“The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.”
― Terry Pratchett, quote from Men at Arms: The Play
“Sometimes it's better to light a flamethrower than curse the darkness.”
― Terry Pratchett, quote from Men at Arms: The Play
“We're dealing here," said Vimes, "With a twisted mind."
"Oh, no! You think so?"
"Yes."
"But... no... you can't be right. Because Nobby was with us all the time."
"Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad."
Carrot's expression slid into a rictus of intrigued horror.
"Gosh," he said.”
― Terry Pratchett, quote from Men at Arms: The Play
“Silverfish looked down.
"Oh. Are you a dwarf?"
Cuddy gave him a blank stare.
"Are you a giant?" He said.
"Me? Of course not!"
"Ah. Then I must be a dwarf, yes.”
― Terry Pratchett, quote from Men at Arms: The Play
“It was the way he wore the place. You expected him any moment to break into the kind of song that has suspicious rhymes and phrases like "my kind of town" and "I wanna be a part of it" in it; the kind of song where people dance in the street and give the singer apples and join in and a dozen lowly matchgirls suddenly show amazing choreographical ability and everyone acts like cheery lovable citizens instead of the murderous, evil-minded, self-centered people they suspect themselves to be. But the point was that if Carrot had erupted into a song, people WOULD have joined in. Carrot could have jollied up a circle of standing stones to form up behind him and do a rumba.”
― Terry Pratchett, quote from Men at Arms: The Play
“Right!"
"Right!"
"You can get there!"
"I can get there!"
"You're a natural at counting to two!"
"I'm a nat'ral at counting to two!"
"If you can count to two, you can count to anything!"
"If I can count to two, I can count to anything!"
"And then the world is your mollusc!"
"My mollusc! What's a mollusc?”
― Terry Pratchett, quote from Men at Arms: The Play
“Leven Thumps, you are incredibly more than you believe yourself to be." - Colver”
― Obert Skye, quote from Leven Thumps and the Gateway to Foo
“It is a good thing I no longer have a heart, because if I did, it would surely break.”
― Robin LaFevers, quote from Dark Triumph
“Family wasn’t any more reliable than marriages or friendships or blood-sworn crew, and maybe less.”
― Paolo Bacigalupi, quote from Ship Breaker
“Stiller jo je debelo gledal.
»Tako torej gledaš name!« je rekla Julika. »Si pač naredil podobo o meni, to pač vidim, dokončno podobo za vselej, in konec. Drugače kot takšne, saj to čutim, me zdaj kratko in malo več ne moreš videti. Kajne?« Stiller si je prižgal cigareto. »Jaz sem v zadnjem času tudi o mnogočem premišljevala,« je rekla Julika in pihala snežne kristale s svoje odeje tudi zdaj, ko je govorila sama, »- v zapovedih ne stoji kar tako: ne smeš si ustvariti podobo! Vsaka podoba je greh. Tole je ravno nasprotno kot ljubezen, vidiš, kar zdajle počneš s takim govorjenjem. Ne vem, če to razumeš. Če takega človeka ljubiš, mu vendar pustiš odprto možnost in si kljub vsem spominom kratko in malo pripravljen čuditi se, zmerom znova se čuditi, kako je drugačen, kako različen in ne takšenle, ne dokončna podoba, kakršno si delaš ti o svoji Juliki. Lahko ti rečem samo to: ni tako. Vselej se z govorjenjem v kaj zapičiš – ne smeš si delati podobe o meni! To je vse, kar ti na to lahko rečem.”
― Max Frisch, quote from I'm Not Stiller
“I was anxious to please, even if I hated the recipient of my pleasing. My pleasee.”
― Marian Keyes, quote from Rachel's Holiday
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