“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on condition that they be insipid.
But as of then, no doubt existed for me: I did not care for what is known as "pleasures of the flesh" because they really are insipid; I cared only for what is classified as "dirty." On the other hand, I was not even satisfied with the usual debauchery, because the only thing it dirties is debauchery itself, while, in some way or other, anything sublime and perfectly pure is left intact by it. My kind of debauchery soils not only my body and my thoughts, but also anything I may conceive in its course, that is to say, the vast starry universe, which merely serves as a backdrop.”
― Georges Bataille, quote from Story of the Eye
“Extreme seductiveness is at the boundary of horror”
― Georges Bataille, quote from Story of the Eye
“We did not lack modesty—on the contrary—but something urgently drove us to defy modesty together as immodestly as possible.”
― Georges Bataille, quote from Story of the Eye
“I remember that one day, when we were in a car tooling along at top speed,we crashed into a cyclist, an apparently very young and very pretty girl. Her head was almost totally ripped off by the wheels. For a long time, we were parked a few yards beyond without getting out, fully absorbed in the sight of the corpse. The horror and despair at so much bloody flesh, nauseating in part, and in part very beautiful, was fairly equivalent to our usual impression upon seeing one another.”
― Georges Bataille, quote from Story of the Eye
“That discourse one might call the poetry of transgression is also knowledge. He who transgresses not only breaks a rule. He goes somewhere that the others are not; and he knows something the others don’t know.”
― Georges Bataille, quote from Story of the Eye
“The fact that the site of narrative is an ideal topos disqualifies neither pornography nor science fiction from being literature. Such”
― Georges Bataille, quote from Story of the Eye
“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savour the “pleasures of the flesh” only on condition that they be insipid.”
― Georges Bataille, quote from Story of the Eye
“We pedaled rapidly, without laughing or speaking, peculiarly satisfied with our mutual presence, akin to one another in the common isolation of lewdness, weariness, and absurdity.”
― Georges Bataille, quote from Story of the Eye
Georges Bataille
Born place: in Billon, Puy-de-Dôme, France
Born date September 10, 1897
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“You come in weighing a very average, very sexy seven pounds, seven ounces. As it happens, that is also the exact weight of an Emmy Award. Coincidence? Yes … but true fact? No.”
― Neil Patrick Harris, quote from Neil Patrick Harris: Choose Your Own Autobiography
“She looks at herself in the mirror. The idea is to look sexy again. And for whom exactly? Yourself, of course. Yes, well, that's all wonderfully self-affirming and very strong-minded as any decent woman should be these days, but let's just face facts here and say that when a woman - no, when a person is thinking about feeling sexy, it is always with the idea of someone else in mind. ”
― Joshua Ferris, quote from Then We Came to the End
“...the bird began to carry them to a new life in a new land. We'll be happy ever after, the queen wanted to whisper to her daughter as they flew, but she knew that was not true. Life never is that way. And so instead she held her daughter in silence, heart to heart, and as they traveled each heart drew on the other's strength, so that when they reached their destination they would be ready.”
― Chitra Banerjee Divakaruni, quote from Sister of My Heart
“Function (Baltimore: Williams & Wilkins, 2nd ed., 1971). It takes two people to perform a kinesiological test. Choose a friend or a family member for testing. We’ll call him or her your subject. Have the subject stand erect, right arm relaxed at his side, left arm held out parallel to the floor, elbow straight. (You may use the other arm if you wish.) Face your subject and place your left hand on his right shoulder to steady him. Then place your right hand on the subject’s extended left arm just above the wrist. Tell the subject you are going to try to push his arm down as he resists with all his strength. Now push down on his arm fairly quickly, firmly, and evenly. The idea is to push just hard enough to test the spring and bounce in the arm, but not so hard that the muscle becomes fatigued. It is not a question of who is stronger, but of whether the muscle can “lock” the shoulder joint against the push. Assuming there is no physical problem with the muscle and the subject is in a normal, relaxed state of mind, receiving no extraneous stimuli (for this reason it is important that the tester not smile or otherwise interact with the subject), the muscle will “test strong”—the arm will remain locked. If the test is repeated in the presence of a negative stimulus (for instance, artificial sweetener), “although you are pushing down no harder than before, the muscle will not be able to resist the pressure and the subject’s arm will fall to his side.”4”
― David R. Hawkins, quote from Power vs. Force
“...by choosing two aspects of a subject that appear to be in opposition, each can be examined in light of the other in order to better illuminate the entire subject, as long as one doesn't mistake the system for reality.”
― David Mazzucchelli, quote from Asterios Polyp
That Boy
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Soulstice
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