Lynne Reid Banks · 192 pages
Rating: (85.5K votes)
“Omri refused to get involved in an argument. He was somehow scared that if he talked about the Indian, something bad would happen. In fact, as the day went on and he longed more and more to get home, he began to feel certain that the whole incredible happening—well, not that it hadn’t happened, but that something would go wrong. All his thoughts, all his dreams were centered on the miraculous, endless possibilities opened up by a real, live, miniature Indian of his very own. It would be too terrible if the whole thing turned out to be some sort of mistake.”
― Lynne Reid Banks, quote from The Indian in the Cupboard
“FACT The Native Americans invented the game lacrosse.”
― Lynne Reid Banks, quote from The Indian in the Cupboard
Lynne Reid Banks
Born place: in London, England, The United Kingdom
Born date July 31, 1929
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“Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the harmonious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and children play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physiological needs which are considered private as discreetly as possible, without realizing that such a pattern of behavior is not common to all human societies. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff.
His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Confidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.”
― Czesław Miłosz, quote from The Captive Mind
“You’re one messed-up piece of work.”
“Yeah, but you’re starting to worry that you might like me,” I say confidently. “Considering I also give you a boner, shit’s gonna get reaaaaal complicated here in the next few months.”
― Lauren Layne, quote from Broken
“night.” “Just some sore muscles. That’s all.” She shrugged,”
― Tess Gerritsen, quote from Presumed Guilty
“Fucking him would have been such bad relationship karma.”
― Edward Southgate, quote from Great Pleasures
“I find fairies with cell phones disconcerting enough. Do they really need to use text talk?”
― Kelley Armstrong, quote from Deceptions
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