Diane Schoemperlen · 384 pages
Rating: (1.3K votes)
“I remind myself that not everything is a sign, that some things simply are what they appear to be and should not be analyzed, deconstructed, or forced to bear the burden of metaphor, symbol, omen, or portent.”
― Diane Schoemperlen, quote from Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
“Against all odds and despite all evidence to the contrary, still we trust that there will be a light at the end of the tunnel, of our personal tunnel anyway.”
― Diane Schoemperlen, quote from Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
“For those of us with a bookish bent, reading is a reflexive response to everything. This is how we deal with the world and anything that comes our way. We have always known that there is a book for every occasion and every obsession. When in doubt, we are always looking things up.”
― Diane Schoemperlen, quote from Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
“It is time to venture out of the comforting land of either/or opposites and travel into the uncertain territory of both/and.”
― Diane Schoemperlen, quote from Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
“Searching too hard for God can get in the way of finding Him. Sometimes you just have to stop looking and let yourself be taken by surprise.”
― Diane Schoemperlen, quote from Our Lady of the Lost and Found: A Novel of Mary, Faith, and Friendship
Diane Schoemperlen
Born place: in Thunder Bay, Canada
Born date July 9, 1954
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“The morning was hot, and the exercise of reading left her mind contracting and expanding like the main-spring of a clock, and the small noises of midday, which one can ascribe to no definite cause, in a regular rhythm. It was all very real, very big, very impersonal, and after a moment or two she began to raise her first finger and to let it fall on the arm of her chair so as to bring back to herself some consciousness of her own existence. She was next overcome by the unspeakable queerness of the fact that she should be sitting in an arm-chair, in the morning, in the middle of the world. Who were the people moving in the house--moving things from one place to another? And life, what was that? It was only a light passing over the surface and vanishing, as in time she would vanish, though the furniture in the room would remain. Her dissolution became so complete that she could not raise her finger any more, and sat perfectly still, listening and looking always at the same spot. It became stranger and stranger. She was overcome with awe that things should exist at all. . . She forgot that she had any fingers to raise. . . The things that existed were so immense and so desolate. . . She continued to be conscious of these vast masses of substance for a long stretch of time, the clock still ticking in the midst of the universal silence.”
― Virginia Woolf, quote from The Voyage Out
“Do not hurt where holding is enough; do not wound where hurting is enough; do not maim where wounding is enough; and kill not where maiming is enough; the greatest warrior is he who does not need to kill.”
― Stephen R. Donaldson, quote from The Illearth War
“I watched as she added a question mark at the end. Arc, line, space, dot.”
― Aimee Bender, quote from The Particular Sadness of Lemon Cake
“Eddie Carroll had just come in from outside, and read Noonan's letter standing in the mudroom. He flipped to the beginning of the story. He stood reading for almost five minutes before noticing he was uncomfortably warm. He tossed his jacket at a hook and wandered into the kitchen.
He sat for a while on the stairs to the second floor, turning through the pages. Then he was stretched on the couch in his office, head on a pile of books, reading in a slant of late October light, with no memory of how he had got there.
He rushed through to the ending, then sat up, in the grip of a strange, bounding exuberance. He thought it was possibly the rudest, most awful thing he had ever read, and in his case that was saying something. He had waded through the rude and awful for most of his professional life, and in those fly-blown and diseased literary swamps had discovered flowers of unspeakable beauty, of which he was sure this was one. It was cruel and perverse and he had to have it. He turned to the beginning and started reading again.
("Best New Horror")”
― Joe Hill, quote from 20th Century Ghosts
“... Cât despre liniile de fugă , ele nu constau niciodată în a fugi de lume, ci, mai degrabă, în a face lumea să fugă, să scape, să plesnească... și nu există sistem social care să nu scape pe la toate capetele sale, chiar dacă segmentele lui nu încetează să se întărească, să devină din ce în ce mai dure pentru a colmata liniile de fugă. Nimic imaginar sau simbolic într-o linie de fugă. Nimic mai activ decât o linie de fugă, la animal și la om. ... În fiecare moment, ce anume scapă, fuge într-o societate? Tocmai pe liniile de fugă se inventează noi arme, pentru a le opune marilor arme de stat... frecvent... un grup, un individ funcționează el însuși ca o linie de fugă; o creează mai curând decât o urmează, este mai curând el însuși arma vie pe care o meșterește decât o ia de la alții. Liniile de fugă sunt realități; și sunt extrem de periculoase pentru societăți, chiar dacă acestea nu pot să se lipsească de ele și uneori chiar le menajează.”
― Gilles Deleuze, quote from A Thousand Plateaus: Capitalism and Schizophrenia
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