“No alcohol, Riley." She nodded at the screen. "How are you liking the twenty-first century?"
Riley burped. "The Take That are most melodic. And God bless Harry Potter is all I can say. If not for him, all of London would have been consumed by the dark arts.”
― Eoin Colfer, quote from The Reluctant Assassin
“Punching - 2 shillings
Both eyes blacked - 4 shillings
Nose and jaw broke - 10 shillings
Jacked out (knocked out with a blackjack) - 15 shillings
Ear chewed off - same as previous
Leg or arm broke - 19 shillings
Shot in leg - 25 shillings
Stab - same as previous
Doing the Big Job - 3 pounds and up”
― Eoin Colfer, quote from The Reluctant Assassin
“The sun was already long past the spire when Garrick purchased a mug of coffee from his regular man on the tip of Oxford Street. But his palate had been educated by 21st century coffee, and he judged this mug as bilge water not fit for the Irish.”
― Eoin Colfer, quote from The Reluctant Assassin
“Mr. Charismo? Surely not Tibor Charismo, the most famous man in all of England.”
― Eoin Colfer, quote from The Reluctant Assassin
“For the first time, she felt proud to lay claim to her gender. Perhaps men had life easier. But they would never know this. They would never walk the shadow lands of pain and death to be part of the miracle of life.”
― Kathleen Baldwin, quote from Mistaken Kiss
“Just leave me alone. I'm not myself. I'm falling apart, and I don't want you here.”
― Daniel Keyes, quote from Des fleurs pour Algernon
“that the children of this generation have decayed with the ease of their lives, and that their great fortune has deprived them of any ambitions or real satisfactions.”
― Jean Sasson, quote from The Complete Princess Trilogy: Princess; Princess Sultana's Daughters; and Princess Sultana's Circle
“Halbuki komünist değildi Selim.
Düşünmemişti komünizmin ne olduğunu bile.
O sadece on sekiz yaşındaydı
ve yirmi beş kuruş yerine elli kuruş istiyordu
ve on dört saat yerine on saat.
Polis bu kanaatta değildi fakat.
Yatırdılar Selim'i yere.
Selim kalktığı zaman
basamıyordu döşemelere.
Yatırdılar Selim'i yere,
Selim kalktığı zaman
göremiyordu önünü artık.
Yatırdılar Selim'i yere,
Selim kalktı ve yığıldı.
Selim'in koltuklarına girip
karanlık bir odaya götürdüler.
Ve duvarda bir çiviye bağladılar saçlarından,
o suretle ki
döşemeye ancak ayak parmaklarının ucu dokunuyordu.
Bir tramvay geçti sokaktan gıcırtılarla.
Yakın bir yerde yatsı ezanı okunuyordu.
Çözdüler Selim'i çividen,
yatırdılar Selim'i yere.
Ve Selim kalktığı zaman
bir pencere gördü uzaktan
çok uzaktan ama
perdesiz karanlık bir pencere.
Atıldı ona doğru.
Camlar kırıldı şangırdayarak.
İlk önce kayboldu bir insan başı
sonra kayboldu iki ayak.”
― Nâzım Hikmet Ran, quote from Human Landscapes from My Country: An Epic Novel in Verse
“At a small table, sitting very upright, was one of the ugliest old ladies he had ever seen. It was an ugliness of distinction- it fascinated rather than repelled. She sat very upright. Round her neck was a collar of very large pearls which, improbable though it seemed, were real. Her hands were covered with rings. Her sable coat was pushed back on her shoulders. A very small and expensive black toque was hideously unbecoming to the yellow, toad-like face beneath it.”
― Agatha Christie, quote from Mord im Orientexpress
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