“Because if you don't have at least one person believing in you, then there's not much reason to give a shit about anything.”
― Lisa McMann, quote from Dead to You
“Maybe you don't have to remember something for it to be true. For it to exist.”
― Lisa McMann, quote from Dead to You
“Feels like I'm in a play and I don't know all my lines.”
― Lisa McMann, quote from Dead to You
“I just hope God doesn't get all the credit for bringing me home, because I sure hitchhiked a hell of a long ways and walked my frozen feet off to get here.”
― Lisa McMann, quote from Dead to You
“It's hard to watch. Can't stand the pressure of that much hope.”
― Lisa McMann, quote from Dead to You
“It's like a cat bell, so pretty yet alarming, because i know I'm letting myself fall when maybe I should fly away. But the loneliness inside, it's so fucking painful. It's that longing feeling that scratches to escape and makes you want to blurt out all kinds of gushy crap just to get the girl to look at you...I hate it. Love its melty-ness and hate its leash around my neck.”
― Lisa McMann, quote from Dead to You
“We may know for decades that someone close to us is a ridiculous person, but it’s only after a lapse of decades that we suddenly see it.”
― Thomas Bernhard, quote from Woodcutters
“MAYBE IT WOULD be a good idea to rearrange the flat a bit,’ said Mum. ‘I’ve been thinking. You and Kendall might like your own den, more of a play space. So how about us turning the bedroom into your room. It’s purple too, your favourite colour.’ ‘Lilac isn’t purple.’ ‘It’s light purple, Miss Picky. Anyway, I was thinking of getting a little portable telly for you two. You’d like that, wouldn’t you? Then the living room could be more – well, my room.’ ‘And you want to put a socking great bed in it for you and Jake,’ I said coldly. ‘No I don’t! Well. I was thinking about one of them sofa beds. Then if Jake should want to stay over . . .’ ‘Why can’t he stay in his own place?’ ‘He hasn’t exactly got his own place,’ said Mum. ‘He’s staying with a friend at the moment.’ ‘Why can’t he get his own place, then?’ I said. ‘Because he hasn’t got any money. He’s a student.’ ‘They give them rooms in the university, don’t they?’ ‘Only the first year. For God’s sake, Lola Rose, give it a rest. He’s coming to live with us and that’s that. I don’t see why you’ve got such a problem with it. We’re in love, can’t you see?’ ‘He doesn’t love you. He’s just shacking up with us because he hasn’t got anywhere else. And you spend a fortune on him. Our fortune.’ Mum slapped me straight across the face. Kendall was watching. He cried. I didn’t cry. I stared Mum out. ‘You only slapped me because you know it’s true.’ ‘I slapped you because you’re a spoilt little cow,’ Mum snapped. ‘What’s the matter with you, Lola Rose? You can’t be jealous, can you?”
― Jacqueline Wilson, quote from Lola Rose
“Wen grinned and I felt a warm glow and an odd dizzy sensation. And then I remembered something my dad once wrote me about falling in love. He said the phrase was apt because falling is exactly what it can feel like, as if you've finally allowed yourself to let go of some safety bar you didn't even know you were clinging to, and suddenly you find yourself tumbling towards the exciting unknown.”
― Mark Peter Hughes, quote from Lemonade Mouth
“The satyr, as the Dionysiac chorist, dwells in a reality sanctioned by myth and ritual. That tragedy should begin with him, that the Dionysiac wisdom of tragedy should speak through him, is as puzzling a phenomenon as, more generally, the origin of tragedy from the chorus. Perhaps we can gain a starting point for this inquiry by claiming that the satyr, that fictive nature sprite, stands to cultured man in the same relation as Dionysian music does to civilization. Richard Wagner has said of the latter that it is absorbed by music as lamplight by daylight. In the same manner, I believe, the cultured Greek felt himself absorbed into the satyr chorus, and in the next development of Greek tragedy state and society, in fact everything that separates man from man, gave way before an overwhelming sense of unity that led back into the heart of nature. This metaphysical solace (which, I wish to say at once, all true tragedy sends us away) that, despite every phenomenal change, life is at bottom indestructibly joyful and powerful, was expressed most concretely in the chorus of satyrs, nature beings who dwell behind all civilization and preserve their identity through every change of generations and historical movement.
With this chorus the profound Greek, so uniquely susceptible to the subtlest and deepest suffering, who had penetrated the destructive agencies of both nature and history, solaced himself. Though he had been in danger of craving a Buddhistic denial of the will, he was saved through art, and through art life reclaimed him.”
― Friedrich Nietzsche, quote from The Birth of Tragedy
“Human history would be nothing but a record of stupidity save for the cunning contributions of the weak”
― Friedrich Nietzsche, quote from On the Genealogy of Morals
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.