Rachel Gibson · 345 pages
Rating: (13.3K votes)
“-"Stop"
"I've tried. I can't. These past few days, not knowing if you were okay have been hell."
-"I'm okay."
"I'm not.”
― Rachel Gibson, quote from True Love and Other Disasters
“She took a deep breath and forgot to exhale. She wondered what it would be like if she licked him up one side and down the other.
"What are you thinking?"
She suddenly felt kind of hot and dizzy and accidentally let Layla out.
"That I want to lick your tattoo," she whispered.”
― Rachel Gibson, quote from True Love and Other Disasters
“Ne možeš kontrolirati to tko ce te privuci. A ne možeš ni
kontrolirati koga tvoje srce želi.«”
― Rachel Gibson, quote from True Love and Other Disasters
“»Možete nešto željeti, gospodo Duffy, ali to ne znaci
da cete to i dobiti. Nešto silno željeti nekada jednostavno
nije dovoljno.«”
― Rachel Gibson, quote from True Love and Other Disasters
“»Pratite me do sobe?« upitala je i ne pokušavajuci
prikriti razdražljivost.
»Da.« Ali ni on nije zvucao sretno zbog toga.
»Zašto? Ne morate me pratiti do sobe.«
»Ja sam drag momak.«
Trpko se nasmijala i pogledala ga krajickom oka.
»Ako to stvarno mislite, gadno se varate. Možda su vas
previše puta udarili u glavu.«”
― Rachel Gibson, quote from True Love and Other Disasters
“Ova je veza
osuðena na to da završi slomljenim srcem, ali možda,
bude li oprezna, možda joj nece ukrasti cijelo srce. Bude li
pazila, možda uspije sacuvati barem komadic.”
― Rachel Gibson, quote from True Love and Other Disasters
Rachel Gibson
Born place: Boise, Idaho, The United States
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“Mikey," she says, but not like she's about to say anything more, just like she's identifying me, making a place for me here that's mine to exist in. I want her so much, my heart feels heavy, like I'm grieving. Is this what they meant about that stomach feeling? They didn't say it felt this sad.”
― Patrick Ness, quote from The Rest of Us Just Live Here
“The moment you are born your death is foretold by your newly minted cells as your mother holds you up, then hands you to your father, who gently tickles the stomach where the cancer will one day form, studies the eyes where melanoma’s dark signature is already written along the optic nerve, touches the back where the liver will one day house the cirrhosis, feels the bloodstream that will sweeten itself into diabetes, admires the shape of the head where the brain will fall to the ax-handle of stroke, or listens to your heart, which, exhausted by the fearful ways and humiliations and indecencies of life, will explode in your chest like a light going out in the world.”
― Pat Conroy, quote from South of Broad
“Los sueños son eso de lo que uno se despierta.”
― Raymond Carver, quote from Cathedral
“Because this week I’ve started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I’m beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I’m beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books.”
― Bohumil Hrabal, quote from Too Loud a Solitude
“If you lose your ego, you lose the thread of that narrative you call your Self. Humans, however, can't live very long without some sense of a continuing story. Such stories go beyond the limited rational system (or the systematic rationality) with which you surround yourself; they are crucial keys to sharing time-experience with others.
Now a narrative is a story, not a logic, nor ethics, nor philosophy. It is a dream you keep having, whether you realize it or not. Just as surely as you breathe, you go on ceaselessly dreaming your story. And in these stories you wear two faces. You are simultaneously subject and object. You are a whole and you are a part. You are real and you are shadow. "Storyteller" and at the same time "character". It is through such multilayering of roles in our stories that we heal the loneliness of being an isolated individual in the world.
Yet without a proper ego nobody can create a personal narrative, any more than you can drive a car without an engine, or cast a shadow without a real physical object. But once you've consigned your ego to someone else, where on earth do you go from there?
At this point you receive a new narrative from the person to whom you have entrusted your ego. You've handed over the real thing, so what comes back is a shadow. And once your ego has merged with another ego, your narrative will necessarily take on the narrative created by that ego.
Just what kind of narrative?
It needn't be anything particularly fancy, nothing complicated or refined. You don't need to have literary ambitions. In fact, the sketchier and simpler the better. Junk, a leftover rehash will do. Anyway, most people are tired of complex, multilayered scenarios-they are a potential letdown. It's precisely because people can't find any fixed point within their own multilayered schemes that they're tossing aside their own self-identity.”
― Haruki Murakami, quote from Underground: The Tokyo Gas Attack and the Japanese Psyche
Finding Parker
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