“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on condition that they be insipid.
But as of then, no doubt existed for me: I did not care for what is known as "pleasures of the flesh" because they really are insipid; I cared only for what is classified as "dirty." On the other hand, I was not even satisfied with the usual debauchery, because the only thing it dirties is debauchery itself, while, in some way or other, anything sublime and perfectly pure is left intact by it. My kind of debauchery soils not only my body and my thoughts, but also anything I may conceive in its course, that is to say, the vast starry universe, which merely serves as a backdrop.”
― Georges Bataille, quote from Story of the Eye
“Extreme seductiveness is at the boundary of horror”
― Georges Bataille, quote from Story of the Eye
“We did not lack modesty—on the contrary—but something urgently drove us to defy modesty together as immodestly as possible.”
― Georges Bataille, quote from Story of the Eye
“I remember that one day, when we were in a car tooling along at top speed,we crashed into a cyclist, an apparently very young and very pretty girl. Her head was almost totally ripped off by the wheels. For a long time, we were parked a few yards beyond without getting out, fully absorbed in the sight of the corpse. The horror and despair at so much bloody flesh, nauseating in part, and in part very beautiful, was fairly equivalent to our usual impression upon seeing one another.”
― Georges Bataille, quote from Story of the Eye
“That discourse one might call the poetry of transgression is also knowledge. He who transgresses not only breaks a rule. He goes somewhere that the others are not; and he knows something the others don’t know.”
― Georges Bataille, quote from Story of the Eye
“The fact that the site of narrative is an ideal topos disqualifies neither pornography nor science fiction from being literature. Such”
― Georges Bataille, quote from Story of the Eye
“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savour the “pleasures of the flesh” only on condition that they be insipid.”
― Georges Bataille, quote from Story of the Eye
“We pedaled rapidly, without laughing or speaking, peculiarly satisfied with our mutual presence, akin to one another in the common isolation of lewdness, weariness, and absurdity.”
― Georges Bataille, quote from Story of the Eye
Georges Bataille
Born place: in Billon, Puy-de-Dôme, France
Born date September 10, 1897
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“the things we carry with us from childhood define who we become.”
― Laura Schroff, quote from An Invisible Thread: The True Story of an 11-Year-Old Panhandler, a Busy Sales Executive, and an Unlikely Meeting with Destiny
“He's created a freaking ice cream sundae with extra-hot fudge just by uttering my name.”
― Shanora Williams, quote from Who He Is
“We feel that our actions are voluntary when they follow a decision, and involuntary when they happen without decision. But if decision itself were voluntary, every decision would have to be preceded by a decision to decide–an infinite regression which fortunately does not occur. Oddly enough, if we had to decide to decide, we would not be free to decide. We are free to decide because decision “happens.” We just decide without having the faintest understanding of how we do it. In fact, it is neither voluntary nor involuntary. To “get the feel” of this relativity is to find another extraordinary transformation of our experience as a whole, which may be described in either of two ways. I feel that I am deciding everything that happens, or, I feel that everything, including my decisions, is just happening spontaneously. For a decision–the freest of my actions-just happens like hiccups inside me or like a bird singing outside me. Such a way of seeing things is vividly described by a modern Zen master, the late Sokei-an Sasaki: One day I wiped out all the notions from my mind. I gave up all desire. I discarded all the words with which I thought and stayed in quietude. I felt a little queer–as if I were being carried into something, or as if I were touching some power unknown to me … and Ztt! I entered. I lost the boundary of my physical body. I had my skin, of course, but I felt I was standing in the center of the cosmos. I spoke, but my words had lost their meaning. I saw people coming towards me, but all were the same man. All were myself! I had never known this world. I had believed that I was created, but now I must change my opinion: I was never created; I was the cosmos; no individual Mr. Sasaki existed.7 It would seem, then, that to get rid of the subjective distinction between “me” and “my experience”–through seeing that my idea of myself is not myself–is to discover the actual relationship between myself and the “outside” world. The individual, on the one hand, and the world, on the other, are simply the abstract limits or terms of a concrete reality which is “between” them, as the concrete coin is “between” the abstract, Euclidean surfaces of its two sides. Similarly, the reality of all “inseparable opposites”–life and death, good and evil, pleasure and pain, gain and loss–is that “between” for which we have no words.”
― Alan W. Watts, quote from The Way of Zen
“Maybe love couldn't be forgotten. But maybe, just maybe it could be smothered by hate.”
― Nashoda Rose, quote from Torn from You
“I know this room too well - this view too well - I am getting it all out of focus, because I can't walk through it.”
― Virginia Woolf, quote from A Writer's Diary
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