“Pain or perspective, that's the choice.'
. . .
You choose pain - you choose to fight it, deny it, bury it - then yes, the choice is always hard. But you choose perspective - embrace your history, give it credit for the better person it can make you, scars and all - the choice gets easier every time.”
― Ted Dekker, quote from Kiss
“The pain was so deep and so raw. There were days I would have died just to forget. The problem was, I couldn't figure out how to get her out of my mind. How do you kill that kind of pain?”
― Ted Dekker, quote from Kiss
“I've already said you can't take anything from me that I wouldn't freely give you.”
― Ted Dekker, quote from Kiss
“God is with me. Jesus is near. The Spirit is greater than my fear.”
― Ted Dekker, quote from Kiss
“And he wants you to keep that at the front of your mind? He wants you to stay focused on the darkest seasons of your life? How could that possibly do any good?'
. . .
He wants you to remember who delivered you from that time. That's the point of holding on to memory: delivery, not darkness.”
― Ted Dekker, quote from Kiss
“Grow up? Get herself straightened out? Her mind reeled from the verbal battering. No matter what she did, her father would tell her she was wrong. Worthless. Undeserving.”
― Ted Dekker, quote from Kiss
“You want to forget your pain. I mean to tell you that doing that will only cause you more hurt. - Khai”
― Ted Dekker, quote from Kiss
“It's rude to run off a guest.
It's rude to wear out your welcome.”
― Ted Dekker, quote from Kiss
“Pain was not God’s plan for this life. It is a reality, but it is not part of the plan.” I”
― Ted Dekker, quote from Kiss
Ted Dekker
Born place: in Indonesia
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“That's lovely singing, Saraid," Eile said. "Is Sorry asleep now?"
Saraid shook her head solemnly. "Sorry's sad. Crying." She held the doll against her shoulder, patting its back.
"Oh. Why is she sad?"
"Sorry wants Feeler come back." It was like a punch in the gut. She had thought Saraid had forgotten him; she had assumed new friends and a safe haven would drive the memories of that long journey across country, just the three of them, from her daughter's mind. Foolish. The images of that time were still bright and fresh in her own head; she dreamed of them every night. Why should Saraid be any different just because she was small?”
― Juliet Marillier, quote from The Well of Shades
“The empire long united must divide, long divided must unite; this is how it has always been.”
― Luo Guanzhong, quote from Romance of the Three Kingdoms, Vol. 1
“A silhouette stepped toward us, and another wave of pure power ripped through the throne room. "I'm only going to warn you once, Cronus," said a voice, dark and dangerous. "Get the hell away from my wife.”
― Aimee Carter, quote from Goddess Interrupted
“it's as if I'm afraid to spoil the charm of what has only just passed by a serious book or some serious occupation. As if this ugly dream and all the impressions it left behind are so dear to me that I'm even afraid to touch it with something new, lest it vanish in smoke!”
― Fyodor Dostoyevsky, quote from The Gambler
“That day in Chartres they had passed through town and watched women kneeling at the edge of the water, pounding clothes against a flat, wooden board. Yves had watched them for a long time. They had wandered up and down the old crooked streets, in the hot sun; Eric remembered a lizard darting across a wall; and everywhere the cathedral pursued them. It is impossible to be in that town and not be in the shadow of those great towers; impossible to find oneself on those plains and not be troubled by that cruel and elegant, dogmatic and pagan presence. The town was full of tourists, with their cameras, their three-quarter coats, bright flowered dresses and shirts, their children, college insignia, Panama hats, sharp, nasal cries, and automobiles crawling like monstrous gleaming bugs over the laming, cobblestoned streets. Tourist buses, from Holland, from Denmark, from Germany, stood in the square before the cathedral. Tow-haired boys and girls, earnest, carrying knapsacks, wearing khaki-colored shorts, with heavy buttocks and thighs, wandered dully through the town. American soldiers, some in uniform, some in civilian clothes, leaned over bridges, entered bistros in strident, uneasy, smiling packs, circled displays of colored post cards, and picked up meretricious mementos, of a sacred character. All of the beauty of the town, all the energy of the plains, and all the power and dignity of the people seemed to have been sucked out of them by the cathedral. It was as though the cathedral demanded, and received, a perpetual, living sacrifice. It towered over the town, more like an affliction than a blessing, and made everything seem, by comparison with itself, wretched and makeshift indeed. The houses in which the people lived did not suggest shelter, or safety. The great shadow which lay over them revealed them as mere doomed bits of wood and mineral, set down in the path of a hurricane which, presently, would blow them into eternity. And this shadow lay heavy on the people, too. They seemed stunted and misshapen; the only color in their faces suggested too much bad wine and too little sun; even the children seemed to have been hatched in a cellar. It was a town like some towns in the American South, frozen in its history as Lot's wife was trapped in salt, and doomed, therefore, as its history, that overwhelming, omnipresent gift of God, could not be questioned, to be the property of the gray, unquestioning mediocre.”
― James Baldwin, quote from Another Country
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