“You talk as if a god had made the Machine," cried the other. "I believe that you pray to it when you are unhappy. Men made it, do not forget that. Great men, but men. The Machine is much, but not everything.”
― E.M. Forster, quote from The Machine Stops
“Few travelled in these days, for, thanks to the advance of science, the earth was exactly alike all over. Rapid intercourse, from which the previous civilization had hoped so much, had ended by defeating itself. What was the good of going to Peking when it was just like Shrewsbury? Why return to Shrewsbury when it would all be like Peking? Men seldom moved their bodies; all unrest was concentrated in the soul.”
― E.M. Forster, quote from The Machine Stops
“Vashti was seized with the terrors of direct experience. She shrank back into the room, and the wall closed up again.”
― E.M. Forster, quote from The Machine Stops
“And of course she had studied the civilization that had immediately preceded her own - the civilization that had mistaken the functions of the system, and had used it for bringing people to things, instead of for bringing things to people. Those funny old days, when men went for change of air instead of changing the air in their rooms!”
― E.M. Forster, quote from The Machine Stops
“Man is the measure. That was my first lesson. Man's feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.”
― E.M. Forster, quote from The Machine Stops
“Let your ideas be second-hand, and if possible tenth-hand, for then they will be far removed from that disturbing element - direct observation. Do not learn anything about this subject of mine - the French Revolution. Learn instead what I think that Enicharmon thought Urizen thought Gutch thought Ho-Yung thought Chi-Bo-Sing thought Lafcadio Hearn thought Carlyle thought Mirabeau said about the French Revolution.”
― E.M. Forster, quote from The Machine Stops
“Man, the flower of all flesh, the noblest of all creatures visible, man who had once made god in his image, and had mirrored his strength on the constellations, beautiful naked man was dying, strangled in the garments that he had woven. Century after century had he toiled, and here was his reward. Truly the garment had seemed heavenly at first, shot with colours of culture, sewn with the threads of self-denial. And heavenly it had been so long as man could shed it at will and live by the essence that is his soul, and the essence, equally divine, that is his body.”
― E.M. Forster, quote from The Machine Stops
“Night and day, wind and storm, tide and earthquake, impeded man no longer. He had harnessed Leviathan. All the old literature, with its praise of Nature, and its fear of Nature, rang false as the prattle of a child.”
― E.M. Forster, quote from The Machine Stops
“Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives is the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It has robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.”
― E.M. Forster, quote from The Machine Stops
“Man's feet are the measure for distance, his hands are the measure for ownership, his body is the measure for all that is lovable and desirable and strong.”
― E.M. Forster, quote from The Machine Stops
“Cannot you see, cannot all you lecturers see, that it is we that are dying, and that down here the only thing that really lives in the Machine? We created the Machine, to do our will, but we cannot make it do our will now. It was robbed us of the sense of space and of the sense of touch, it has blurred every human relation and narrowed down love to a carnal act, it has paralyzed our bodies and our wills, and now it compels us to worship it. The Machine develops - but not on our lies. The Machine proceeds - but not to our goal. We only exist as the blood corpuscles that course through its arteries, and if it could work without us, it would let us die.”
― E.M. Forster, quote from The Machine Stops
“But there came a day when, without the slightest warning, without any previous hint of feebleness, the entire communication-system broke down, all over the world, and the world, as they understood it, ended. Vashti”
― E.M. Forster, quote from The Machine Stops
“In the dawn of the world our weakly must be exposed on Mount Taygetus, in its twilight our strong will suffer euthanasia, that the Machine may progress, that the Machine may progress, that the Machine may progress eternally.”
― E.M. Forster, quote from The Machine Stops
“لقد صنعنا الآلة لكي تنفذ إرادتنا، لكننا لا نملك أن ندفعها لتنفيذها الآن.. والآن تجبرنا على عبادتها.. إن الآلة تتطور و لكن ليس وفق مخططاتنا..تواصل مسيرها لكن ليس نحو هدفنا.. نحن موجودون فقط ككريات دم تسري في شرايينها، وإذا كانت قادرة على العمل بدوننا، فسوف تتركنا نموت.”
― E.M. Forster, quote from The Machine Stops
“Then she generated the light, and the sight of her room, flooded with radiance and studded with electric buttons, revived her. There were buttons and switches everywhere – buttons to call for food for music, for clothing. There was the hot-bath button, by pressure of which a basin of (imitation) marble rose out of the floor, filled to the brim with a warm deodorized liquid. There was the cold-bath button. There was the button that produced literature. And there were of course the buttons by which she communicated with her friends. The room, though it contained nothing, was in touch with all that she cared for in the world.”
― E.M. Forster, quote from The Machine Stops
“In a hole, in a hole.” Skodi piped, “. . . in the ground, in a hole, where the wet-nosed mole sings a song of cold stone, and of mud and gray bone, a quiet, small song all the chill, dark night long as he digs in the deep, where the white worms creep, and the dead all sleep, with their eyes full of earth where the beetles give birth, laying little white eggs, and their brittle black legs go scrape, scrape, scrape, and the dark, like a cape, covers all just the same, darkness hiding their shame as it covered their names, the names of the dead, all gone, all fled, empty winds, empty heads, Above grass grows on stone, fields lie fallow, unsown all is gone that they’ve known so they wail in the deep, crying out in their sleep, without eyes, still they weep, calling out for what’s lost, in the darkness they toss, under pitweed and moss in the deeps of the grave, neither master or slave, has now feature or fame, needs knowledge or name, but they long to come back, and they stare through the cracks at the dim sun above, and they curse cruel love, and the peace lost in life, think of worry and strife, ruined child or wife, all the troubles that burned, dreadful lessons unlearned, still they long to return, to return, to return, they long to return. Return! In a hole, in the ground, under old barrow-mound, where skin, bone, and blood turn to jelly-soft mud, and the rotting world sings . . .”
― Tad Williams, quote from Stone of Farewell
“But things were different now. I finally had my head -pun intended- on straight.”
― Meg Cabot, quote from Runaway
“I hate this stinking little butt crack of a town!”
― Scott Heim, quote from Mysterious Skin
“E outros em quem poder não teve a morte.”
― Luís de Camões, quote from The Lusiads
“My body gets excited without my permission, and it's not okay. It's out of control. I don't like out of control, but I like Wallace.”
― Francesca Zappia, quote from Eliza and Her Monsters
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