“In the pale light of daybreak the gravestones looked like so many white sails that would never again be filled with wind, sails that, too long unused and heavily drooping, had been turned into stone just as they were. The boats' anchors had been thrust so deeply into the dark earth that they could never again be raised.”
― Yukio Mishima, quote from The Sound of Waves
“He heard the sound of waves striking the shore, and it was as though the surging of his young blood was keeping time with the movement of the sea's great tides. It was doubtless because nature itself satisfied his need that Shinji felt no particular lack of music in his everyday life.”
― Yukio Mishima, quote from The Sound of Waves
“With a heart unaccustomed to doubting, he never wondered for an instant whether the girl would brave such a storm to keep their rendezvous. He knew nothing of that melancholy and all-too-effective way of passing time by magnifying and complicating his feelings, whether of happiness or uneasiness, through the exercise of imagination.”
― Yukio Mishima, quote from The Sound of Waves
“El hecho de que Shinji no experimentara ningún tipo de carencias musicales en en su vida cotidiana se debía sin duda a que el mar satisfacía su necesidad.”
― Yukio Mishima, quote from The Sound of Waves
“The surface of the sea in the lee of the island was black, but the offing was stained with dawn. The mountains enclosing the Gulf of Ise could be seen clearly. In the pale light of daybreak the gravestones looked like so many white sails of boats anchored in a busy harbor. They were sails that would never again be filled with wind, sails that, too long unused and heavily drooping, had been turned into stone just as they were.”
― Yukio Mishima, quote from The Sound of Waves
Yukio Mishima
Born place: in Yotsuya district of Tokyo, Japan
Born date January 14, 1925
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“But the most terrible thing was that the shame didn't simply sear my heart, it also mingled into a single whole with the pleasure I was getting from what was going on.
It was something quite unimaginable - truly beyond good and evil. It was then that I finally understood the fatal abysses trodden by De Sade and Sacher-Masoch, who I had always thought absurdly pompous. No, they weren't absurd at all - they simply hadn't been able to find the right words to convey the true nature of their nightmares. And I knew why - there were no such words in any human language.
'Stop,' I whispered through my tears.
But in heart I didn't know what I wanted - for him to stop or to carry on.
I couldn't hold back any longer and I started crying. But they were tears of pleasure, a monstrous, shameful pleasure that was too enthralling to be abandoned voluntarily.”
― Victor Pelevin, quote from The Sacred Book of the Werewolf
“Hij had altijd aangenomen dat er als volwassene een ogenblik zou komen, een soort plateau, waarop hij alle kneepjes van de omgang met het eenvoudige bestaan zou hebben geleerd. Alle post en e-mail beantwoord, alle kranten geordend, boeken alfabetisch op de planken, kleren en schoenen netjes onderhouden in de kasten en al zijn spullen waar hij ze kon vinden, met het verleden - waaronder zijn brieven en foto's - in dozen en mappen gesorteerd, het privéleven bestendig en vredig, huisvesting en financiën idem.
[...]
Maar niet lang na de geboorte van Catriona [...] meende hij het voor het eerst te zien: op de dag van zijn dood zou hij verschillende sokken dragen, zouden er onbeantwoorde e-mails zijn, en waren er in het krot dat hij zijn huis noemde nog altijd overhemden met ontbrekende manchetknopen, een kapot licht in de gang, en onbetaalde rekeningen, onopgeruimde zolders, dode vliegen, vrienden die op een antwoord wachtten en geliefden die hij niet had opgebiecht.
Vergetelheid, het laatste woord bij het organiseren, zou zijn enige troost zijn.”
― Ian McEwan, quote from Solar
“However, I'm here to tell you dear reader that there is always more than meets the eye.”
― Isabella Kruger, quote from Afterlife
“Why do I keep evading my work? Is it because I’m afraid of being confronted by my lack of abilities?”
― Candace Bushnell, quote from Summer and the City
“CLAIRE
I used to be a baby!
CADAN
I'm sorry.”
― Charlie Kaufman, quote from Synecdoche, New York: The Shooting Script
The Boys from Brazil
Feed
Loamhedge
Northern Lights
I Am America (And So...
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