Quotes from The Zombie Room

241 pages

Rating: (17.5K votes)


“Around the outside of the room other beautiful women wearing little or nothing at all flitted between the infatuated, intoxicated men, sometimes luring them away for a private dance. The men would follow obediently, weighed down by lust and credit cards.”
― quote from The Zombie Room


“If your world is out there and you are in here then the only things that will gather within these walls are time and bitterness. Eventually, that bitterness will eat away at you and leave nothing behind but resentment and hate.”
― quote from The Zombie Room


“Blood began to flow, at first cautiously, as if embarrassed by its appearance; a few thin red lines exploring the gravitational trajectory of its new terrain. Now it flowed faster, steadily staining her pale flesh a horrific red.”
― quote from The Zombie Room


“Sometimes he missed the numbed, walking-underwater feeling feel that the cocktail of narcotics used to give him. But if a situation went down in here, he was going to need all of his wits to get out of it.”
― quote from The Zombie Room


“After a week he was moved to a different wing and into a shared six-by-eight with a grizzled old con called Alf. He had faded tattoos that stained most of the visible skin on his hands, arms and neck a dull blue, sharp eyes and a thick beard that made his mouth look like an axe wound on a bear.”
― quote from The Zombie Room



“Decker smiled and shrugged off their laughter. The humour was only barbed if you sat on the outside, and now he was one of them.”
― quote from The Zombie Room


“The bar staff and croupiers all wore black with the same green triangle logo emblazoned on their shirts, and contact lenses which made their eyes shine an eerie, vibrant green. The bar optics glowed with the same green light, the intensity of which was linked to the music. As the bartender walked away to fetch the drinks, a breakdown in the techno track commenced and the bottles began to palpitate. The bartender's eyes glowed with a hallucinatory felinity that made Mangle feel nervous.”
― quote from The Zombie Room


“He turned and saw Becky, crying in the doorway of her house. What was he doing here? Turning back he saw flashing blue lights at the end of the road, and realised the ringing in his ears was the sound of approaching sirens.”
― quote from The Zombie Room


“You cannot!' Tatiana said sharply. 'If you order a gun there is only a single shot, and once delivered the doors are locked and will not open until it has been fired.”
― quote from The Zombie Room


“Ferret took out a folded scrap of paper and passed it to him.
'My guy Ben doesn't know where the other club is, but the girls are being shipped in from here, a rehab centre in Newtonville.'
'What's this other place called?' Tazeem asked as he slipped the scrap of paper into his pocket.
'The place is just known as The Club. But the behind-the-scenes bit that only the real big spenders get to see, there's no official name, 'cause officially it doesn't exist, that's know as The Zombie Room.”
― quote from The Zombie Room



“The blast of hot air lifted Tazeem from his feet and threw him onto his back in the road. He blinked up into the night sky; raindrops glowed orange as they fell towards the earth.”
― quote from The Zombie Room


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“Ah, but, dear North Wind, you don't know how nice it is to feel your arms about me. It is a thousand times better to have them and the wind together, than to have only your hair and the back of your neck and no wind at all."

"But it is surely more comfortable there?"

"Well, perhaps; but I begin to think there are better things than being comfortable."

"Yes, indeed there are. Well, I will keep you in front of me. You will feel the wind, but not too much. I shall only want one arm to take care of you; the other will be quite enough to sink the ship."

"Oh, dear North Wind! how can you talk so?"

"My dear boy, I never talk; I always mean what I say."

"Then you do mean to sink the ship with the other hand?"

"Yes."

"It's not like you."

"How do you know that?"

"Quite easily. Here you are taking care of a poor little boy with one arm, and there you are sinking a ship with the other. It can't be like you."

"Ah! but which is me? I can't be two mes, you know."

"No. Nobody can be two mes."

"Well, which me is me?"

"Now I must think. There looks to be two."

"Yes. That's the very point.—You can't be knowing the thing you don't know, can you?"

"No."

"Which me do you know?"

"The kindest, goodest, best me in the world," answered Diamond, clinging to North Wind.

"Why am I good to you?"

"I don't know."

"Have you ever done anything for me?"

"No."

"Then I must be good to you because I choose to be good to you."

"Yes."

"Why should I choose?"

"Because—because—because you like."

"Why should I like to be good to you?"

"I don't know, except it be because it's good to be good to me."

"That's just it; I am good to you because I like to be good."

"Then why shouldn't you be good to other people as well as to me?"

"That's just what I don't know. Why shouldn't I?"

"I don't know either. Then why shouldn't you?"

"Because I am."

"There it is again," said Diamond. "I don't see that you are. It looks quite the other thing."

"Well, but listen to me, Diamond. You know the one me, you say, and that is good."

"Yes."

"Do you know the other me as well?"

"No. I can't. I shouldn't like to."

"There it is. You don't know the other me. You are sure of one of them?"

"Yes."

"And you are sure there can't be two mes?"

"Yes."

"Then the me you don't know must be the same as the me you do know,—else there would be two mes?"

"Yes."

"Then the other me you don't know must be as kind as the me you do know?"

"Yes."

"Besides, I tell you that it is so, only it doesn't look like it. That I confess freely. Have you anything more to object?"

"No, no, dear North Wind; I am quite satisfied.”
― George MacDonald, quote from At the Back of the North Wind


“IN ARCHITECTURAL ECHO of service pyramid theory, the Shorn block had rented out its bottom two levels to a series of shopping and eating units that collectively went under the name Basecamp. According to the Shorn promotional literature that Chris had read, Basecamp provided employment for more than six hundred people and, together with the Shorn-owned vehicle repair shops in the basement, was a working embodiment of the virtues of trickledown wealth creation. Prosperity spread out from the foundations of the Shorn block like vegetation from an aquifer, said the literature warmly, though the metaphor that occurred to Chris was water leaking from the cracked base of an old clay flowerpot. Wealth, in his experience, was not something the people who had it were at all keen to see trickling anywhere.”
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