Quotes from The Light in the Ruins

“She feared that she’d missed something, because there were so many parallels with her own story, and she could not help but see in her head the small memories her mind would offer as tantalizing, but—in the end unsatisfying, glimpses of what may have occurred.”
― Chris Bohjalian, quote from The Light in the Ruins

“She closed her eyes and tried desperately to swim through the mist that enveloped her memories. She was near here and then she wasn’t. She was whole and then she was wounded. Forever scarred. And in between? Unknowable, it seemed. Absolutely unknowable.”
― Chris Bohjalian, quote from The Light in the Ruins

“They studied the way the world
changed at morning and dusk and imagined how the sun might fall on the skin of a goddess.”
― Chris Bohjalian, quote from The Light in the Ruins

“In her experience, dead children, unlike dead adults, always looked as if they were sleeping - though she understood that there was an element of wishful thinking whenever she had come across corpses that young.”
― Chris Bohjalian, quote from The Light in the Ruins

“At night, when no one's there, the dancers and the musicians on the walls come to life and there's a glamorous ball. Sometimes their lights are so bright I can see the glow from my bedroom.”
― Chris Bohjalian, quote from The Light in the Ruins

“But she insists the family hadn’t a choice. Not true. We always have choices. Isn’t that what Dante teaches us?
I really have become quite the Dante scholar: “There is no greater sorrow than to recall our time of joy in wretchedness.”
― Chris Bohjalian, quote from The Light in the Ruins

“Serafina may think I’m a crazy person, but I’m not. She has her scars, too—and not only the ones I saw when she turned her head and her hair fell aside. We are both living out our lives in a Purgatorio. The difference? I arrived from the Paradiso, once young and married and so in love. But Serafina, she who was born alone in a fever dream of fire? She whose very skin is a tapestry of loss? Serafina, of course, arrived from the Inferno.”
― Chris Bohjalian, quote from The Light in the Ruins

“Even a magnificent city such as Florence becomes more intriguing if there is a demon at work in the alleys.”
― Chris Bohjalian, quote from The Light in the Ruins

“In America, Walt Disney opened an amusement park.
And in Florence, someone was savaging the remnants of a Tuscan nobleman’s family.”
― Chris Bohjalian, quote from The Light in the Ruins

“And so Cristina submerged her ears beneath the water and the world grew a little quieter; her hair fanned out atop the plane and she ran her fingers through it and was reminded of a goddess in a Renaissance painting. Her mind wandered far from the villa and the ruins and her unshakable sense that her world was about to change.”
― Chris Bohjalian, quote from The Light in the Ruins

“If they veered left, it would feel to them as if they were sinking into the earth: the path would narrow as the ground around them rose up to their hips, then shoulders, then heads. The walls would turn from sod to stone, and it would seem as if they were walking inside a crag in a cliff. The sky would be reduced to a thin swath of blue, broken in parts by the branches of the trees that grew above them along the sides of this ancient channel.”
― Chris Bohjalian, quote from The Light in the Ruins

“The Beatrice that obsessed Dante was a Florentine named Bice di Folco Portinari. Envision this moment (and, in all fairness, I am envisioning it the way Henry Holiday did in his exquisite nineteenth-century painting): Bice is walking beside the Arno River, dressed in white, the fabric clinging to her legs and outlining her slender thighs, and there is Dante. He meets her at the corner of one of the bridges that span
the river. His left hand, at first glimpse, is moving casually toward his hip; it is only on a more careful study that one realizes his hand is actually going up to his heart. Meanwhile, his right hand is resting on the bridge’s waist-high stone balustrade, as if Bico’s beauty is such that he needs to steady himself when he beholds her.”
― Chris Bohjalian, quote from The Light in the Ruins

“So you’re positive the killer is a man.”
“Yes, I think my gender can take responsibility for this one. Women don’t cut out other women’s hearts.”
“We can.”
― Chris Bohjalian, quote from The Light in the Ruins

“Seriously,” the banker went on, “what do you investigate? I have a feeling you do more than find stray kittens and bring home lost babies.”
“Murder.”
― Chris Bohjalian, quote from The Light in the Ruins

“We always have choices. Isn’t that what Dante teaches us?”
― Chris Bohjalian, quote from The Light in the Ruins

“You know the type—will give herself to the first nobleman in a uniform who comes calling with a couple of eggs and a piece of rat meat.”
“You’re selling yourself short.”
“I’ve just sold myself for rat meat,” she said, and she turned from him and lit the stove.”
― Chris Bohjalian, quote from The Light in the Ruins

“During the war, I promised the dead I would never forget them. I stared at them, barely able to move myself. Pretended I was one of them. To this day I can recall the light in the ruins.”
― Chris Bohjalian, quote from The Light in the Ruins

