Quotes from City of Saints and Madmen

Jeff VanderMeer ·  704 pages

Rating: (4.4K votes)


“Ten years ago, we would have been writing perfect stories, but people's attention spans have become more limited in these, the last days of literacy.”
― Jeff VanderMeer, quote from City of Saints and Madmen


“Perhaps [he had] persevered for too long, in the face of too many obstacles, his hair proof of his tenacity - the stark black streaked with white or, in certain light, stark white shot through with black, each strand of white attributable to the jungle fever (so cold it burned, his skin glacial), each strand of black a testament to being alive afterwards.”
― Jeff VanderMeer, quote from City of Saints and Madmen


“If people were not by nature insane and resistant to self-improvement or therapy,”
― Jeff VanderMeer, quote from City of Saints and Madmen


“No doubt the detour to deliver Lake had made the sheep late for an appointment.”
― Jeff VanderMeer, quote from City of Saints and Madmen


“Take two pictures representing the same subject; one may be dismissed as illustration if it is dominated by the subject and has no other justification but the subject, the other may be called painting if the subject is completely absorbed in the style, which is its own justification, whatever the subject, and has an intrinsic value.”
― Jeff VanderMeer, quote from City of Saints and Madmen



“When Dradin stopped running he found himself on the fringe of the religious quarter, next to an emaciated macadamia salesman who cracked jokes like nuts.”
― Jeff VanderMeer, quote from City of Saints and Madmen


About the author

Jeff VanderMeer
Born place: in The United States
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“A person, for example, reads in adulthood a book that is important for him, and it makes him say, "How could I have lived without reading it!" and also, "What a pity I did not read it in my youth!" Well, these statements do not have much meaning, especially the second, because after he has read that book, his life becomes the life of a person who has read that book, and it is of little importance whether he read it early or late, because now his life before that reading also assumes a form shaped by that reading.”
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“And that’s the worst of it, the part no one ever tells you about.”

“What part?” he said, his voice still clenched with grief.

“How it never stops. How the pain of missing people never stops. When you burn your finger in a fire, it hurts, but it only hurts one way because you know what caused the pain and why the pain is there, and you know that it will settle, in a bit. But heart pain has facets, Silas. A thousand different sides, sharp and hard; most of them you don’t even know exist, even when you’re looking straight at them. When someone leaves, or dies, or doesn’t love you in return, well, you may think you know why your heart hurts. But wrapped in there are a hundred kinds of fear all tangled in a knot you can’t untie. Nobody wants to be alone. We all fear being left alone, being left behind. I know such things exist. But you must learn to see death as something more than loss, more than absence, more than silence. You must learn to make mourning into memory. For once a person takes leave of his life, that life becomes so much more a part of ours. In death, they come to be in our keeping. The dead find their rest within us. Thus, in remembrance, we are never alone. But people forget the power of memory. So we fear death in the deepest place of our very being, because we don’t know that memories make us immortal. We focus instead on being gone and the awful mystery behind absence. Love and death—and those two are very closely bound together—scare us because we can’t control them. We fear what we can’t control. That fear is really part of what makes us human, but mostly, we’re just afraid of the ends of stories we can’t foresee.”
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