“Our ability to adapt is amazing. Our ability to change isn't quite as spectacular.”
― Lisa Lutz, quote from The Spellmans Strike Again
“I entered his apartment without being invited, which is perfectly fine if you're not a vampire.”
― Lisa Lutz, quote from The Spellmans Strike Again
“We knew we were doomed. The kiss was a warm acceptance of years of bickering, years of me consuming foods that I found barely edible and Henry tidying up after someone who already thought she had tidied up. When I kissed Henry I wasn't imagining Ex-boyfriend #13; I was picturing Husband #1.”
― Lisa Lutz, quote from The Spellmans Strike Again
“But the most valuable lesson he taught me was this: Every day we get older, and some of us get wiser, but there's no end to our evolution. We are all a mess of contradictions; some of our traits work for us, some against us.”
― Lisa Lutz, quote from The Spellmans Strike Again
“I refuse to have a life partner who spends his days pretending to be on a BBC show.”
― Lisa Lutz, quote from The Spellmans Strike Again
“I was angry, but I was also tired and devastated by the idea that I would have to spend another four hours trying to reassemble some obnoxious feel-good movie that had done nothing but make me feel bad. I did what any tough, self-reliant, overburdened, sleep-deprived, seasoned investigator would do: I cried.”
― Lisa Lutz, quote from The Spellmans Strike Again
“I had always thought of home not as a house, or even a place, but a feeling of safety and acceptance, a warm light when the rest of the world was a dark, forbidding place.
Whenever my family was around, wherever we were, I felt like I was home.”
― Elizabeth Haydon, quote from The Floating Island
“The more she thought about it, the more she realized: Oak Ridgers had kept the most amazing secret ever.”
― Denise Kiernan, quote from The Girls of Atomic City: The Untold Story of the Women Who Helped Win World War II
“Grab my hands and stop me, because if you don’t, you’re mine. And I’m yours, and whatever else happens, we’ll have something beautiful and perfect, and it’ll mean something, for as long as it lasts.”
― Jasinda Wilder, quote from Falling Under
“Because everything does make sense, when you look at it from the right angle. All you have to do is find out what that angle is, for whatever it is you want to understand, and bang, the universe becomes a rational place.”
― Susanna Kearsley, quote from The Splendour Falls
“Con los países pobres ocurre lo mismo que ocurre con los pobres de cada país: los medios masivos de comunicación sólo se dignan echarles una ojeada cuando ofrecen alguna desgracia espectacular que puede tener éxito en el mercado. ¿Cuántas personas deben ser destripadas por guerra o terremoto, o ahogadas por inundación, para que algunos países sean noticia y aparezcan por una vez en el mapa del mundo? ¿Cuántos espantos debe acumular un muerto de hambre para que las cámaras lo enfoquen por una vez en la vida? El mundo tiende a convertirse en el escenario de un gigantesco reality show. Los pobres, los desaparecidos de siempre, sólo aparecen en la tele como objeto de burla de la cámara oculta o como actores de sus propias truculencias. El desconocido necesita ser reconocido, el invisible quiere hacerse visible, busca raíz el desarraigado. Lo que no existe en la televisión, ¿existe en la realidad? Sueña el paria con la gloria de la pantalla chica, donde cualquier espantapájaros se transfigura en galán irresistible. Con tal de entrar en el olimpo donde los teledioses moran, algún infeliz ha sido capaz de pegarse un tiro ante las cámaras de un programa de entretenimientos. Últimamente, la llamada telebasura está teniendo, en unos cuantos países de América latina, tanto o más éxito que las telenovelas: la niña violada llora ante el periodista que la interroga como si la violara otra vez; este monstruo es el nuevo hombre elefante, miren, señoras y señores, no se pierdan este fenómeno increíble: la mujer barbuda busca novio; un señor gordo dice estar embarazado. Hace treinta y poco años, en Brasil, ya los concursos del horror convocaban multitudes de candidatos y ganaban enormes teleaudiencias: ¿Quién es el enano más bajito del país? ¿Quién es el narigón de nariz más larga, que la ducha no le moja los pies? ¿Quién es el desgraciado más desgraciado de todos? En los concursos de desgraciados, desfilaba por los estudios la corte de los milagros: la niña sin orejas, comidas por las ratas; el débil mental que había pasado treinta años encadenado a la pata de una cama; la mujer que era hija, cuñada, suegra y esposa del marido borracho que la había dejado inválida. Y cada desgraciado tenía su hinchada, que desde la platea gritaba, a coro:
-¡Ya ganó! ¡Ya ganó!”
― Eduardo Galeano, quote from Upside Down: A Primer for the Looking-Glass World
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
We thoughtfully gather quotes from our favorite books, both classic and current, and choose the ones that are most thought-provoking. Each quote represents a book that is interesting, well written and has potential to enhance the reader’s life. We also accept submissions from our visitors and will select the quotes we feel are most appealing to the BookQuoters community.
Founded in 2023, BookQuoters has quickly become a large and vibrant community of people who share an affinity for books. Books are seen by some as a throwback to a previous world; conversely, gleaning the main ideas of a book via a quote or a quick summary is typical of the Information Age but is a habit disdained by some diehard readers. We feel that we have the best of both worlds at BookQuoters; we read books cover-to-cover but offer you some of the highlights. We hope you’ll join us.