The Fifth Season
Quotes from the Book
But if you stay, no part of this comm gets to decide that any part of this comm is expendable. No voting on who gets to be people.
Being useful to others is not the same thing as being equal.
No, I'm telling this wrong. After all a person is herself and others. Relationships chisel the final shape of one's being. I am me and you.
You obeyed, once, because you thought it would make you safe. He showed you—again and again, unrelentingly, he would not let you pretend otherwise—that if obedience did not make one safe from the Guardians or the nodes or the lynchings or the breeding or the disrespect, then what was the point? The game was too rigged to bother playing.
The way of the world isn’t the strong devouring the weak, but the weak deceiving and poisoning and whispering in the ears of the strong until they become weak, too.
There is such a thing as too much loss. Too much has been taken from you both - taken and taken and taken, until there's nothing left but hope, and you've given that up because it hurts too much. Until you would rather die, or kill, or avoid attachments altogether, than lose one more thing.
It's not hate that you're seeing. Hate requires emotion. What this woman has simply done is realize that you are a rogga, and decide that you aren't a person, just like that.
(It is surprising how refreshing this feels. Being judged by what you do, and not what you are.) Lately
After all, a person is herself, and others. Relationships chisel the final shape of one’s being.
All that stuff about Father Earth, it's just stories to explain what's wrong with the world. Like those weird cults that crop up from time to time. I heard of one that asks an old man in the sky to keep them alive every time they go to sleep. People need to believe there's more to the world than there is.
Everyone _shouldn't_ have a say in whose life is worth fighting for.
There are many of us now. Enough to be called a people in ourselves and not merely a mistake.
The grief does not feel like what you feel about Uche, or Corundum, or Innon; those are rents in your soul that still seep blood. The loss of Alabaster is simply... a thinning of who you are.
If she hurts him because she loves him, is that still hurt? If she hurts him a lot now so that he will hurt less later, does that make her a terrible person? [...] Is that not how love should work?
You pretended to hate him because you were a coward. But you eventually loved him, and he is a part of you now, because you have since grown brave.
Complaining about nothing doesn't seem like coping to you, but okay.
They ask to touch her hair and she asks to touch theirs back. This makes them all realize how strange and silly a request that is, and they giggle and become instant friends without a head petted between them.
It's not your status as an orogene that bothers them. It's that you haven't yet proven yourself. (It is surprising how refreshing this feels. Being judged by what you do, and not what you are.)
Love is no inoculation against murder.
Given a choice between death and the barest possibility of acceptance, they were desperate, and we used that. We made them desperate.
Just because they want to kill her is no reason to forget her manners.
But your ’mest is in there doing Evil Earth knows what, and I’m basically asking you if it’s okay to kill her, because that’s about where I am right now.
But it is one thing to resolve to die, quite another to actually carry out that resolve in the midst of dying. Something
[...] the kind of healer who knows that sometimes one must inflict terrible agony - rebreak a bone, carve off a limb, kill the weak - in order to make the whole stronger.
Daddy," she says again, this time putting more of a needy whine into her voice. It is the thing that has swayed him, these times when he has come near to turning on her: remembering that she is his little girl. Reminding him that he has been, up to today, a good father. It is a manipulation. Something of her is warped out of true by this moment, and from now on all her acts of affection toward her father will be calculated, performative. Her childhood dies, for all intents and purposes. But that is better than all of her dying, she knows.
But it is one thing to resolve to die, quite another to actually carry out that resolve in the midst of dying.
This understanding floats on the surface of Jija's mind for the rest of the day after Renthree leaves. The truth is beneath the surface, a Leviathan waiting to uncurl, but the waters of his thoughts are placid for now. Denial is powerful.
The way of the world isn't the strong devouring the weak, but the weak deceiving and poisoning and whispering in the ears of the strong until they become weak, too.
You offered him a hand to help him up, not realizing he weighed of diamond bones and ancient tales untold.
Did you know?
- It is the second book in N. K. Jemisin's Broken Earth trilogy, following The Fifth Season.
