“As for the myths, take anyone's life and deny that most of it is deliberate self-delusion - an aggrandizement - a mixture of lies and truth, of what was wanted and what was had, producing the necessary justification for having been granted life in the first place. I was struck like a match, Lily wrote. I had no option but to burn.
You can put a period after that. Lily did. It was the story of her life.”
― Timothy Findley, quote from The Piano Man's Daughter
“Ede had been pregnant not quite the full term: eight months, two weeks, four days. She had lapsed into an extended silence - partly because she was still in mourning - still enraged and afraid of speech. And partly, too, because the child itself had taken up dreaming in her belly - dreaming and, Ede was certain, singing. Not singing songs a person knew, of course. Nothing Ede could recognize. But songs for certain. Music - with a tune to it. Evocative. A song about self. A song about place. As if a bird had sung it, sitting in a tree at the edge of a field. Or high in the air above a field. A hovering song. Of recognition.”
― Timothy Findley, quote from The Piano Man's Daughter
“I can't work in a house where there's saints. The minute there's saints, the devil sends messengers”
― Timothy Findley, quote from The Piano Man's Daughter
“I tell you Charlie, I was there waiting in that field. waiting for Ede and Tom to find me. You don't think two people come together for nothing, do you? They were together because I was waiting to be found..."
Then she looked straight into my face and said to me: "You know it, too, Charlie. All that time you waited for me to find you. What if I hadn't? What if I'd said: I won't?"
She turned, and clinging to my arm, she surveyed the fields of snow the stretched away to the confining wall.”
― Timothy Findley, quote from The Piano Man's Daughter
“Frederick?
Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside.
He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him.
Nothing was said. Not a word.
Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said.
He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress.
Stop! But he didn't.
Don't! But he did.
Nothing. Not one word.
The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done.
Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything.
When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”
― Timothy Findley, quote from The Piano Man's Daughter
“With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.”
― Timothy Findley, quote from The Piano Man's Daughter
Timothy Findley
Born place: in Toronto, Ontario, Canada
Born date October 30, 1930
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“Some months earlier one of his oldest friends, Junto charter member Hugh Roberts, had written with news of the club and how the political quarreling in Philadelphia had continued to divide the membership. Franklin expressed hope that the squabbles would not keep Roberts from the meetings. “’tis now perhaps one of the oldest clubs, as I think it was formerly one of the best, in the King’s dominions; it wants but about two years of forty since it was established.” Few men were so lucky as to belong to such a group. “We loved and still love one another; we are grown grey together and yet it is too early to part. Let us sit till the evening of life is spent; the last hours were always the most joyous. When we can stay no longer ’tis time enough then to bid each other good night, separate, and go quietly to bed.” And”
― H.W. Brands, quote from The First American: The Life and Times of Benjamin Franklin
“pay somebody to go to school for me.”
― James Patterson, quote from Middle School: The Worst Years of My Life
“لقد صنعت عباءة الحياة "في الكذب" من مادة غريبة: ما لم تغطى بإحكام المجتمع بأكلمه تصبح وكأنه من حجر.
ولكن في اللحظة التي يخترقها أحدهم من موضع ما, عندما ينادي إنسان واحد ويقول "الملك صار عارياً", عندما يخرق لاعب واحد قواعد اللعبة وبهذا يعريها على أنها مجرد لعبة, يظهر كل شيء فجأة على غير ما هو عليه, وتظهر العباءة على أنها من ورق وتبدأ وبلا توقف في التمزق والفناء.”
― Václav Havel, quote from The Power of the Powerless
“If we cling now, we suffer later. If”
― Noah Levine, quote from Against the Stream: A Buddhist Manual for Spiritual Revolutionaries
“We can have a just society whose guiding ethos is accountability and punishment, where both black kids dealing weed in Harlem and investment bankers peddling fraudulent securities on Wall Street are forced to pay for their crimes, or we can have a just society whose guiding ethos is forgiveness and second chances, one in which both Wall Street banks and foreclosed households are bailed out, in which both inside traders and street felons are allowed to rejoin polite society with the full privileges of citizenship intact. But we cannot have a just society that applies the principle of accountability to the powerless and the principle of forgiveness to the powerful. This is the America in which we currently reside.”
― Christopher L. Hayes, quote from Twilight of the Elites: America After Meritocracy
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