“As for the myths, take anyone's life and deny that most of it is deliberate self-delusion - an aggrandizement - a mixture of lies and truth, of what was wanted and what was had, producing the necessary justification for having been granted life in the first place. I was struck like a match, Lily wrote. I had no option but to burn.
You can put a period after that. Lily did. It was the story of her life.”
― Timothy Findley, quote from The Piano Man's Daughter
“Ede had been pregnant not quite the full term: eight months, two weeks, four days. She had lapsed into an extended silence - partly because she was still in mourning - still enraged and afraid of speech. And partly, too, because the child itself had taken up dreaming in her belly - dreaming and, Ede was certain, singing. Not singing songs a person knew, of course. Nothing Ede could recognize. But songs for certain. Music - with a tune to it. Evocative. A song about self. A song about place. As if a bird had sung it, sitting in a tree at the edge of a field. Or high in the air above a field. A hovering song. Of recognition.”
― Timothy Findley, quote from The Piano Man's Daughter
“I can't work in a house where there's saints. The minute there's saints, the devil sends messengers”
― Timothy Findley, quote from The Piano Man's Daughter
“I tell you Charlie, I was there waiting in that field. waiting for Ede and Tom to find me. You don't think two people come together for nothing, do you? They were together because I was waiting to be found..."
Then she looked straight into my face and said to me: "You know it, too, Charlie. All that time you waited for me to find you. What if I hadn't? What if I'd said: I won't?"
She turned, and clinging to my arm, she surveyed the fields of snow the stretched away to the confining wall.”
― Timothy Findley, quote from The Piano Man's Daughter
“Frederick?
Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside.
He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him.
Nothing was said. Not a word.
Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said.
He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress.
Stop! But he didn't.
Don't! But he did.
Nothing. Not one word.
The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done.
Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything.
When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”
― Timothy Findley, quote from The Piano Man's Daughter
“With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.”
― Timothy Findley, quote from The Piano Man's Daughter
Timothy Findley
Born place: in Toronto, Ontario, Canada
Born date October 30, 1930
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“Hart pointed at the carriage. "Get in."
Eleanor started, and the cake vendor, who'd been watching with evident enjoyment, looked worried. "No need," Eleanor said to Hart. "I'll find a hansom. I've brought Maigdlin an I have so many parcels."
"Get into the carriage, El, or I'll strap you to the top of it."
Eleanor rolled her eyes and took another bite of seedcake.”
― Jennifer Ashley, quote from The Duke's Perfect Wife
“Dreams are stages where lies and truths intertwine in and endless dance. It is in the waking world that you must decide what is real and what it not.”
― L. Filloon, quote from The Binding
“Was it possible to physically feel the moment you lost your heart to someone? Because Lucie was fairly sure she'd just lost hers, and the spot where it should have been literally hurt.”
― Gina L. Maxwell, quote from Seducing Cinderella
“The bear, which by now was as large as the cathedral on Catherine’s canal, rose on its hind legs like a dancing bear in a street market. For a moment the sun was blotted out by its size, and then it fell. As it fell, it came apart. It disintegrated. It fell like brown snow, but each flake was a person. The bear had been one hundred thousand people, and now the people came to earth, tumbling into the snowy streets of the city and picking themselves up, laughing at it all. Far from being hurt, they realised that they felt strong. But, like the bear, they felt hungry. They ran through the streets, swarming like bees, joining others who had emerged when the sun had. It was chaos.”
― Marcus Sedgwick, quote from Blood Red, Snow White
“Even a mama dog will protect her young to the death. What more of a mother?”
― Tess Uriza Holthe, quote from When the Elephants Dance
Harriet the Spy
Night World, No. 2
Fallen Too Far
Timeline
Hogfather
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