“Why do you have an unconscious female in your arms? I’m trying not to judge but she smells of fear. Did you scare her enough that she fainted and now you’re pulling a caveman stunt to carry her off to your room to kiss it all better”
― Laurann Dohner, quote from True
“She rolled over and sat up as he bent, tearing off his boots. "Whatcha doing?"
"Getting naked."
"I like that.”
― Laurann Dohner, quote from True
“There is always that one spark that gives hope for better things when life is bad.”
― Laurann Dohner, quote from True
“Hang on. We're leaving grass for road," Breeze warned.
"Remind me to drive next time," Jinx grumbled. "Slow down!"
"Did you lose your yarn balls, kitten?" Breeze laughed. "This is fun!"
(Jinx is part panther)”
― Laurann Dohner, quote from True
“You lit all these candles..." She glanced at them, then back at him.
"I wanted it to be special."
"Any time we're naked in a bedroom together is special to me.”
― Laurann Dohner, quote from True
Laurann Dohner
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“White liberals, instead of comparing what has happened to the black family since the liberal welfare state policies of the 1960s were put into practice, compare black families to white families and conclude that the higher rates of broken homes and unwed motherhood among blacks are due to “a legacy of slavery.” But why the large-scale disintegration of the black family should have begun a hundred years after slavery is left unexplained. Whatever the situation of the black family relative to the white family, in the past or the present, it is clear that broken homes were far more common among blacks at the end of the twentieth century than they were in the middle of that century or at the beginning of that century —even though blacks at the beginning of the twentieth century were just one generation out of slavery. The widespread and casual abandonment of their children, and of the women who bore them, by black fathers in the ghettos of the late twentieth century was in fact a painfully ironic contrast with what had happened in the immediate aftermath of slavery a hundred years earlier, when observers in the South reported desperate efforts of freed blacks to find family members who had been separated from them during the era of slavery.”
― Thomas Sowell, quote from Black Rednecks and White Liberals
“Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.”
Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.”
― Tillie Cole, quote from Sweet Soul
“Then, just as we were to leave on a whirlwind honeymoon in the beautiful Pacific Northwest, a call came from Australia. Steve’s friend John Stainton had word that a big croc had been frequenting areas too close to civilization, and someone had been taking potshots at him.
“It’s a big one, Stevo, maybe fourteen or fifteen feet,” John said over the phone. “I hate to catch you right at this moment, but they’re going to kill him unless he gets relocated.”
John was one of Australia’s award-winning documentary filmmakers. He and Steve had met in the late 1980s, when Steve would help John shoot commercials that required a zoo animal like a lizard or a turtle. But their friendship did not really take off until 1990, when an Australian beer company hired John to film a tricky shot involving a crocodile.
He called Steve. “They want a bloke to toss a coldie to another bloke, but a croc comes out of the water and snatches at it. The guy grabs the beer right in front of the croc’s jaws. You think that’s doable?”
“Sure, mate, no problem at all,” Steve said with his usual confidence. “Only one thing, it has to be my hand in front of the croc.”
John agreed. He journeyed up to the zoo to film the commercial. It was the first time he had seen Steve on his own turf, and he was impressed. He was even more impressed when the croc shoot went off flawlessly.
Monty, the saltwater crocodile, lay partially submerged in his pool. An actor fetched a coldie from the esky and tossed it toward Steve. As Steve’s hand went above Monty’s head, the crocodile lunged upward in a food response. On film it looked like the croc was about to snatch the can--which Steve caught right in front of his jaws. John was extremely impressed. As he left the zoo after completing the commercial shoot, Steve gave him a collection of VHS tapes.
Steve had shot the videotapes himself. The raw footage came from Steve simply propping his camera in a tree, or jamming it into the mud, and filming himself single-handedly catching crocs.
John watched the tapes when he got home to Brisbane. He told me later that what he saw was unbelievable. “It was three hours of captivating film and I watched it straight through, twice,” John recalled to me. “It was Steve. The camera loved him.”
He rang up his contacts in television and explained that he had a hot property. The programmers couldn’t use Steve’s original VHS footage, but one of them had a better idea. He gave John the green light to shoot his own documentary of Steve.
That led to John Stainton’s call to Oregon on the eve of our honeymoon.
“I know it’s not the best timing, mate,” John said, “but we could take a crew and film a documentary of you rescuing this crocodile.”
Steve turned to me. Honeymoon or crocodile? For him, it wasn’t much of a quandary. But what about me?”
“Let’s go,” I replied.”
― Terri Irwin, quote from Steve & Me
“I finally figured out what e-mail is for. It’s for communicating with people you’d rather not talk to.”
― George Carlin, quote from When Will Jesus Bring the Pork Chops?
“They lived under supervision, a life without men. Dora knew no men. You could scarcely see how she might meet one, let alone come to know.”
― Shirley Hazzard, quote from The Transit of Venus
Marrying Winterborne
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The Children of Free...BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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