“The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.”
― Terry Pratchett, quote from Men at Arms: The Play
“Sometimes it's better to light a flamethrower than curse the darkness.”
― Terry Pratchett, quote from Men at Arms: The Play
“We're dealing here," said Vimes, "With a twisted mind."
"Oh, no! You think so?"
"Yes."
"But... no... you can't be right. Because Nobby was with us all the time."
"Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad."
Carrot's expression slid into a rictus of intrigued horror.
"Gosh," he said.”
― Terry Pratchett, quote from Men at Arms: The Play
“Silverfish looked down.
"Oh. Are you a dwarf?"
Cuddy gave him a blank stare.
"Are you a giant?" He said.
"Me? Of course not!"
"Ah. Then I must be a dwarf, yes.”
― Terry Pratchett, quote from Men at Arms: The Play
“It was the way he wore the place. You expected him any moment to break into the kind of song that has suspicious rhymes and phrases like "my kind of town" and "I wanna be a part of it" in it; the kind of song where people dance in the street and give the singer apples and join in and a dozen lowly matchgirls suddenly show amazing choreographical ability and everyone acts like cheery lovable citizens instead of the murderous, evil-minded, self-centered people they suspect themselves to be. But the point was that if Carrot had erupted into a song, people WOULD have joined in. Carrot could have jollied up a circle of standing stones to form up behind him and do a rumba.”
― Terry Pratchett, quote from Men at Arms: The Play
“Right!"
"Right!"
"You can get there!"
"I can get there!"
"You're a natural at counting to two!"
"I'm a nat'ral at counting to two!"
"If you can count to two, you can count to anything!"
"If I can count to two, I can count to anything!"
"And then the world is your mollusc!"
"My mollusc! What's a mollusc?”
― Terry Pratchett, quote from Men at Arms: The Play
“The novelist with Christian concerns will find in modern life distortions which are repugnant to him, and his problem will be to make these appear as distortions to an audience which is used to seeing them as natural; and he may well be forced to take ever more violent means to get his vision across to this hostile audience. When you can assume that your audience holds the same beliefs you do, you can relax a little and use more normal ways of talking to it; when you have to assume that it does not, then you have to make your vision apparent by shock -- to the hard of hearing you shout, and for the almost blind you draw large and startling figures.”
― Flannery O'Connor, quote from Collected Works: Wise Blood / A Good Man is Hard to Find / The Violent Bear it Away / Everything that Rises Must Converge / Essays and Letters
“Turnpikes at night were like girl talk: not interesting.”
― Caroline B. Cooney, quote from The Voice on the Radio
“The future is being made out of the present, so the best way to take care of the future is to take care of the present moment. This is logical and clear. Spending a lot of time speculating and worrying about the future is totally useless. We can only take care of our future by taking care of the present moment, because the future is made out of only one substance: the present. Only if you are anchored in the present can you prepare well for the future. Although”
― Thich Nhat Hanh, quote from You Are Here: Discovering the Magic of the Present Moment
“While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords?
Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape.”
― David Brin, quote from Glory Season
“The creature had nut-brown skin mixed with patches of ash. It was human-sized and formed, but its skin looked like the bark of an old, old tree. About the same height as Donna, it was spindly with arms and legs that were all joints and angles. Its face was narrow and pointed, with hair on top of its head like thick moss and narrow black eyes that glinted even in the dim light of the room. The thing’s body was clothed in lichen and moss, with vines twining around its sharp limbs. The creature opened its lipless mouth, a dark slash across its twisted face.
Donna’s mind flashed back to the party and the shadow she’d seen sliding through the darkness outside Xan’s house. She hadn’t been imagining things, after all.
The wood elves had returned to the city.”
― Karen Mahoney, quote from The Iron Witch
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