Margaret Peterson Haddix · 218 pages
Rating: (14.3K votes)
“A thousand times today I've started to open my mouth, started to squeak out, "Can you tell me...? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them.”
― Margaret Peterson Haddix, quote from Double Identity
“The sudden silence is horrifying, and it seems to catch my mother off guard. A tiny whimper escapes her, the sound amplified in the stillness. Surely, my father hears her now; surely he and I can't go on pretending she isn't crying.”
― Margaret Peterson Haddix, quote from Double Identity
“That porch is a happy-looking place, and my father - burdened, stoop-shouldered, cadaverously thin - doesn't seem to belong on it.”
― Margaret Peterson Haddix, quote from Double Identity
“Unlike my mother, my father does not cry quietly. His wails roll out like a wave of pain, and I scramble to roll up my window. My mother cannot hear that. I cannot bear to hear it myself. I am not used to my father's crying. I've had no time to harden my heart against him.”
― Margaret Peterson Haddix, quote from Double Identity
“Oh, Myr," he chokes out. "I hate having to ask this of you..."
He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow.
"You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich.
"You'd do anything?" my father repeats numbly. "Even now? After -?"
"Even now," the woman says firmly.”
― Margaret Peterson Haddix, quote from Double Identity
“Indecipherable images agitated his sleep. He is alone in a dark place. Then he hears voices, singing and laughing. Singing that same old song from the movies they used to watch at the boarding school when the lights were out and everybody was supposed to be a sleep.”
― Willow Rose, quote from One, Two ... He Is Coming For You
“She had given him up. That was the hard condition of his being and of all commerce between them.”
― David Malouf, quote from Ransom
“There was love here, the voice said again.
But whose love? Ico wondered. He had assumed Ozuma had been talking about the queen and her daughter--but maybe...
From the very first time he had seen her, Ico had wanted to save Yorda. There had been no thought, no reason--when he saw her in the cage, he knew he had to set her free.”
― Miyuki Miyabe, quote from Ico: Castle in the Mist
“I walked around the counter and straight into his white T-shirt. Then we stood like that, him holding my red head, and me listening to the part of his chest where his heart used to be.”
― Jennifer Gooch Hummer, quote from Girl Unmoored
“Il y en a qui écrivent pour rechercher les applaudissements humains, au moyen de nobles qualités du coeur que l’imagination invente ou qu’ils peuvent avoir. Moi, je fais servir mon génie à peindre les délices de la cruauté ! Délices non passagères, artificielles ; mais, qui ont commencé avec l’homme, finiront avec lui. Le génie ne peut-il pas s’allier avec la cruauté dans les résolutions secrètes de la Providence ? ou, parce qu’on est cruel, ne peut-on pas avoir du génie ? On en verra la preuve dans mes paroles ; il ne tient qu’à vous de m’écouter, si vous le voulez bien... Pardon, il me semblait que mes cheveux s’étaient dressés sur ma tête ; mais, ce n’est rien, car, avec ma main, je suis parvenu facilement à les remettre dans leur première position. Celui qui chante ne prétend pas que ses cavatines soient une chose inconnue ; au contraire, il se loue de ce que les pensées hautaines et méchantes de son héros soient dans tous les hommes.”
― Comte de Lautréamont, quote from Maldoror = Les Chants de Maldoror, together with a translation of Lautréamont's Poésies
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