“When Caroline Walker fell in love with Julian English she was a little tired of him. That was in the summer of 1926, one of the most unimportant years in the history of the United States, and the year in which Caroline Walker was sure her life had reached a pinnacle of uselessness.”
― John O'Hara, quote from Appointment in Samarra
“There were numerous physical combats between husbands and wives, and not always the husbands that matched the wives. Kitty Hofman, for instance, had been given a black eye by Carter Davis when she kicked him in the groin for dunking her head in a punch bowl for calling him a son of a bitch for telling her she looked like something the cat dragged in. And so on.”
― John O'Hara, quote from Appointment in Samarra
“The liquor, that is, the rye, was all about the same: most people bought drug store rye on prescriptions (the physicians who were club members saved 'scrips' for their patients), and cut it with alcohol and colored water. It was not poisonous, and it got you tight, which was all that was required of it and all that could be said for it.”
― John O'Hara, quote from Appointment in Samarra
“But William Dilworth English, M.D., was not thinking of the immediate punishment of his son; that was something which could be decided upon. He was not thinking of the glory of having a son who hopped freight trains. The thing that put him in the deep mood and gave him the heavy look that Julian saw on his face was that 'chip off the old block' refrain of Butch Doerflinger’s. William Dilworth English was thinking of his own life, the scrupulous, notebook honesty; the penny-watching, bill-paying, self-sacrificing honesty that had been his religion after his own father’s suicide. And that was his reward: a son who turned out to be like his grandfather, a thief.”
― John O'Hara, quote from Appointment in Samarra
“and nominally a cigar manufacturer. He never came to the club except on nights like this, when Mr. and Mrs. Ammermann would entertain a few of their—her—friends at a smaller table. Mildred, towering above Losch, the club steward, and pointing, daintily for her, with one finger as she held a small stack of place-cards in her left hand, apparently was one woman who had not heard about the business of the night before. It was axiomatic in Gibbsville that you could tell Mill Ammermann anything and be sure it wouldn’t be repeated; because Mill probably was thinking of the mashie-niblick approach over the trees to the second green. Julian derived some courage from her smile. He always had liked Mill anyway. He was fragmentarily glad over again that Mill did not live in New York, for in New York she would have been marked Lesbian on sight.”
― John O'Hara, quote from Appointment in Samarra
“He thought of these things. Harry must have changed since then, become obnoxious or something. Julian reasoned that he could not have asked the Harry he now knew to invest so much money in the business. Well, maybe the winter had something to do with it. You went to the Gibbsville Club for lunch; Harry was there. You went to the country club to play squash on Whit Hofman's private court, and Harry was around. You went to the Saturday night drinking parties, and there was Harry; inescapable, everywhere. Carter Davis was there, too, and so was Whit; so was Froggy Ogden. But they were different. The bad new never had worn off Harry Reilly. And the late fall and winter seemed now to have been spoiled by room after room with Harry Reilly. You could walk outside in the summer, but even though you can walk outside in winter, winter isn't that way. You have to go back to the room soon, and there is no life in the winter outside of rooms. Not in Gibbsville, which was a pretty small room itself.”
― John O'Hara, quote from Appointment in Samarra
John O'Hara
Born place: in Pottsville, Pennsylvania,, The United States
Born date January 31, 1905
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“Imaginei que ele ia perceber o erro horrível que cometera, que rastejaria para mim, a suplicar que o aceitasse de volta. É do tipo de coisa que parece que nos daria satisfação, quando pensamos nisso, sabem? Mas deixem-me que vos diga, quando acontece mesmo... ou quando parece acontecer... é simplesmente horrível.”
― Nora Roberts, quote from Key of Knowledge
“[Joseph Bucklin Bishop said] "...The peculiarity about him is that he has what is essentially a boy's mind. What he thinks he says at once, says aloud. It is his distinguishing characteristic, and I don't know as he will ever outgrow it. But with it he has great qualities which make him an invaluable public servant--inflexible honesty, absolute fearlessness, and devotion to good government which amounts to religion. We must let him work his way, for nobody can induce him to change it.”
― Edmund Morris, quote from The Rise of Theodore Roosevelt
“I would like to be able to say that she broke my heart but I know better. I broke my own heart. I can't say that she did it and get behind that statement in any real way. I know too much. The only one I can blame for my loneliness is myself. Even if I did think that she did it to me I wouldn't feel any better. Tonight I was watching a movie and this actor in the film looked like her when she had a profile shot. She did not break my heart I did. I don't know why I would do something this painful to myself. I wish I would stop it's been months now and I'm still hurting myself nightly. I can avoid it for awhile and then it comes back.”
― Henry Rollins, quote from Eye Scream
“Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.”
― Bernard Malamud, quote from The Magic Barrel
“Only when he was conducting an autopsy could he forget the death of his beloved son. Ironically, playing with dead bodies released him from the death that had touched him.”
― Kōji Suzuki, quote from Spiral
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