Elizabeth Brundage · 400 pages
Rating: (6.6K votes)
“Her mother had told her that when she was a girl. Whenever you’re in trouble, just remember you’re your own best friend.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“There was no disguise for real love, she thought, and suddenly understood all that she did not have.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“It’s hard to see what’s good, what’s right, when you’re in the middle of it.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“Inness painted from memory, which is to say that he didn't paint what he saw, but what he remembered. There's a difference. He believed memory was a lens to the soul. It's not the details that matter - the veins on a leaf, say- so much as the implied detail, such as the changing light, the wind, the lone peasant in the distance the sense that something else is going on, some deeper possibilitly ....”
― Elizabeth Brundage, quote from All Things Cease to Appear
“Beauty depends on the unseen, George quoted the artist, the visible upon the invisible.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“Questa è la fattoria Hale.
Ecco la vecchia stalla per la mungitura, l’entrata buia che dice Vieni a cercarmi.
Ecco la banderuola, la catasta di legna.
Ecco la casa, echeggiante di storie.
È presto. Il falco vola lento nel cielo sgombro. Una sottile piuma blu volteggia nel vuoto. L’aria è fredda, limpida. La casa è silenziosa, come la cucina, il divano di velluto blu, la piccola tazza da tè bianca.
Da sempre la fattoria canta per noi, le sue famiglie perdute, i suoi soldati e le mogli. Durante la guerra, quando arrivarono con le baionette, entrando con la forza, gli stivali infangati sulle scale. Patrioti. Banditi. Mariti. Padri. Dormivano nei letti freddi. Razziavano la cantina in cerca di barattoli di pesche sciroppate e barbabietole da zucchero. Accendevano grandi fuochi nel campo, e le fiamme si contorcevano, schioccando alte verso il cielo. Fuochi che ridevano. Le facce calde brillavano e le mani erano in tasca, al riparo. Arrostivano un maiale e strappavano la carne dolce e rosea dall’osso. Dopo, si succhiavano via il grasso dalle dita, un sapore familiare, strano.
Ce ne sono stati altri – molti – che hanno rubato, smantellato e saccheggiato. Perfino i tubi di rame, perfino le mattonelle di ceramica. Quello che potevano prendere, prendevano. Hanno lasciato solo i muri, i pavimenti spogli. Il cuore pulsante in cantina.
Noi aspettiamo. Siamo pazienti. Aspettiamo notizie. Aspettiamo che ci venga detto qualcosa. Il vento sta provando a farlo. Gli alberi ondeggiano. È la fine di qualcosa; lo sentiamo. Presto sapremo.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“It’s hard to see what’s good, what’s right, when you’re in the middle of it”
― Elizabeth Brundage, quote from All Things Cease to Appear
“Something kept them together, frustration possibly. Like they were two parts of a troubling equation that neither could find the answer to. It was out there somewhere, in infinity, she often thought. Maybe they’d never find it.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“She said most people were good on the inside, where it mattered. You have to give them a chance to show their goodness, she used to say. Some people need more time, that’s all.”
― Elizabeth Brundage, quote from All Things Cease to Appear
“The language of solace, and comets, and the girls we all become, in the end.”
― Sarah Dessen, quote from Someone Like You
“When Seymour and I were five and three, Les and Bessie played on the same bill for a couple of weeks with Joe Jackson -- the redoubtable Joe Jackson of the nickel-plated trick bicycle that shone like something better than platinum to the very last row of the theater. A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father -- Les, as he'll be called hereafter -- dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball. At length, when the conversation -- in my view, at least -- was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les -- as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn't sure he had ever got off Joe Jackson's beautiful bicycle.”
― J.D. Salinger, quote from Raise High the Roof Beam, Carpenters & Seymour: An Introduction
“She allowed herself to look his way, pretending she was glancing at the clock on the wall above the door. He was meticulously lost in the lesson, taking notes well beyond the scope of what was written on the board.
She was grateful that at least one of them was listening, because she knew he was going to have to explain it all to her later. And he would, without every knowing that he was the reason she hadn’t heard a word of the lesson.”
― Kimberly Derting, quote from The Body Finder
“I never heerd...nor read of nor see in picters, any angel in tights and gaiters...but...he's a reg'lar thoroughbred angel for all that.”
― Charles Dickens, quote from The Pickwick Papers
“In the inverted food chain of fame, it was the big beasts who were stalked and hunted”
― Robert Galbraith, quote from The Cuckoo's Calling
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