“You have the distinct appearance of a woman in need of something warm and furry.”
― K.M. Weiland, quote from Dreamlander
“Apathy is a tide pool that drowns its victims.”
― K.M. Weiland, quote from Dreamlander
“A TELEPHONE YOWLED in Chris’s ear, and he scrabbled at his side for a sword that wasn’t there.”
― K.M. Weiland, quote from Dreamlander
“If you hadn’t wanted out of here so bad, you wouldn’t have let yourself believe the lies. But you’re here now just like us. You’re tied up just like us. And unlike some of us, it’s your fault. So whyn’t you think on that for a bit.”
― K.M. Weiland, quote from Dreamlander
“People only believe in heroes when they win.”
― K.M. Weiland, quote from Dreamlander
“Mist cloaked the top, like diaphanous scarves upon ebony shoulders, hiding but not obscuring the city that crowned the summit and spilled down the side of the hill.”
― K.M. Weiland, quote from Dreamlander
“Here.” He lifted the jiswar into her arms. “You have the distinct appearance of a woman in need of something warm and furry.” The”
― K.M. Weiland, quote from Dreamlander
“Pitch tugged at Orias’s coat. “Don’t. Don’t do it.” Mactalde set his goblet on a nearby table and rose. The fire lit his face from the bottom up. “You’ve come so far on your quest to save your people. I don’t think you can abandon them now.” And the gut-wrenching truth was ... he couldn’t.”
― K.M. Weiland, quote from Dreamlander
“she could write the world as she would, life would go on just as it had since the”
― K.M. Weiland, quote from Dreamlander
“Here.” He lifted the jiswar into her arms. “You have the distinct appearance of a woman in need of something warm and furry.”
― K.M. Weiland, quote from Dreamlander
“He was studying his grandmother, as if he was hungry too, but for something not food, hungry in a way that food could never fill.”
― Cynthia Voigt, quote from Homecoming
“Two men enter the room, one old and mustached and the other young and tawny-headed, wearing sweats and a worn T-shirt. He looks like Silas, actually—god, what am I, obsessed? But there really is something of the woodsman in the younger man’s face, with his full lips, his slightly curled hair that turns like tendrils around his ears . . . I look away before studying him too closely.
“All right, ladies, are we ready?” the older man says enthusiastically. There’s a loud rustling of paper as well flip the enormous sketchbooks on our easels until we find blank sheets. I draw a few soft lines on my page, unsure what—
Non-Silas rips off his T-shirt, revealing lightly defined muscles on his pale chest. I raise an eyebrow just as he tugs at the waist of the sweatpants. They drop to the floor in a fluid, sweeping motion.
There’s nothing underneath them. At all.
My charcoal slips through my suddenly sweaty fingers.
Non-Silas steps out of the puddle of his clothes and moves to the center of the room, fluorescent lights reflecting off his slick abdomen. He’s smiling as though he isn’t naked, smiling as though I didn’t somehow manage to get the seat closest to him. As if I can’t see . . . um . . . everything only a few feet from my face, making my mind clumsily spiral. I squeeze my eyes shut for a moment; he looks like Silas in the face, and because of that I keep wondering if he looks akin to Silas everywhere else.
“All right, ladies, this will be a seven-minute pose. Ready?” the older man says, positioning himself behind the other empty easel. The roomful of housewives nod in one hungry motion. I quiver. “Go!” the older man says, starting the stopwatch. Non-Silas poses, something reminiscent of Michelangelo’s David, only instead of marble eyes looking into nothingness, non-Silas is staring almost straight at me.
Draw. I’m supposed to be drawing. I grab a new piece of charcoal from the bottom of the easel and begin hastily making lines in my sketchbook. I can’t not look at him, or he’ll think I’m not drawing him. I glance hurriedly, trying to avoid the region my eyes continuously return to. I start to feel fluttery.
How long has it been? Surely it’s been seven minutes. I try to add some tone to my drawing’s chest. I wonder what Silas’s chest looks like . . . Stop! Stop stop stop stop stop—”
“Right, then!” the older man says as his stopwatch beeps loudly and the scratchy sound of charcoal on paper ends. Thank you, sir, thank you—”
“Annnnd next pose!”
Non-Silas turns his head away, till all I can see is his wren-colored hair and his side, including a side view of . . . how many times am I going to have to draw this man’s area? What’s worse is that he looks even more like Silas now that I can’t see his eyes. Just like Silas, I bet. My eyes linger longer than necessary now that non-Silas isn’t staring straight at me.
By the end of class, I’ve drawn eight mediocre pictures of him, each one with a large white void in the crotch area. The housewives compare drawings with ravenous looks in their eyes as non-Silas tugs his pants back on and leaves the room, nodding politely. I picture him naked again.
I sprint from the class, abandoning my sketches—how could I explain them to Scarlett or Silas? Stop thinking of Silas, stop thinking of Silas.”
― Jackson Pearce, quote from Sisters Red
“You can always win points; winning people’s respect is a lot more important.”
― John Flanagan, quote from The Outcasts
“Harvard just took that option out of our hands. He is truly on his own now.”
― Lara Adrian, quote from Deeper Than Midnight
“I rolled my eyes. "He's talking to himself. My vote is he's crazy."
He thought about this. "Maybe he's normal and we're the crazy ones. Maybe everyone should talk to themselves. Maybe we're all just afraid of what we'd say.”
― Katie Kacvinsky, quote from Awaken
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