Quotes from Story of the Eye

“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savor the "pleasures of the flesh" only on condition that they be insipid.
But as of then, no doubt existed for me: I did not care for what is known as "pleasures of the flesh" because they really are insipid; I cared only for what is classified as "dirty." On the other hand, I was not even satisfied with the usual debauchery, because the only thing it dirties is debauchery itself, while, in some way or other, anything sublime and perfectly pure is left intact by it. My kind of debauchery soils not only my body and my thoughts, but also anything I may conceive in its course, that is to say, the vast starry universe, which merely serves as a backdrop.”
― Georges Bataille, quote from Story of the Eye

“Extreme seductiveness is at the boundary of horror”
― Georges Bataille, quote from Story of the Eye

“We did not lack modesty—on the contrary—but something urgently drove us to defy modesty together as immodestly as possible.”
― Georges Bataille, quote from Story of the Eye

“I remember that one day, when we were in a car tooling along at top speed,we crashed into a cyclist, an apparently very young and very pretty girl. Her head was almost totally ripped off by the wheels. For a long time, we were parked a few yards beyond without getting out, fully absorbed in the sight of the corpse. The horror and despair at so much bloody flesh, nauseating in part, and in part very beautiful, was fairly equivalent to our usual impression upon seeing one another.”
― Georges Bataille, quote from Story of the Eye

“That discourse one might call the poetry of transgression is also knowledge. He who transgresses not only breaks a rule. He goes somewhere that the others are not; and he knows something the others don’t know.”
― Georges Bataille, quote from Story of the Eye

“The fact that the site of narrative is an ideal topos disqualifies neither pornography nor science fiction from being literature. Such”
― Georges Bataille, quote from Story of the Eye

“To others, the universe seems decent because decent people have gelded eyes. That is why they fear lewdness. They are never frightened by the crowing of a rooster or when strolling under a starry heaven. In general, people savour the “pleasures of the flesh” only on condition that they be insipid.”
― Georges Bataille, quote from Story of the Eye

“We pedaled rapidly, without laughing or speaking, peculiarly satisfied with our mutual presence, akin to one another in the common isolation of lewdness, weariness, and absurdity.”
― Georges Bataille, quote from Story of the Eye

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Popular quotes

“Although I remain uncertain about God or any particular religion, I believe in karma. What goes around, comes around. How you live your life, the respect that you give others and the mountain, and how you treat people in general will come back to you in kindred fashion. I like to talk about what I call the Karma National Bank. If you give up the summit to help rescue someone who’s in trouble, you’ve put a deposit in that bank. And sometime down the road, you may need to make a big withdrawal. People”
― Ed Viesturs, quote from No Shortcuts to the Top: Climbing the World's 14 Highest Peaks

“People did terrible things to each other- and half the time they did it by accident.”
― Josh Lanyon, quote from Come Unto These Yellow Sands

“That is the nature of this madness. It fills the sky with barrage balloons and people's eyes with hate.”
― Chris Cleave, quote from Incendiary

“L'Art d’avoir toujours raison La dialectique 1 éristique est l’art de disputer, et ce de telle sorte que l’on ait toujours raison, donc per fas et nefas (c’est-à-dire par tous les moyens possibles)2. On peut en effet avoir objectivement raison quant au débat lui-même tout en ayant tort aux yeux des personnes présentes, et parfois même à ses propres yeux. En effet, quand mon adversaire réfute ma preuve et que cela équivaut à réfuter mon affirmation elle-même, qui peut cependant être étayée par d’autres preuves – auquel cas, bien entendu, le rapport est inversé en ce qui concerne mon adversaire : il a raison bien qu’il ait objectivement tort. Donc, la vérité objective d’une proposition et la validité de celle-ci au plan de l’approbation des opposants et des auditeurs sont deux choses bien distinctes. (C'est à cette dernière que se rapporte la dialectique.) D’où cela vient-il ? De la médiocrité naturelle de l’espèce humaine. Si ce n’était pas le cas, si nous étions foncièrement honnêtes, nous ne chercherions, dans tout débat, qu’à faire surgir la vérité, sans nous soucier de savoir si elle est conforme à l’opinion que nous avions d’abord défendue ou à celle de l’adversaire : ce qui n’aurait pas d’importance ou serait du moins tout à fait secondaire. Mais c’est désormais l’essentiel. La vanité innée, particulièrement irritable en ce qui concerne les facultés intellectuelles, ne veut pas accepter que notre affirmation se révèle fausse, ni que celle de l’adversaire soit juste. Par conséquent, chacun devrait simplement s’efforcer de n’exprimer que des jugements justes, ce qui devrait inciter à penser d’abord et à parler ensuite. Mais chez la plupart des hommes, la vanité innée s’accompagne d’un besoin de bavardage et d’une malhonnêteté innée. Ils parlent avant d’avoir réfléchi, et même s’ils se rendent compte après coup que leur affirmation est fausse et qu’ils ont tort, il faut que les apparences prouvent le contraire. Leur intérêt pour la vérité, qui doit sans doute être généralement l’unique motif les guidant lors de l’affirmation d’une thèse supposée vraie, s’efface complètement devant les intérêts de leur vanité : le vrai doit paraître faux et le faux vrai.”
― Arthur Schopenhauer, quote from The Art of Always Being Right

“They are the eyes of a poet, or painter—an artist, a tortured soul.”
― Morgan Rice, quote from Arena One: Slaverunners

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