Quotes from The Prize

Julie Garwood ·  408 pages

Rating: (23.6K votes)


“A woman can't do anything about her appearance. Either she's pretty or she isn't. But her character is quite another matter.”
― Julie Garwood, quote from The Prize


“It's a sin to hate, and for that reason alone, we must not hate the Normans... We can, however, thoroughly dislike them, Alice.”
― Julie Garwood, quote from The Prize


“Respect was earned, not demanded, but dignity was taught by example.”
― Julie Garwood, quote from The Prize


“Remorse has no place in a warrior's mind... A war is like a game of chess, Nicholaa. Every battle is like a well-thought-out move on the board. Once it begins, there shouldn't be any emotion involved whatsoever.”
― Julie Garwood, quote from The Prize


“A compliment about one’s nature is more important because a person has to choose how to behave, whilst a compliment about one’s appearance doesn’t mean overly much because there is no choice involved there.”
― Julie Garwood, quote from The Prize



About the author

Julie Garwood
Born place: in Kansas City, The United States
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Popular quotes

“You could see the smile coming a year before it arrived.”
― Rick Yancey, quote from The Isle of Blood


“Non conosceva abbastanza il bondage o qualunque cosa fosse per potersi formare un’opinione personale.
E visto che la conoscenza era l’unica arma in suo possesso per scacciare la paura, Amery aprì il portatile e digitò
“shibari” nel motore di ricerca.
La prima cosa che cercò fu la definizione.
"Shibari-kinbaku è una tecnica che prevede l’utilizzo di corde per dare
vita a un bondage sensuale, spettacolare ed erotico; questa tecnica ha origine nelle arti marziali giapponesi del XVI secolo, nelle punizioni giudiziarie del Giappone del XVIII secolo e nelle produzioni teatrali giapponesi del XIX secolo"
Approfondì la lettura e apprese che quelle pratiche erano inizialmente basate sulle punizioni del bondage jujitsu chiamato hojojutsu. Non c’era da sorprendersi se Ronin si era interessato a quella tecnica, visto che nasceva da
quell’arte marziale che aveva praticato per tutta la vita.
Sembrava che l’hojojutsu fosse diffuso sin dai tempi dei samurai. Quando essi trasportavano i prigionieri, usavano
delle corde per legarli e controllarli dopo la cattura. Alcuni samurai divennero famosi per la loro abilità nell’intrecciare le corde, attività che doveva essere funzionale, ma anche
umana. I samurai entrarono in competizione tra loro: più elaborate e diverse erano le loro opere, maggiore rispetto acquisiva il maestro della corda. Amery apprese anche che i termini si riferivano a due tipi leggermente diversi della stessa disciplina bondage. Lo shibari era più artistico e si concentrava sulla bellezza del disegno delle corde sulla tela umana, era costituito da motivi elaborati e spesso
veniva messo in scena come performance artistica.
Il kinbaku, sebbene avesse in comune molti nodi e legature con lo Shibari, aveva una carica sessuale più marcata.
Istituiva un legame tra il maestro della corda e la persona che veniva legata, fondato sul contatto della pelle durante il processo di legatura, e spesso i nodi venivano posti in zone erogene strategiche.
The Mastered Series - Legami”
― Lorelei James, quote from Bound


“Because the child bound us together; but the link became a chain.”
― August Strindberg, quote from The Father


“Love was love, but art was art and though he mixed the two a little, he never confused them.”
― Jeanne Mackin, quote from The Beautiful American


“But I did feel the vertigo of death’s invitation, beckoning me towards the dark waters below. Only a newfound perspective and desire steadied my wavering soul. I came to realize, just in time, that suicide was far too easy – and obscenely cowardly – after someone I knew, not even half my age, had been through so much worse and still marched gloriously on.”
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