“They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.”
― Émile Zola, quote from Thérèse Raquin
“When there is no hope in the future, the present appears atrociously bitter.”
― Émile Zola, quote from Thérèse Raquin
“Nothing could be more heart rending than this mute and motionless dispair”
― Émile Zola, quote from Thérèse Raquin
“In the sudden change that had come over her heart she no longer recognized herself”
― Émile Zola, quote from Thérèse Raquin
“Sometimes she was seized with hallucinations and thought she was buried in some vault together with a lot of puppet-like corpses which nodded their heads and moved their legs and arms when you pulled the strings.”
― Émile Zola, quote from Thérèse Raquin
“He knew that, from now on, every day would be alike, that they would all bring the same sufferings. And he saw the weeks, the months, the years that awaited him, gloomy and implacable, coming one after the other, falling on him and suffocating him bit by bit. When the future is without hope, the present takes on a vile, bitter taste.”
― Émile Zola, quote from Thérèse Raquin
“they seemed to be greater strangers than before”
― Émile Zola, quote from Thérèse Raquin
“Living in musty shadows and dismal, oppressive silence, Thérèse could see her whole life stretching out before her totally void, bringing night after night the same cold bed and morning after morning the same empty day.”
― Émile Zola, quote from Thérèse Raquin
“She made one instinctive effort to resist and then yielded, slipping down on to the floor. Not a single word was exchanged. The act was silent and brutal”
― Émile Zola, quote from Thérèse Raquin
“They have so smothered me in their middle-class refinement that I don't know how there can be any blood left in my veins. I lowered my eyes, put on a dismal, silly expression, just like them; I was just as dead-and-alive as they were.”
― Émile Zola, quote from Thérèse Raquin
“After a time, she believed in the reality of this comedy”
― Émile Zola, quote from Thérèse Raquin
“The critics greeted this book with a churlish and horrified outcry. Certain virtuous people, in newspapers no less virtuous, made a grimace of disgust as they picked it up with the tongs to throw it into the fire. Even the minor literary reviews, the ones that retail nightly the tittle-tattle from alcoves and private rooms, held their noses and talked of filth and stench. I am not complaining about this reception; on the contrary I am delighted to observe that my colleagues have such maidenly susceptibilities.”
― Émile Zola, quote from Thérèse Raquin
“In cima alla via Guénégaud, venendo dalla strada lungo la Senna, si trova il passaggio del Ponte Nuovo, una specie di corridoio stretto e oscuro che va dalla via Mazarino alla via della Senna. Quel passaggio ha, al massimo, trenta passi di lunghezza e due di larghezza; è selciato di pietre giallastre, consunte, sconnesse, che trasudano sempre un'acre umidità; la vetrata che lo ricopre, tagliata ad angolo retto, è nera di sporcizia.
Nei bei giorni d'estate, quando un ardente sole incendia le vie, un chiarore biancastro cade dai vetri sporchi e si trascina miseramente nel passaggio. Nei brutti giorni d'inverno, nelle mattinate di nebbia, i vetri gettano soltanto oscurità sulle pietre viscide, oscurità sporca e ignobile.”
― Émile Zola, quote from Thérèse Raquin
“All his [Laurent's] great powerful body wanted was to do nothing, to wallow in never-ending idleness and self-indulgence. He would have liked to eat well, sleep well, satisfy his passions liberally, without stirring from one spot or risking the misfortune of a bit of fatigue.”
― Émile Zola, quote from Thérèse Raquin
“On her [Thérèse's] part she seemed to revel in daring and shamelessness. Not a single moment of hesitation or fear possessed her. She threw herself into adultery with a kind of furious honesty, flouting danger, and as it were, taking pride in doing so.”
― Émile Zola, quote from Thérèse Raquin
“When they got back into the carriage they felt greater strangers than before.”
― Émile Zola, quote from Thérèse Raquin
“The couple fell one atop of the other, struck down, finding consolation, at last, in death.”
― Émile Zola, quote from Thérèse Raquin
“Quando non c’è più speranza nel futuro, il presente si colora di una spaventosa amarezza.”
― Émile Zola, quote from Thérèse Raquin
“such a strange look of repugnance and horror”
― Émile Zola, quote from Thérèse Raquin
“His remorse was purely physical. Only his body, strained nerves, and cowering flesh were afraid of the drowned man. Conscience played no part in his terrors, and he had not the slightest regret about killing Camille; in his moments of calm, when the spectre was not present, he would have committed the murder over again had he thought his interests required it.”
― Émile Zola, quote from Thérèse Raquin
“Like certain devotees, who think they can fool God and wrest a pardon by paying lip-service to prayer and adopting the humble attitude of the penitent, Therese humiliated herself, beat her chest, found words of repentance, without having anything in the bottom of her heart except fear and cowardice.”
― Émile Zola, quote from Thérèse Raquin
“O şimdiye kadar bedeniyle sevmişti. Şimdi kafasıyla sevmeye başladı.”
