Svetlana Alexievich · 408 pages
Rating: (13.1K votes)
“Is there anything more frightening than people?”
“Reality has always attracted me like a magnet, tortured and hypnotized me, and I wanted to capture it on paper. So I immediately appropriated this genre of actual human voices and confessions, witness evidences and documents. This is how I hear and see the world—as a chorus of individual voices and a collage of everyday details. In this way all my mental and emotional potential is realized to the full. In this way I can be simultaneously a writer, reporter, sociologist, psychologist and preacher.”
“We're often silent. We don't yell and we don't complain. We're patient, as always. Because we don't have the words yet. We're afraid to talk about it. We don't know how. It's not an ordinary experience, and the questions it raises are not ordinary. The world has been split in two: there's us, the Chernobylites, and then there's you, the others. Have you noticed? No one here points out that they're Russian or Belarussian or Ukrainian. We all call ourselves Chernobylites. "We're from Chernobyl." "I'm a Chernobylite." As if this is a separate people. A new nation.”
“Come get your apples! Chernobyl apples!’ Someone told her not to advertise that, no one will buy them. ‘Don’t worry!’ she says. ‘They buy them anyway. Some need them for their mother-in-law, some for their boss.”
“En la vida las cosas más terribles ocurren en silencio y de manera natural.”
“Yo tengo miedo. Tengo miedo de una cosa, de que en nuestra vida el miedo ocupe el lugar del amor.”
“Show me a fantasy novel about Chernobyl--there isn't one! Because reality is more fantastic.”
“I'm not afraid of God. I'm afraid of man.”
“Man lives with death, but he doesn’t understand what it is.”
“Death is the fairest thing in the world. No one's ever gotten out of it. The earth takes everyone- the kind, the cruel, the sinners. Aside from that, there's no fairness on earth.”
“I told you. There’s nothing heroic here, nothing for the writer’s pen. I had thoughts like, It’s not wartime, why should I have to risk myself while someone else is sleeping with my wife? Why me again, and not him? To be honest, I didn’t see any heroes there. I saw nutcases, who didn’t care about their own lives, and I had enough craziness myself, but it wasn’t necessary. I also have medals and awards—but that’s because I wasn’t afraid of dying. I didn’t care! It was even something of an out. They’d have buried me with honors. And the government would have paid for it.”
“Chernobyl is like the war of all wars. There’s nowhere to hide. Not underground, not underwater, not in the air.”
“I often thought that the simples fact, the mechanical fact, is no closer to the truth than a vague feeling, rumor, vision. Why repeat the facts - they cover up our feelings. The development of these feelings, the spilling of these feelings past the facts, is what fascinantes me. I try to find them, collect them, protect them.”
“It's certainly true that Chernobyl, while an accident in the sense that no one intentionally set it off, was also the deliberate product of a culture of cronyism, laziness, and a deep-seated indifference toward the general population. The literature on the subject is pretty unanimous in its opinion that the Soviet system had taken a poorly designed reactor and then staffed it with a group of incompetents. It then proceeded, as the interviews in this book attest, to lie about the disaster in the most criminal way. In the crucial first ten days, when the reactor core was burning and releasing a steady stream of highly radioactive material into the surrounding areas, the authorities repeatedly claimed that the situation was under control. . . In the week after the accident, while refusing to admit to the world that anything really serious had gone wrong, the Soviets poured thousands of men into the breach. . . The machines they brought broke down because of the radiation. The humans wouldn't break down until weeks or months later, at which point they'd die horribly.”
“قالوا لنا يجب أن ننتصر، على من؟
على الذرة، الفيزياء، الفضاء!!!!
النصر عندنا ليس حدث، بل عملية مستمرة”
“Así es como vivo. Vivo a la vez en un mundo real y en otro irreal. Y no sé dónde estoy mejor.”
“At that time my notions of nuclear power were utterly idyllic. At school and at the university we'd been taught that this was a magical factory that made "energy out of nothing," where people in white robes sat and pushed buttons. Chernobyl blew up when we weren't prepared.”
