law
“Those who build great companies understand that the ultimate throttle on growth for any great company is not markets, or technology, or competition, or products. It is one thing above all others: the ability to get and keep enough of the right people. The management team”
― James C. Collins, quote from Good to Great: Why Some Companies Make the Leap... and Others Don't
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