“The reason that the rich were so rich, Vimes reasoned, was because they managed to spend less money.
Take boots, for example. He earned thirty-eight dollars a month plus allowances. A really good pair of leather boots cost fifty dollars. But an affordable pair of boots, which were sort of OK for a season or two and then leaked like hell when the cardboard gave out, cost about ten dollars. Those were the kind of boots Vimes always bought, and wore until the soles were so thin that he could tell where he was in Ankh-Morpork on a foggy night by the feel of the cobbles.
But the thing was that good boots lasted for years and years. A man who could afford fifty dollars had a pair of boots that'd still be keeping his feet dry in ten years' time, while the poor man who could only afford cheap boots would have spent a hundred dollars on boots in the same time and would still have wet feet.
This was the Captain Samuel Vimes 'Boots' theory of socioeconomic unfairness.”
― Terry Pratchett, quote from Men at Arms: The Play
“Sometimes it's better to light a flamethrower than curse the darkness.”
― Terry Pratchett, quote from Men at Arms: The Play
“We're dealing here," said Vimes, "With a twisted mind."
"Oh, no! You think so?"
"Yes."
"But... no... you can't be right. Because Nobby was with us all the time."
"Not Nobby," said Vimes testily. "Whatever he might do to a dragon, I doubt if he'd make it explode. There's stranger people in this world than Corporal Nobbs, my lad."
Carrot's expression slid into a rictus of intrigued horror.
"Gosh," he said.”
― Terry Pratchett, quote from Men at Arms: The Play
“Silverfish looked down.
"Oh. Are you a dwarf?"
Cuddy gave him a blank stare.
"Are you a giant?" He said.
"Me? Of course not!"
"Ah. Then I must be a dwarf, yes.”
― Terry Pratchett, quote from Men at Arms: The Play
“It was the way he wore the place. You expected him any moment to break into the kind of song that has suspicious rhymes and phrases like "my kind of town" and "I wanna be a part of it" in it; the kind of song where people dance in the street and give the singer apples and join in and a dozen lowly matchgirls suddenly show amazing choreographical ability and everyone acts like cheery lovable citizens instead of the murderous, evil-minded, self-centered people they suspect themselves to be. But the point was that if Carrot had erupted into a song, people WOULD have joined in. Carrot could have jollied up a circle of standing stones to form up behind him and do a rumba.”
― Terry Pratchett, quote from Men at Arms: The Play
“Right!"
"Right!"
"You can get there!"
"I can get there!"
"You're a natural at counting to two!"
"I'm a nat'ral at counting to two!"
"If you can count to two, you can count to anything!"
"If I can count to two, I can count to anything!"
"And then the world is your mollusc!"
"My mollusc! What's a mollusc?”
― Terry Pratchett, quote from Men at Arms: The Play
“don't just describe an emotion, arouse it, make them experience it, by manipulating the symbol of the emotion, and sometimes we have to come into awareness through the back door.”
― Tom Wolfe, quote from The Electric Kool-Aid Acid Test
“It was as if the press in America, for all its vaunted independence, were a great colonial animal, an animal made up of countless clustered organisms responding to a central nervous system. In the late 1950's (as in the late 1970's) the animal seemed determined that in all matters of national importance the proper emotion, the seemly sentiment, the fitting moral tone, should be established and should prevail; and all information that muddied the tone and weakened the feeling should simply be thrown down the memory hole. In a later period this impulse of the animal would take the form of blazing indignation about corruption, abuses of power, and even minor ethical lapses, among public officials; here, in April of 1959, it took the form of a blazing patriotic passion for the seven test pilots who had volunteered to go into space. In either case, the animal's fundamental concern remained the same: the public, the populace, the citizenry, must be provided with the correct feelings! One might regard this animal as the consummate hypocritical Victorian gent. Sentiments that one scarcely gives a second thought to in one's private life are nevertheless insisted upon in all public utterances. (And this grave gent lives on in excellent health.)”
― Tom Wolfe, quote from The Right Stuff
“Imagination, she figured, just wasn’t up to the task of understanding unique and foreign sensations. It knew only how to dampen or augment what it already knew. It would be like telling someone what sex felt like, or an orgasm. Impossible. But once you felt it yourself, you could then imagine varying degrees of this new sensation.”
― Hugh Howey, quote from Wool Omnibus
“What happened?” Albert asked.
Taylor looked at Sam. Sam said nothing. He stared. First at his own light, hovering in the air. Then at Taylor. He looked pale and almost frail. Like he was suddenly a much, much older person.
“Kid was whipped,” Taylor said. “It looked like what happened to Sam.”
Sam lowered his head and wrapped his hands behind his neck. He seemed to be trying to hold on to his head, pressing it hard like it might explode.”
― Michael Grant, quote from Lies
“Reaching too deep into something not meant for you is full of pain. Figure out what you can have and work on that”
― Lalita Tademy, quote from Cane River
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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