“No matter how good a man is, there's always some horse can pitch him.”
― John Steinbeck, quote from The Red Pony
“It would be a dreadful thing to tell anyone about it, for it would destroy some fragile structure of truth. It was truth that might be shattered by division.”
― John Steinbeck, quote from The Red Pony
“It became his habit to creep out of bed even before his mother was awake, to slip into his clothes and to go quietly down to the barn to see Gabilan. In the grey quiet mornings when the land and the brush and the houses and the trees were silver-grey and black like a photograph negative, he stole toward the barn, past the sleeping stones and the sleeping cypress tree. The turkeys, roosting in the tree out of coyotes' reach, clicked drowsily. The fields glowed with a grey frost-like light and in the dew the tracks of rabbits and of field mice stood out sharply. The good dogs came stiffly out of their little houses, hackles up and deep growls in their throats. Then they caught Jody's scent, and their stiff tails rose up and waved a greeting Doubletree Mutt with the big thick tail, and Smasher, the incipient shepherd-then went lazily back to their warm beds. It was a strange time and a mysterious journey, to Jody -an extension of a dream. When he first had the pony he liked to torture himself during the trip by thinking Gabilan would not be in his stall, and worse, would never have been there. And he had other delicious little self-induced pains. ”
― John Steinbeck, quote from The Red Pony
“The bird looked much smaller dead than alive. Jody felt a little mean pain in his stomach, so he took out his pocketknife and cut off the bird's head. Then he disemboweled it, and took off its wings; and finally he threw all the pieces into the brush. He didn't care about the bird, or its life, but he knew what older people would say if they had seen him kill it; he was ashamed because of their potential opinion.”
― John Steinbeck, quote from The Red Pony
“At last he said, "Did you come out of the big mountains?"
Gitano shook his head slowly. "No, I walked down the Salinas Valley."
The afternoon thought would not let Joey go. "Did you ever go into the big mountains back there?"
The old dark eyes grew fixed, and their light turned inward on the years that were living in Gitano's head.”
― John Steinbeck, quote from The Red Pony
“The old man slowly unwrapped the shining blade and let the lamplight slip along it for a moment. Then he wrapped it up again. 'You go now. I want to go to bed. He blew out the lamp almost before Jody had closed the door.
As he went back towards the house, Jody knew one thing more sharply than he had ever known anything. He must never tell anyone about the rapier. It would be a dreadful thing to tell anyone about it, for it would destroy some fragile structure of truth. It was truth that might be shattered by division.”
― John Steinbeck, quote from The Red Pony
“On the fences the shiny blackbirds with red epaulets clicked their dry call. The meadowlarks sang like water, and the wild doves, concealed among the bursting leaves of the oaks, made a sound of restrained grieving.”
― John Steinbeck, quote from The Red Pony
“Why, a trick horse is kind of like an actor—no dignity, no character of his own.”
― John Steinbeck, quote from The Red Pony
“I tell those stories, but they're not what I want to tell. I only know how I want people to feel when I tell them. It wasn't Indians that were important, nor adventures, nor even getting out here. It was a whole bunch of people made into one big crawling beast. And I was the head. It was westering and westering. Every man wanted something for himself, but the big beast that was all of them wanted only westering.”
― John Steinbeck, quote from The Red Pony
“He leaned his flail against the steps. ‘That’s to drive the mice out,’ he said. ‘I’ll bet they’re fat. I’ll bet they don’t know what’s going to happen to them today.’
‘No, nor you either,’ Billy remarked philosophically, ‘nor me, nor anyone.”
― John Steinbeck, quote from The Red Pony
“What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion? … I loved Ellen, and i wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn’t even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren’t worth of discussing, that she loved me - but she unquestioningly believed the best about me. That’s the difference. She didn’t ever search for that sliding panel which opens the secret chamber of the heart, the chamber where the memory and corpses are kept. Sometimes you find the panel but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love, I maintain.”
― Julian Barnes, quote from Flaubert's Parrot
“On the other hand, it has a number of other advantages for power. For one thing, it diverts people, it atomizes people. When you're sitting in front of your tube, you're alone. I mean, there's something about human beings that just makes face-to-face contact very different from banging around on a computer terminal and getting some noise coming back―that's very impersonal, and it breaks down human relations. Well, that's obviously a good result from the point of view of people with power―because it's extremely important to drive human sentiments out of people if you just want them to be passive and obedient and under control. So if you can eliminate things like face-to-face contact and direct interaction, and just turn people into what's caricatured as kind of an M.I.T. nerd―you know, somebody who's got antennae coming out of his head, and is wired into his computer all the time―that's a real advantage, because then you've made them more inhuman, and therefore more controllable.”
― Noam Chomsky, quote from Understanding Power: The Indispensable Chomsky
“That’s a federal crime,” I told him. “Punishable by three to five years in a minimum-security prison. You’ll get passed around like condiments at a barbeque.” “My hole is already quivering,” he said.”
― T.J. Klune, quote from Tell Me It's Real
“Bria was silent for a moment. “What—what were you dreaming about?”
I shrugged. “The usual. The night that our mother and Annabella died. I always see different parts of it, different bits and pieces.”
“What did you see tonight?”
I grimaced, even though she couldn’t see it in the darkness. “Oh, tonight was a real doozy. I dreamed about watching them die, about seeing them both disappear into balls of flames as Mab’s elemental Fire washed over them.”
“Oh.”
― Jennifer Estep, quote from Spider’s Revenge
“Tragedy is an imitation not just of a complete action, but of events that evoke pity and fear.”
― Aristotle, quote from Poetics
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