“As for the myths, take anyone's life and deny that most of it is deliberate self-delusion - an aggrandizement - a mixture of lies and truth, of what was wanted and what was had, producing the necessary justification for having been granted life in the first place. I was struck like a match, Lily wrote. I had no option but to burn.
You can put a period after that. Lily did. It was the story of her life.”
― Timothy Findley, quote from The Piano Man's Daughter
“Ede had been pregnant not quite the full term: eight months, two weeks, four days. She had lapsed into an extended silence - partly because she was still in mourning - still enraged and afraid of speech. And partly, too, because the child itself had taken up dreaming in her belly - dreaming and, Ede was certain, singing. Not singing songs a person knew, of course. Nothing Ede could recognize. But songs for certain. Music - with a tune to it. Evocative. A song about self. A song about place. As if a bird had sung it, sitting in a tree at the edge of a field. Or high in the air above a field. A hovering song. Of recognition.”
― Timothy Findley, quote from The Piano Man's Daughter
“I can't work in a house where there's saints. The minute there's saints, the devil sends messengers”
― Timothy Findley, quote from The Piano Man's Daughter
“I tell you Charlie, I was there waiting in that field. waiting for Ede and Tom to find me. You don't think two people come together for nothing, do you? They were together because I was waiting to be found..."
Then she looked straight into my face and said to me: "You know it, too, Charlie. All that time you waited for me to find you. What if I hadn't? What if I'd said: I won't?"
She turned, and clinging to my arm, she surveyed the fields of snow the stretched away to the confining wall.”
― Timothy Findley, quote from The Piano Man's Daughter
“Frederick?
Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside.
He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him.
Nothing was said. Not a word.
Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said.
He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress.
Stop! But he didn't.
Don't! But he did.
Nothing. Not one word.
The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done.
Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything.
When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”
― Timothy Findley, quote from The Piano Man's Daughter
“With Tom, there had never been a door to close, only the grass to lie on, never a bed; no walls, no ceiling to shut them in - or others out. Only the moon to see them, only the moon, some stars and whatever it was that had flown up out of the field when Ede had cried 'don't' in the final seconds of their embrace. Don't - meaning don't withdraw.”
― Timothy Findley, quote from The Piano Man's Daughter
Timothy Findley
Born place: in Toronto, Ontario, Canada
Born date October 30, 1930
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“Oh, poor baby,” she said, mimicking his drawl.
“Whew. You’re back. There was this other Susie here a minute ago, and she was really nice to me. She scared the shit out of me.”
She laughed. “They locked her back up in the loony bin.”
“Good, because there’s only one Susie for me—the one who calls me on my crap and doesn’t let me get away with jack shit. That’s the Susie I need. That’s the Susie I’ve missed coming home to over the last year.” He kissed her. “And that’s the Susie who’s going to leave a gaping hole in my heart and my life if she doesn’t give me another chance.”
― Marie Force, quote from Line of Scrimmage
“I have your back, OK? Don’t forget that. I won’t let you.”
― Karina Halle, quote from Dead Sky Morning
“You deicde, and you make our night what you want. Brilliant and ours. Stupid and theirs.”
― Arthur Phillips, quote from The Tragedy of Arthur
“They might add that monotheism is a political and psychological ideology as well as a religious one, and that the old economic lesson that one-crop economies generally fare poorly also applies to the spiritual realm.”
― Margot Adler, quote from Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America
“It was the prerogative of the powerful to betray their servants. You played their game or you played your own. The end was the same.”
― quote from M: The Man Who Became Caravaggio
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