Margaret Peterson Haddix · 218 pages
Rating: (14.3K votes)
“A thousand times today I've started to open my mouth, started to squeak out, "Can you tell me...? But then I'd look into the front seat, at my mother's silent shaking, my father's grim profile, the mournful bags under his eyes, and all the questions I might ask seemed abusive. Assault and battery, a question mark used like a club. My parents are old and fragile. I'd have to heartless to want to hurt them.”
― Margaret Peterson Haddix, quote from Double Identity
“The sudden silence is horrifying, and it seems to catch my mother off guard. A tiny whimper escapes her, the sound amplified in the stillness. Surely, my father hears her now; surely he and I can't go on pretending she isn't crying.”
― Margaret Peterson Haddix, quote from Double Identity
“That porch is a happy-looking place, and my father - burdened, stoop-shouldered, cadaverously thin - doesn't seem to belong on it.”
― Margaret Peterson Haddix, quote from Double Identity
“Unlike my mother, my father does not cry quietly. His wails roll out like a wave of pain, and I scramble to roll up my window. My mother cannot hear that. I cannot bear to hear it myself. I am not used to my father's crying. I've had no time to harden my heart against him.”
― Margaret Peterson Haddix, quote from Double Identity
“Oh, Myr," he chokes out. "I hate having to ask this of you..."
He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow.
"You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich.
"You'd do anything?" my father repeats numbly. "Even now? After -?"
"Even now," the woman says firmly.”
― Margaret Peterson Haddix, quote from Double Identity
“– Then why are you begging?
– To find out what effect it has and to observe people’s reaction”
― Ágota Kristóf, quote from The Notebook, The Proof, The Third Lie: Three Novels
“I thought, There goes my lord, whom I was born to follow. I have found a King.
And, I said to myself, looking after him as he walked away, I will have him, if I die for it.”
― Mary Renault, quote from The Persian Boy
“Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?”
Vin looked up, glaring at him. “Yes.”
“What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.”
She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!”
“He’s a nobleman!”
“So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!”
She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst.
“What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?”
She fell silent, puffing slightly, the crewmembers staring at her.
“Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.”
She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt.
And, for once, found himself without anything to say.”
― Brandon Sanderson, quote from Mistborn
“Lila was able to speak through writing; unlike me when I wrote, unlike Sarratore in his articles and poems, unlike even many writers I had read and was reading, she expressed herself in sentences that were well constructed, and without error, even though she had stopped going to school, but–further–she left no trace of effort, you weren't aware of the artifice of the written word. I read and I saw her, I heard her. The voice set in the writing overwhelmed me, enthralled me even more than when we talked face to face; it was completely cleansed of the dross of speech, of the confusion of the oral; it had the vivid orderliness that I imagined would belong to conversation if one were so fortunate as to be born from the head of Zeus and not from the Grecos, the Cerullos.”
― quote from My Brilliant Friend
“On the contrary, the inflation itself is partly a response to the reaction. As it has become politically less attractive to vote higher taxes to pay for higher spending, legislators have resorted to financing spending through inflation, a hidden tax that can be imposed without having been voted, taxation without representation. That is no more popular in the twentieth century than it was in the eighteenth.”
― Milton Friedman, quote from Free to Choose: A Personal Statement
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