Quotes from Broken April

“It was only a phrase that went from mouth to mouth and was never quite swallowed.”
― Ismail Kadare, quote from Broken April

“And everything would be different, different.”
― Ismail Kadare, quote from Broken April

“To tell the truth, this was one of the few cases in which she had not told him just what she was thinking. Usually, she let him know whatever thoughts happened to come to her, and indeed he never took it amiss if she let slip a word that might pain him, because when all was said and done that was the price one paid for sincerity.”
― Ismail Kadare, quote from Broken April

“His suspicion that he was not going in the right direction tortmented him more and more. At last he had the conviction that he would never go anywhere but in the wrong direction, to the very end of the handful of days that was left to him, unhappy moonstruck pilgrim, whose April was to be cut off short.”
― Ismail Kadare, quote from Broken April

“An Albanian’s house is the dwelling of God and the guest.’ Of God and the guest, you see. So before it is the house of its master, it is the house of one’s guest. The guest, in an Albanian’s life, represents the supreme ethical category, more important than blood relations. One may pardon the man who spills the blood of one’s father or of one’s son, but never the blood of a guest.”
― Ismail Kadare, quote from Broken April

“Having left, for various reasons, the homeland of epic, they were uprooted like trees overthrown, they had lost their heroic character and deep-seated virtue.”
― Ismail Kadare, quote from Broken April

“A mountaineer’s house, before being his home and the home of his family, is the home of God and of guests.”
― Ismail Kadare, quote from Broken April

“Two or three times it occurred to Gjorg that all these men had killed, and that each had his story. But those stories were locked deep within them. It was not just chance that in the glow of the fire their mouths, and even more their jaws, looked as if they had the shape of certain antique locks.”
― Ismail Kadare, quote from Broken April

“Why the Albanians had created the institution of the guest, exalting it above all other human relations, even those of kinship. “Perhaps the answer lies in the democratic character of this institution,” he said, setting himself to think his way through the matter. “Any ordinary man, on any day, can be raised to the lofty station of a guest. The path to that temporary deification is open to anybody at any time.[...] Given that anyone at all can grasp the sceptre of the guest,” he went on, “and since that sceptre, for every Albanian, surpasses even the king’s sceptre, may we not assume that in the Albanian’s life of danger and want, that to be a guest if only for four hours or twenty-four hours, is a kind of respite, a moment of oblivion, a truce, a reprieve, and—why not?—an escape from everyday life into some divine reality?”
― Ismail Kadare, quote from Broken April

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Popular quotes

“Publicity images often use sculptures or paintings to lend allure or authority to their own message. Framed oil paintings often hang in shop windows as part of their display.
Any work of art 'quoted' by publicity serves two purposes. Art is a sign of affluence; it belongs to the good life; it is part of the furnishing which the world gives to the rich and the beautiful.
But a work of art also suggests a cultural authority, a form of dignity, even of wisdom, which is superior to any vulgar material interest; an oil painting belongs to the cultural heritage; it is a reminder of what it means to be a cultivated European. And so the quoted work of art (and this is why it is so useful to publicity) says two almost contradictory things at the same time: it denotes wealth and spirituality: it implies that the purchase being proposed is both a luxury and a cultural value. Publicity has in fact understood the tradition of the oil painting more thoroughly than most art historians. It has grasped the implications of the relationship between the work of art and its spectator-owner and with these it tries to persuade and flatter the spectator-buyer.
The continuity, however, between oil painting and publicity goes far deeper than the 'quoting' of specific paintings. Publicity relies to a very large extent on the language of oil painting. It speaks in the same voice about the same things. (P. 129)”
― John Berger, quote from Ways of Seeing

“Einstein said the arrow of time flies in only one direction. Faulkner, being from Mississippi, understood the matter differently. He said the past is never dead; it's not even past. All of us labor in webs spun long before we were born, webs of heredity and environment, of desire and consequence, of history and eternity. Haunted by wrong turns and roads not taken, we pursue images perceived as new but whose provenance dates to the dim dramas of childhood, which are themselves but ripples of consequence echoing down the generations. The quotidian demands of life distract from this resonance of images and events, but some of us feel it always.

And who among us, offered the chance, would not relive the day or hour in which we first knew love, or ecstasy, or made a choice that forever altered our future, negating a life we might have had? Such chances are rarely granted. Memory and grief prove Faulkner right enough, but Einstein knew the finality of action. If I cannot change what I had for lunch yesterday, I certainly cannot unmake a marriage, erase the betrayal of a friend, or board a ship that left port twenty years ago.”
― Greg Iles, quote from The Quiet Game

“<…>Therefore he asked quietly, "Remember I told you about Tuku?" Julius nodded. Ty went on, "Got good friends, a lot of them, feel deep for them all. Only three people in my life got more from me, one of 'em's in the ground, one of 'em's sitting' on the deck and the last is standin' right in front of me."
Julius said not a word but held his eyes.
Then Ty whispered, "Gratitude, brother."
Julius kept his eyes locked with Ty's and whispered back, "Debt paid."<…>”
― Kristen Ashley, quote from Lady Luck

“It’s like living your whole life without ever looking in a mirror, Amy thought, and suddenly you see your reflection, and you’re a monster.”
― Gordon Korman, quote from The Emperor's Code

“What is life without a bit of excitement.”
― Amy Ewing, quote from The Jewel

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About BookQuoters

BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.

We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.

Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.