“¿Cómo elegir entre el amor y la muerte? ¿Entre el pasado y el ignorado presente? ¿Y quién se creerá con derecho a echar en cara a otras esposas y madres que no se quedaran junto a sus maridos e hijos? Junto a esos elementos radiactivos. En su mundo se vio alterado incluso el amor. Hasta la muerte.
Ha cambiado todo. Todo menos nosotros.”
“Morirse no es difícil, solo da miedo.”
“There’s a fragment of some conversation, I’m remembering it. Someone is saying: “You have to understand: this is not your husband anymore, not a beloved person, but a radioactive object with a strong density of poisoning. You’re not suicidal. Get ahold of yourself.” And I’m like someone who’s lost her mind: “But I love him! I love him!” He’s sleeping, and I’m whispering: “I love you!” Walking in the hospital courtyard, “I love you.” Carrying his sanitary tray, “I love you.”
“That’s how it was in the beginning. We didn’t just lose a town, we lost our whole lives.”
“لا يمكن لفنان ان يكون علي مستوي الواقع ، لن يستطيع تحمُله”
“The only righteous thing on the face of the earth is death. No one has ever bribed their way out of that. The earth takes us all: the good, the evil and the sinners. And that's all the justice you'll find in this world.”
“Back then everyone was saying: "We're going to die, we're going to die. By the year 2000, there won't be any Belarussians left.”
“Hubo un tiempo en que envidiaba a los héroes. A los que habían participado en los grandes acontecimientos. A los que habían vivido épocas de ruptura, momentos cruciales de la historia. Soñaba [...] Pero ahora pienso de otro modo; no quiero convertirme en historia, no quiero vivir una época histórica como la de ahora.”
“Espere... Quiero que sepa una cosa... Yo no temo a Dios. A mí lo que me da miedo son los hombres.”
“Lo que ha pasado es algo desconocido. Es otro miedo. No se oye, no se ve, no huele, no tiene color; en cambio nosotros cambiamos física y psíquicamente.”
“People ask me: “Why don’t you take photos in color? In color!” But Chernobyl: literally it means black event. There are no other colors there.”
“I was outnumbered, unarmed, weak, and screwed. In that order.”
“I wasn't much of a petty thief. I wanted the whole world or nothing.”
“I’m sorry Chase, but I can’t.” “No. No, no n–” “I can’t be with you. I love Brandon, I’m sorry.” I whispered. “Baby don’t say that. I will fight for you, I will. Please just give us a shot.” “A part of me will probably always love you too, but I can’t take chances with you Chase. You’ll leave me one day, and it will kill me when you do.” “Wha– No! I wouldn’t, I swear I wouldn’t.” He reached for me then and I let him hold me. “You can’t stay with any one girl, that’s just how you are. And that’s fine Chase, it’s fine. You’re with different girls every night, but when I think about love I think about forever. You can’t give me that, so I’m not going to hurt myself by only having you for a short time.” He lifted my face and stared into my eyes, his were filled with unshed tears and the sight of it almost knocked me off my feet, “I haven’t been with anyone but you since you started dating Brandon. I knew then there would never be anyone else like you, and I wasn’t going to waste time being with someone else.” I wanted to believe it, and truthfully I did. He was never with girls anymore, but that didn’t change anything. Chase had left me again. No matter what he said, he would always leave me. I gently kissed the corner of his mouth and stepped out of his arms, “I love you Chase.” “Baby please, don’t do this!” “I have to, I’m sorry.” He held onto my hand, “Why? Why can’t you be with me?” I”
“In those days, even in European countries, death had a solemn social importance. It was not regarded as a moment when certain bodily organs ceased to function, but as a dramatic climax, a moment when the soul made its entrance into the next world, passing in full consciousness through a lowly door to an unimaginable scene. Among the watchers there was always the hope that”
“For future reference: do not underestimate the seductive power of math.”
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