― Émile Zola, quote from Thérèse Raquin
“La disperazione non si era mai abbattuta con tanto furore su un essere umano. La sinistra verità bruciò con l’impeto di un lampo negli occhi della paralitica e s’insediò in lei con la ferocia senza scampo della folgore. Se avesse potuto alzarsi in piedi, vomitare l’orrore che l’afferrava alla gola, maledire gli assassini del figlio, avrebbe sofferto di meno. Invece, dopo aver ascoltato, dopo aver compreso, era condannata a rimanere immobile, chiusa nel silenzio, a custodire quel dolore scoppiante: non aveva scampo.”
― Émile Zola, quote from Thérèse Raquin
“Lorsque l'avenir est sans espoir, le présent prend une amertume ignoble”
― Émile Zola, quote from Thérèse Raquin
“Gli amanti non cercarono mai di vedersi da soli. Non si diedero nessun appuntamento, non si scambiarono neanche un bacio furtivo. Per il momento, il delitto aveva placato la spinta impetuosa della carne: uccidendo Camillo, erano riusciti a soddisfare la foga insaziabile del desiderio che non avevano potuto appagare gettandosi l’uno nelle braccia dell’altro. L’omicidio era divenuto, ai loro occhi, simile a un indicibile perenne stato d’orgasmo che annullava la possibilità di un amplesso, tramutato al confronto in ben misera cosa.”
― Émile Zola, quote from Thérèse Raquin
“La nature et les circonstances semblaient avoir fait cette femme pour cet homme, et les avoir poussés l'un vers l'autre.”
― Émile Zola, quote from Thérèse Raquin
“Laurent avait élargi une de ses grosses mains dont il regardait attentivement la paume. Ses doigts eurent de légers frémissements, des lueurs rouges montèrent à ses joues ... Laurent leva la tête et vit Thérèse devant lui, muette, immobile. La jeune femme le regardait avec une fixité ardente. Ses yeux, d'un noir mat, semblaient deux trous sans fond, et, par ses lèvres entrouvertes, on apercevait des clartés roses dans sa bouche. Elle était comme écrasée, ramassée sur elle-même; elle écoutait.”
― Émile Zola, quote from Thérèse Raquin
“À eux deux, la femme, nerveuse et hypocrite, l'homme, sanguin et vivant en brute, ils faisaient un couple puissamment lié. Ils se complétaient, se protégeaient mutuellement. Le soir, à table, dans les clartés pâles de la lampe, on sentait la force de leur union, à voir le visage épais et souriant de Laurent, en face du masque muet et impénétrable de Thérèse.”
― Émile Zola, quote from Thérèse Raquin
“Il a besoin de cette femme pour vivre comme on a besoin de boire et de manger.”
― Émile Zola, quote from Thérèse Raquin
“Laurent sollevò il capo e si vide davanti Thérèse, zitta, immobile. La giovane donna lo guardava con una fissità ardente. Di un nero opaco i suoi occhi sembravano due cavità abissali; attraverso le labbra socchiuse si intravedevano nella bocca rosei luccicori. Era come annientata, rattrappita su se stessa; ascoltava.”
― Émile Zola, quote from Thérèse Raquin
“I’ve worked hard, very hard, to get where I am. And you will have to work hard too. But when you do the work, you will see the results.”
― Katie Alender, quote from From Bad to Cursed
“thousand years ago the average life expectancy of mankind was only twenty-five years. It took another nine hundred years to extend that to thirty-seven. Today the average is seventy-eight. So, in the past hundred years, we more than doubled life expectancy. That”
― James Rollins, quote from Bloodline
“I could tell she was one of those ridiculously gorgeous southern blondes. It was like the South had some special ingredient to raise them like that down here.”
― Abbi Glines, quote from Misbehaving
“Science is as corruptible a human activity as any other.”
― Michael Crichton, quote from Next
“Our study of psychoneurotic disturbances points to a more comprehensive explanation, which includes that of Westermarck. When a wife loses her husband, or a daughter her mother, it not infrequently happens that the survivor is afflicted with tormenting scruples, called ‘obsessive reproaches’ which raises the question whether she herself has not been guilty through carelessness or neglect, of the death of the beloved person. No recalling of the care with which she nursed the invalid, or direct refutation of the asserted guilt can put an end to the torture, which is the pathological expression of mourning and which in time slowly subsides. Psychoanalytic investigation of such cases has made us acquainted with the secret mainsprings of this affliction. We have ascertained that these obsessive reproaches are in a certain sense justified and therefore are immune to refutation or objections. Not that the mourner has really been guilty of the death or that she has really been careless, as the obsessive reproach asserts; but still there was something in her, a wish of which she herself was unaware, which was not displeased with the fact that death came, and which would have brought it about sooner had it been strong enough. The reproach now reacts against this unconscious wish after the death of the beloved person. Such hostility, hidden in the unconscious behind tender love, exists in almost all cases of intensive emotional allegiance to a particular person, indeed it represents the classic case, the prototype of the ambivalence of human emotions. There is always more or less of this ambivalence in everybody’s disposition; normally it is not strong enough to give rise to the obsessive reproaches we have described. But where there is abundant predisposition for it, it manifests itself in the relation to those we love most, precisely where you would least expect it. The disposition to compulsion neurosis which we have so often taken for comparison with taboo problems, is distinguished by a particularly high degree of this original ambivalence of emotions.”
― Sigmund Freud, quote from Totem and Taboo
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