Jeff VanderMeer · 704 pages
Rating: (4.4K votes)
“Ten years ago, we would have been writing perfect stories, but people's attention spans have become more limited in these, the last days of literacy.”
― Jeff VanderMeer, quote from City of Saints and Madmen
“Perhaps [he had] persevered for too long, in the face of too many obstacles, his hair proof of his tenacity - the stark black streaked with white or, in certain light, stark white shot through with black, each strand of white attributable to the jungle fever (so cold it burned, his skin glacial), each strand of black a testament to being alive afterwards.”
― Jeff VanderMeer, quote from City of Saints and Madmen
“If people were not by nature insane and resistant to self-improvement or therapy,”
― Jeff VanderMeer, quote from City of Saints and Madmen
“No doubt the detour to deliver Lake had made the sheep late for an appointment.”
― Jeff VanderMeer, quote from City of Saints and Madmen
“Take two pictures representing the same subject; one may be dismissed as illustration if it is dominated by the subject and has no other justification but the subject, the other may be called painting if the subject is completely absorbed in the style, which is its own justification, whatever the subject, and has an intrinsic value.”
― Jeff VanderMeer, quote from City of Saints and Madmen
“When Dradin stopped running he found himself on the fringe of the religious quarter, next to an emaciated macadamia salesman who cracked jokes like nuts.”
― Jeff VanderMeer, quote from City of Saints and Madmen
Jeff VanderMeer
Born place: in The United States
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“The child in each of us Knows paradise. Paradise is home. Home as it was Or home as it should have been. Paradise is one’s own place, One’s own people, One’s own world, Knowing and known, Perhaps even Loving and loved. Yet every child Is cast from paradise— Into growth and destruction, Into solitude and new community, Into vast, ongoing Change.”
― Octavia E. Butler, quote from Parable of the Talents
“ "Crazy," he muttered softly, "how much I need you."
Crazy, how something like that can feel like a kick in the chest, can hurt that much, can suck all the air right out of your body for a moment. And at the same time, settle over you, around you, so soft and warm and sweet, that you think nothing can ever be as good as this one moment.
Crazy.
That I can love you.
This much.”
― Susan Bischoff, quote from Heroes 'Til Curfew
“I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.”
― Ree Drummond, quote from The Pioneer Woman: Black Heels to Tractor Wheels
“La beauté d'une femme est un trésor qui n'a pas de prix.”
― Dai Sijie, quote from Balzac and the Little Chinese Seamstress
“Power and wealth increase in direct proportion to a man's distance from the material objects from which wealth and power are ultimately derived.”
― Aldous Huxley, quote from After Many a Summer Dies the Swan
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