“Turnpikes at night were like girl talk: not interesting.”
― Caroline B. Cooney, quote from The Voice on the Radio
“When you were steadily dating a boy, as she was Reeve, and this was known to everybody, it freed you up to be friends with boys.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Brian was only thirteen. He was asleep by one A.M.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Janie and Jodie looked at him as if he were an out-of-date computer chip.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Barbies are warm and tan and always the same, thought Janie, but real people are not always the same.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Last time she had been here, the room had been pastel, romantic and soft. Now it was icily white. It was urban, out of a slick magazine, as if some cold, successful woman lived here with two possessions and an empty refrigerator.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Every time he calls, I nag him to study.” “I hear that boys don’t like to be nagged.” “Me too, but it’s irresistible. You always want to take the boy and mold him into something better.”
― Caroline B. Cooney, quote from The Voice on the Radio
“Not a breath, not a sound—except at intervals the muffled crackling of stones that the cold was reducing to sand—disturbed the solitude and silence surrounding Janine. After a moment, however, it seemed to her that the sky above her was moving in a sort of slow gyration. In the vast reaches of the dry, cold night, thousands of stars were constantly appearing, and their sparkling icicles, loosened at once, began to slip gradually towards the horizon. Janine could not tear herself away from contemplating those drifting flares. She was turning with them, and the apparently stationary progress little by little identified her with the core of her being, where cold and desire were now vying with each other. Before her the stars were falling one by one and being snuffed out among the stones of the desert, and each time Janine opened a little more to the night. Breathing deeply, she forgot the cold, the dead weight of others, the craziness or stuffiness of life, the long anguish of living and dying. After so many years of mad, aimless fleeing from fear, she had come to a stop at last. At the same time, she seemed to recover her roots and the sap again rose in her body, which had ceased trembling. Her whole belly pressed against the parapet as she strained towards the moving sky; she was merely waiting for her fluttering heart to calm down and establish silence within her. The last stars of the constellations dropped their clusters a little lower on the desert horizon and became still. Then, with unbearable gentleness, the water of night began to fill Janine, drowned the cold, rose gradually from the hidden core of her being and overflowed in wave after wave, rising up even to her mouth full of moans. The next moment, the whole sky stretched out over her, fallen on her back on the cold earth.”
― Albert Camus, quote from Exile and the Kingdom
“She liked a very particular kind of plot: the sort where the pirate kidnaps some virgin damsel, rapes her into loving him, and then dispatches lots of seamen while she polishes his cutlass. Or where the Highland clan leader kidnaps some virginal English Rose, rapes her into loving him, and then kills entire armies Sassenachs while she stuffs his haggis. Or where the Native American warrior kidnaps a virginal white settler, rapes her into loving him, and then kills a bunch of colonists while she whets his tomahawk. I hated to get Freudian on Linda, but her reading patterns suggested some interesting insight into why she is such a bitch.”
― Nicole Peeler, quote from Tempest Rising
“There's one thing I've learned about mortals. They're a lot more resilient and a whole bunch more resourceful than they usually give themselves credit for. Why else do you think the Fae have always had such a fascination with them? Why d'you think Auberon uses changelings to guard the Gate? Trolls are stronger, cheaper, more plentiful, and nobody cares if they get exploded or ripped to pieces. But he uses mortals. Because they're full of hidden strengths.”
― Lesley Livingston, quote from Tempestuous
“The English language lacks the words to mourn an absence. For the loss of a parent, grandparent, spouse, child or friend, we have all manner of words and phrases, some helpful some not. Still we are conditioned to say something, even if it is only “I’m sorry for your loss.” But for an absence, for someone who was never there at all, we are wordless to capture that particular emptiness. For those who deeply want children and are denied them, those missing babies hover like silent ephemeral shadows over their lives. Who can describe the feel of a tiny hand that is never held?”
― Laura Bush, quote from Spoken from the Heart
“The great festival of Lughnasa was held at Carmun once every three years. The site of Carmun was eerie. In a land of wild forest and bog, it was an open grassy space that stretched, green and empty, halfway to the horizon. Lying some distance west of the point where, if you were following it upstream, the Liffey’s course began to retreat eastwards on the way to its source in the Wicklow Mountains, the place was absolutely flat, except for some mounds in which ancestral chiefs were buried. The festival lasted a week. There were areas reserved for food and livestock markets, and another where fine clothes were sold; but the most important quarter was where a large racetrack was laid out on the bare turf.”
― Edward Rutherfurd, quote from The Princes of Ireland
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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