Stieg Larsson · 576 pages
Rating: (40.6K votes)
“She wondered why she, who had such difficulty talking about herself with people of flesh and blood, could blithely reveal her most intimate secrets to a bunch of completely unknown freaks on the Internet.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
“Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
“I've never had a boy in here," Martin said in a serious voice. "I've never touched another man, as a matter of fact. . . .except for my father. That was my duty.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
“Fantaseó con una cerilla y un bidón de gasolina.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
“Fue así como ocurrió. Lo que antes parecía puro azar adquirió de repente una dimensión diferente.”
― Stieg Larsson, quote from Stieg Larsson's Millennium Trilogy Deluxe Boxed Set
“Your the closest thing to an angel I'll ever touch.”
― Sylvain Reynard, quote from Gabriel's Rapture
“Of all the pairs the Throne endorsed
None rose to burn as bright
As Lucifer, the Morning Star,
And Lucinda, his Evening Light”
― Lauren Kate, quote from Rapture
“I’ve never once thought about the interpretative, the storytelling aspect of life, of my life. I always felt like I was in a story, yes, but not like I was the author of it, or like I had any say in its telling whatsoever. You can tell your story any way you damn well please. It’s your solo.”
― Jandy Nelson, quote from The Sky Is Everywhere
“With peace of mind came development, and with development beauty. Knowledge—the result of great natural insight—she did not lack; learning, accomplishment—those, alas, she had not; but as the winter and spring passed by her thin face and figure filled out in rounder and softer curves; the lines and contractions upon her young brow went away; the muddiness of skin which she had looked upon as her lot by nature departed with a change to abundance of good things, and a bloom came upon her cheek. Perhaps, too, her grey, thoughtful eyes revealed an arch gaiety sometimes; but this was infrequent; the sort of wisdom which looked from their pupils did not readily keep company with these lighter moods. Like all people who have known rough times, light-heartedness seemed to her too irrational and inconsequent to be indulged in except as a reckless dram now and then; for she had been too early habituated to anxious reasoning to drop the habit suddenly. She felt none of those ups and downs of spirit which beset so many people without cause; never—to paraphrase a recent poet—never a gloom in Elizabeth-Jane's soul but she well knew how it came there; and her present cheerfulness was fairly proportionate to her solid guarantees for the same.”
― Thomas Hardy, quote from The Mayor of Casterbridge
“Within a few generations, he had explained to Rudgutter, the Weavers evolved from virtually mindless predators into aestheticians of astonishing intellectual and materio-thaumaturgic power, superintelligent alien minds who no longer used their webs to catch prey, but were attuned to them as objects of beauty disentanglable from the fabric of reality itself. Their spinnerets had become specialized extradimensional glands that Wove patterns in with the world. The world which was, for them, a web. Old stories told how Weavers would kill each other over aesthetic disagreements, such as whether it was prettier to destroy an army of a thousand men or to leave it be, or whether a particular dandelion should or should not be plucked. For a Weaver, to think was to think aesthetically. To act—to Weave—was to bring about more pleasing patterns. They did not eat physical food: they seemed to subsist on the appreciation of beauty.”
― China Miéville, quote from Perdido Street Station
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