“respectful. Sure, his hair might be a little mussed for Principal Barkin’s liking. And those T-shirts. Principal Barkin wasn’t sure about those T-shirts.”
― Mac Barnett, quote from The Terrible Two Get Worse
“2015 Caldecott Honor winner; and Battle Bunny, written with Jon Scieszka and illustrated by Matthew Myers. He also writes the”
― Mac Barnett, quote from The Terrible Two Get Worse
“Leave it to Niles Sparks to prank his pranking partner in the middle of a prank.”
― Mac Barnett, quote from The Terrible Two Get Worse
Mac Barnett
Born place: The United States
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“-Beatriz. Me la quedé mirando, y me enamoré de ella.
Neruda se rascó su plácida calvicie con el dorso del lápiz.
-Tan rápido.
-No, tan rápido no. Me la quedé mirando como diez minutos.”
― Antonio Skármeta, quote from The Postman
“It was then that I made the discovery that his talk created reverberations, that the echo took a long time to reach one's ears. I began to compare it with French talk in which I had been enveloped for so long. The latter seemed more like the play of light on an alabaster vase, something reflective, nimble, dancing, liquid, evanescent, whereas the other, the Katsimbalistic language, was opaque, cloudy, pregnant with resonances which could only be understood long afterwards, when the reverberations announced the collision with thoughts, people, objects located in distant parts of the earth. The Frenchman puts walls about his talk, as he does about his garden: he puts limits about everything in order to feel at home. At bottom he lacks confidence in his fellow-man; he is skeptical because he doesn't believe in the innate goodness of human beings. He has become a realist because it is safe and practical. The Greek, on the other hand, is an adventurer: he is reckless and adaptable, he makes friends easily. The walls which you see in Greece, when they are not of Turkish or Venetian origin, go back to the Cyclopean age. Of my own experience I would say that there is no more direct, approachable, easy man to deal with than the Greek. He becomes a friend immediately: he goes out to you. With the Frenchman friendship is a long and laborious process: it may take a lifetime to make a friend of him. He is best in acquaintanceship where there is little to risk and where there are no aftermaths. The very word ami contains almost nothing of the flavor of friend, as we feel it in English. C'est mon ami cannot be translated by "this is my friend." There is no counterpart to this English phrase in the French language. It is a gap which has never been filled, like the word "home." These things affect conversation. One can converse all right, but it is difficult to have a heart to heart talk.”
― Henry Miller, quote from The Colossus of Maroussi
“You gently leaned over her to kiss her forehead and pulled the blankets around her shoulders. No father can adequately articulate the experience of watching his sleeping child—it must be lived. Now, imagine you are walking out of her room. Could you turn around and look at her and believe that the sum of her existence rests in a mass of cells? Certainly not. But this is exactly how a rank secularist is obliged to view his daughter. She is nothing more than a genetic product of his and her mother’s DNA. The puffing of air through her tiny chest keeps her alive. Your time with her is precious, meaningful, but purely a biological phenomenon. Her thoughts and feelings can be traced to neuronal firing in her brain. One day you will die and she will die and that will be that. Life began through the splitting and rejoining of DNA and when they stopped functioning, she did too.”
― quote from Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know
“Hélas! Nous ne manquons jamais d'argent pour nos caprices, nous ne discutons que le prix des choses utiles ou nécessaires; nous jetons l'or avec insouciance à des danseuses, et nous marchandons un ouvrier dont la famille affamée attend la paiement d'un mémoire. Combien de gens ont un habit de cent francs, un diamant à la pomme de leur canne, et dinent à vingt-cinque sous? Il semble que nous n'achetions jamais assez chèrementles plaisirs de la vanité”
― Honoré de Balzac, quote from The Wild Ass's Skin
“I could wish to spy the nakedness of their hearts, and through the different disguises of customs, climates, and religion, find out what is good in them, to fashion my own by. It is for this reason that I have not seen the Palais Royal - nor the facade of the Louvre - nor have attempted to swell the catalogues we have of pictures, statues, and churches - I conceive every fair being as a temple, and would rather enter in, and see the original drawings and loose sketches hung up in it, than the Transfiguration of Raphael itself.”
― Laurence Sterne, quote from A Sentimental Journey
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