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Popular quotes

“Whoop-de-do," said Ram.
"What?"
"I'm celebrating."
"Was that irony or loss of mental function?" asked the expendable.
"Was that a rhetorical questions, a bit of humor, or a sign that you are losing confidence in me?"
"I have no confidence in you, Ram," said the expendable.
"Well, thanks."
"You're welcome.”
― Orson Scott Card, quote from Pathfinder

“We're all free to chose some people to love, and then do it.”
― Jordan Sonnenblick, quote from Notes from the Midnight Driver

“The feelings trembled and flapped in his chest like a bird newly put in a cage.”
― Rumi, quote from The Book of Love: Poems of Ecstasy and Longing

“The Gospels were written in such temporal and geographical proximity to the events they record that it would have been almost impossible to fabricate events. Anyone who cared to could have checked out the accuracy of what they reported. The fact that the disciples were able to proclaim the resurrection in Jerusalem in the face of their enemies a few weeks after the crucifixion shows that what they proclaimed was true, for they could never have proclaimed the resurrection under such circumstances had it not occurred.

The Gospels could not have been corrupted without a great outcry on the part of orthodox Christians. Against the idea that there could have been a deliberate falsifying of the text, no one could have corrupted all the manuscripts. Moreover, there is no precise time when the falsification could have occurred, since, as we have seen, the New Testament books are cited by the church fathers in regular and close succession. The text could not have been falsified before all external testimony, since then the apostles were still alive and could repudiate any such tampering with the Gospels.

The miracles of Jesus were witnessed by hundreds of people, friends and enemies alike; that the apostles had the ability to testify accurately to what they saw; that the apostles were of such doubtless honesty and sincerity as to place them above suspicion of fraud; that the apostles, though of low estate, nevertheless had comfort and life itself to lose in proclaiming the gospel; and that the events to which they testified took place in the civilized part of the world under the Roman Empire, in Jerusalem, the capital city of the Jewish nation. Thus, there is no reason to doubt the apostles’ testimony concerning the miracles and resurrection of Jesus. It would have been impossible for so many to conspire together to perpetrate such a hoax. And what was there to gain by lying? They could expect neither honor, nor wealth, nor worldly profit, nor fame, nor even the successful propagation of their doctrine. Moreover, they had been raised in a religion that was vastly different from the one they preached. Especially foreign to them was the idea of the death and resurrection of the Jewish Messiah. This militates against their concocting this idea. The Jewish laws against deceit and false testimony were very severe, which fact would act as a deterrent to fraud.

Suppose that no resurrection or miracles occurred: how then could a dozen men, poor, coarse, and apprehensive, turn the world upside down? If Jesus did not rise from the dead, declares Ditton, then either we must believe that a small, unlearned band of deceivers overcame the powers of the world and preached an incredible doctrine over the face of the whole earth, which in turn received this fiction as the sacred truth of God; or else, if they were not deceivers, but enthusiasts, we must believe that these extremists, carried along by the impetus of extravagant fancy, managed to spread a falsity that not only common folk, but statesmen and philosophers as well, embraced as the sober truth. Because such a scenario is simply unbelievable, the message of the apostles, which gave birth to Christianity, must be true.

Belief in Jesus’ resurrection flourished in the very city where Jesus had been publicly crucified. If the people of Jerusalem thought that Jesus’ body was in the tomb, few would have been prepared to believe such nonsense as that Jesus had been raised from the dead. And, even if they had so believed, the Jewish authorities would have exposed the whole affair simply by pointing to Jesus’ tomb or perhaps even exhuming the body as decisive proof that Jesus had not been raised.

Three great, independently established facts—the empty tomb, the resurrection appearances, and the origin of the Christian faith—all point to the same marvelous conclusion: that God raised Jesus from the dead.”
― William Lane Craig, quote from Reasonable Faith

“Să aibă parte de o femeie matură trebuie să fie visul oricărui puşti. Dar cu mine e altceva. Ea mă interesează mai puţin ca iniţiatoare în erotism, cât pur şi simplu ca suflet şi gândire şi memorie de femeie coaptă, de femeie adevărată. Elevele sau studentele nu sunt, de cele mai multe ori, decât nişte mâţe închipuite, învăluite, e drept, în lumina de ambră a ochilor şi într-un fel de nonconformism năuc. Fără trecut, sau fără să şi-l conştientizeze încă, anexe de discotecă al căror erotism, când există, e unul pur social şi estetic, ele strepezesc imaginaţia ca nişte fructe încă necoapte. Cele mai multe nu se coc niciodată : le dispare şarmul şi se adaugă mulţimii de neveste cumsecade, cu o sinceră vocaţie a normalităţii. Ingineraşi, vaporeni, contabili - ei se aleg cu mândreţele de tigrese care unduiesc sub flacăra stroboscoapelor, sub peticele ameţitoare de lumină emise de globul cu oglinjoare.”
― Mircea Cărtărescu, quote from Nostalgia

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