“And he judged of others by himself, not believing in what he saw, and always believing that every man had his real, most interesting life under the cover of secrecy and under the cover of night. All personal life rested on secrecy, and possibly it was partly on that account that civilised man was so nervously anxious that personal privacy should be respected.”
― Anton Chekhov, quote from Dama s psičkom
“At home in Moscow everything was in its winter routine; the stoves were heated, and in the morning it was still dark when the children were having breakfast and getting ready for school, and the nurse would light the lamp for a short time. The frosts had begun already. When the first snow has fallen, on the first day of sledge-driving it is pleasant to see the white earth, the white roofs, to draw soft, delicious breath, and the season brings back the days of one's youth. The old limes and birches, white with hoar-frost, have a good-natured expression; they are nearer to one's heart than cypresses and palms, and near them one doesn't want to be thinking of the sea and the mountains.”
― Anton Chekhov, quote from Dama s psičkom
“ومن ثم لم يعد يصدق ما يراه وراح يعتقد أن الحياة الحقيقية للفرد، أن الحياة الممتعة حقا هي التي تجري في الخفاء وتحت ستار من الليل. والحقيقة أن كل حياة فردية محفوفة بالأسرار ، وربما كان هذا هو السبب الرئيسي في أن جميع المثقفين يلحون كل الالحاح في المطالبة باحترام الأسرار الشخصية”
― Anton Chekhov, quote from Dama s psičkom
“كان يجري بينه وبينهن كل ما يمكن أن يجري بين الرجل والمرأة، ماعدا الحب”
― Anton Chekhov, quote from Dama s psičkom
“Experience often repeated, truly bitter experience, had taught him long ago that with decent people, especially Moscow people -- always slow to move and irresolute -- every intimacy, which at first so agreeably diversifies life and appears a light and charming adventure, inevitably grows into a regular problem of extreme intricacy, and in the long run the situation becomes unbearable. But at every fresh meeting with an interesting woman this experience seemed to slip out of his memory, and he was eager for life, and everything seemed simple and amusing.”
― Anton Chekhov, quote from Dama s psičkom
“В Ореанде сидели на скамье, недалеко от церкви, смотрели вниз на море и молчали. Ялта была едва видна сквозь утренний туман, на вершинах гор неподвижно стояли белые облака. Листва не шевелилась на деревьях, кричали цикады, и однообразный, глухой шум моря, доносившийся снизу, говорил о покое, о вечном сне, какой ожидает нас. Так шумело внизу, когда еще тут не было ни Ялты, ни Ореанды, теперь шумит и будет шуметь так же равнодушно и глухо, когда нас не будет. И в этом постоянстве, в полном равнодушии к жизни и смерти каждого из нас кроется, быть может, залог нашего вечного спасения, непрерывного движения жизни на земле, непрерывного совершенства. Сидя рядом с молодой женщиной, которая на рассвете казалась такой красивой, успокоенный и очарованный ввиду этой сказочной обстановки — моря, гор, облаков, широкого неба, Гуров думал о том, как, в сущности, если вдуматься, все прекрасно на этом свете, все, кроме того, что мы сами мыслим и делаем, когда забываем о высших целях бытия, о своем человеческом достоинстве.”
― Anton Chekhov, quote from Dama s psičkom
“Анна Сергеевна и он любили друг друга, как очень близкие, родные люди, как муж и жена, как нежные друзья; им казалось, что сама судьба предназначила их друг для друга, и было непонятно, для чего он женат, а она замужем; и точно это были две перелетные птицы, самец и самка, которых поймали и заставили жить в отдельных клетках.”
― Anton Chekhov, quote from Dama s psičkom
“Anna Sergeevna e lui si amavano come due esseri molto vicini, affini, come marito e moglie, come se il destino li avesse destinati l'uno all'altra e non capivano perché li aveva fatti sposare con altri; erano come due uccelli migratori, maschio e femmina, catturati insieme e messi in due gabbie separate.”
― Anton Chekhov, quote from Dama s psičkom
“Never rebel for the sake of rebelling, but always rebel for the sake of truth.” ― Criss Jami”
― Misty Griffin, quote from Tears of the Silenced: A True Crime and an American Tragedy; Severe Child Abuse and Leaving the Amish
“far as to say that white-skinned people are actually black-skinned mutants who lost the ability to produce significant amounts of eumelanin. Redheads, with their characteristic milky white skin and freckles, may be a further mutation along the same lines. In order to survive in places with infrequent and weak sunlight, such as in parts of the U.K., they may have evolved in a way that almost completely knocked out their body’s ability to produce eumelanin, the brown or black pigment.”
― Sharon Moalem, quote from Survival of the Sickest: A Medical Maverick Discovers Why We Need Disease
“Nem o cenário alternativo da Páscoa proposto por Lüdemann, no qual Pedro e Paulo experimentaram fantasias geradas pelo luto e culpa respectivamente, nem a alternativa de Crossan, na qual um grupo de escribas cristãos começou, anos depois da crucificação, a estudar as Escrituras e especular sobre o destino de Jesus, são baseadas em qualquer evidência. Aqueles que sentem a força das dúvidas de Marxsen sobre a evidência para a ressurreição de Jesus devem é ficar muito mais preocupados com estas reconstruções.”
― N.T. Wright, quote from The Resurrection of the Son of God
“As Churchill correctly noted, the horrors he listed were perpetrated by the ‘mighty educated States’. Indeed, they were quite beyond the power of individuals, however evil. It is a commonplace that men are excessively ruthless and cruel not as a rule out of avowed malice but from outraged righteousness. How much more is this true of legally constituted states, invested with all the seeming moral authority of parliaments and congresses and courts of justice! The destructive capacity of the individual, however vicious, is small; of the state, however well-intentioned, almost limitless. Expand the state and that destructive capacity necessarily expands too, pari passu.”
― Paul Johnson, quote from Modern Times: The World from the Twenties to the Nineties
“I must say a few words about memory. It is full of holes. If you were to lay it out upon a table, it would resemble a scrap of lace. I am a lover of history . . . [but] history has one flaw. It is a subjective art, no less so than poetry or music. . . . The historian writes a truth. The memoirist writes a truth. The novelist writes a truth. And so on. My mother, we both know, wrote a truth in The 19th Wife– a truth that corresponded to her memory and desires. It is not the truth, certainly not. But a truth, yes . . . Her book is a fact. It remains so, even if it is snowflaked with holes.”
― David Ebershoff, quote from The 19th Wife
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