- It won the 2017 Hugo Award for Best Novel, the second of three consecutive Hugo wins for the trilogy.
- The novel was also a finalist for the Nebula, Locus, and World Fantasy awards.
- It continues the trilogy's unusual use of second-person present-tense narration for Essun's storyline.
- Much of the story unfolds inside a geode-like underground community called Castrima.
About N.K. Jemisin
More by N.K. Jemisin
All books by N.K. Jemisin →About the book
The Obelisk Gate is a 2016 science-fantasy novel by N. K. Jemisin, the second volume in her Broken Earth trilogy. Set on a world called the Stillness that is convulsing through a planet-killing catastrophe known as a Fifth Season, it continues the story of Essun, a powerful orogene able to manipulate seismic and thermal energy, who has found temporary refuge in the underground community of Castrima while still searching for her abducted daughter. There she reunites with her dying former mentor Alabaster, who charges her with an almost impossible task tied to the mysterious floating obelisks that hang over the land.
A second thread follows Essun's ten-year-old daughter Nassun, who has been taken far away and is discovering the depth of her own orogenic power under the guidance of the damaged Guardian Schaffa. Across both storylines the book deepens its central concerns: the systemic oppression and dehumanization of orogenes, the inheritance of trauma between mother and daughter, survival in a dying world, and the moral cost of wielding immense power. Jemisin sustains the trilogy's distinctive second-person present-tense narration alongside third-person perspectives.
The novel earned the 2017 Hugo Award for Best Novel, following the first book's win the previous year and forming part of Jemisin's historic run of three consecutive Hugo Best Novel awards for the trilogy. It was also a finalist for the Nebula, Locus, and World Fantasy awards. Widely praised for its worldbuilding and emotional intensity, it advances one of the most acclaimed epic fantasy sequences of its era toward its conclusion in The Stone Sky.
Key characters
- EssunA powerful orogene sheltering in Castrima while searching for her lost daughter
- NassunEssun's ten-year-old daughter, coming into her own orogenic power
- SchaffaA memory-damaged former Guardian who becomes Nassun's protector
- AlabasterEssun's dying former mentor, who sets her a world-altering task
- YkkaThe orogene leader of the underground comm of Castrima
Book details
- First published
- 2016
- Length
- 448 pages
- Reading time
- 8 hours
- Author
- N.K. Jemisin
- Genre
- Fiction
- Goodreads rating
- 4.28 (204k ratings) →
Series & reading order
- 1 The Fifth Season
- 2 The Obelisk Gate
- 3 The Stone Sky
If you liked this, read…
- 1The Fifth SeasonThe preceding volume that opens the same trilogy and world
- 2The Stone SkyThe concluding volume that resolves the trilogy's story
Keep reading
The Fifth Season
The Blinding Knife
The Shadowglass
The Broken Eye
Death Comes as the End
Golden Fool
Freshwater
Every Heart a Doorway
Beyond the Shadows
Fragments
Fool's Fate
The Resistance
The Heart Forger
The Invasion of the Tearling
The Awakened Kingdom
A Song of Wraiths and Ruin
Ancillary Sword
UnSouled
Rot & Ruin
Immortal
Falling Kingdoms
The Darkest Legacy
The Jewel in the Crown
Oranges Are Not the Only Fruit
Odd Hours
Son of a Witch
We Are Water
Ruins
Skyhunter
A Civil Campaign
Hold Tight
The Atlas Complex
Royal Assassin
Speaker for the Dead
Tiamat's Wrath
Oathbringer
Half the World
The Bonehunters
Ancillary Justice
Insurgent
The Black Obelisk
Plain Truth
Stone of Tears
The Devil and Miss Prym
The Atlas Paradox
Children of the Mind
The Storyteller
Embers
UnWholly
Come Tumbling Down
The Handmaid's Tale
A Rule Against Murder
Narcissus in Chains
The Kite Runner
She Who Waits
The Grace of Kings
Tricks for Free
The Fire Next Time
The Razor's Edge
A Darkness At Sethanon

