Jenna Bayley-Burke · 248 pages
Rating: (2.5K votes)
“Love. It is an incredible sensation. An amazing gift. All consuming and yet as light as a whisper. Once you've been in love you don't ever want to find yourself out of it.”
― Jenna Bayley-Burke, quote from Compromising Positions
“Raise your expectations. If he thinks you’re worth it he’ll rise to the occasion.”
― Jenna Bayley-Burke, quote from Compromising Positions
“Never give someone more than you’re willing to lose,”
― Jenna Bayley-Burke, quote from Compromising Positions
“That brief moment of being loved is worth any pain you have to endure at losing it.”
― Jenna Bayley-Burke, quote from Compromising Positions
“The man had a body that made her want to learn how to carve marble.”
― Jenna Bayley-Burke, quote from Compromising Positions
“If he expected an answer - and he wasn't certain that he didn't - he was disappointed. He told himself he had imagined the voice in the wind. The Windigo was a myth.
But there was a part of him that knew different. Sam Winter Moon has cautioned him long ago that it was best to believe in all possibilities, that there were more mysteries in the world than a man could ever hope to understand.”
― William Kent Krueger, quote from Iron Lake
“Would you like to become my wife?"
"Imbecile! What a question. It's my greatest dream!!!”
― Marjane Satrapi, quote from Embroideries
“He decides he wants both more or less. He’d like to hang with Beyonce in a nice way, get to know her by doing small pleasant things together like playing board games and going out for ice cream, or how about this, a three-week trial run in some tropical paradise where they can hang together in that nice way and possibly fall in love, and meanwhile fuck each other’s brains out in their spare time. He wants both, he wants the entire body-soul connect because anything less is just demeaning.”
― Ben Fountain, quote from Billy Lynn's Long Halftime Walk
“It's best to give while your hand is still warm.”
― Philip Roth, quote from Everyman
“Entonces, un día comencé a escribir, sin saber que me había encadenado de por vida a un noble pero implacable amo. Cuando Dios le entrega a uno un don, también le da un látigo; y el látigo es únicamente para autoflagelarse. [...] La diferencia entre escribir bien y el arte verdadero es sutil, pero brutal. (Capote, pág. 9)
»[...] En un cuento de Henry James, creo que “The Middle Years”, su personaje, un escritor en las sombras de la madurez, se lamenta: “Vivimos en la oscuridad, hacemos lo que podemos, el resto es la demencia del arte”. O palabras parecidas. En cualquier caso, míster James lo expone en toda la línea; nos está diciendo la verdad. Y la parte más negra de las sombras, la zona más demencial de la locura, es el riguroso juego que conlleva. (Capote, pp. 12-13)
»Los escritores, cuando menos aquellos que corren auténticos riesgos, que están ansiosos por morder la bala y pasar la plancha de los piratas, tienen mucho en común con otra casta de hombres solitarios: los individuos que se ganan la vida jugando al billar y dando cartas. (Capote, pág. 13)
»[...] Para empezar, creo que la mayoría de los escritores, incluso los mejores, son recargados. Yo prefiero escribir de menos. Sencilla, claramente, como arroyo del campo. (Capote, pág. 15).
»[...] Entretanto, aquí estoy en mi oscura demencia, absolutamente solo con mi baraja de naipes y, desde luego, con el látigo que Dios me dio (Capote, pág. 17)”
― Truman Capote, quote from Music for Chameleons
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