“Neither could speak. It was the day that a silence settled on the pair of them, and they were bound close by it. Will felt, in that moment, too small to face such misery, but she knew that she would have to expand now, with a terrible rush, to fill the empty space.”
― Katherine Rundell, quote from The Girl Savage
“Intoxicated with her success and his awed eyes, and with the way the wind rushed by and flicked delicate strands of saliva across her cheeks, Will spread out her arms, spun in a pirouette. Shumba chose that moment to stumble over a rabbit hole and with a terrific crash, that sounded and resounded for miles and miles of flei, Will fell into the long grass.”
― Katherine Rundell, quote from The Girl Savage
“It was never too late, she said, to turn a living thing around, and a garden was the most living of things.”
― Katherine Rundell, quote from The Girl Savage
“Her voice, he thought, was like water running over pebbles in sunshine.”
― Katherine Rundell, quote from The Girl Savage
“A beetle lumbered up onto her arm, and she stilled herself, enjoying the tickling feeling of its thread-thin feet. It was deep green with shimmers of blue and turquoise, with pitch-black legs. She kissed it very softly. If happiness were a color, it would be the color of this beetle, thought Wil.”
― Katherine Rundell, quote from The Girl Savage
“Oh.' A syllable can express a great deal. Will's sounded of resignation but also of swear words, and the smell of rotting vegetation, and wary amusement and bitten fingernails.”
― Katherine Rundell, quote from The Girl Savage
Katherine Rundell
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“Meanwhile, Mme Mao and her cohorts were renewing their efforts to prevent the country from working. In industry, their slogan was: "To stop production is revolution itself." In agriculture, in which they now began to meddle seriously: "We would rather have socialist weeds than capitalist crops." Acquiring foreign technology became "sniffing after foreigners' farts and calling them sweet." In education: "We want illiterate working people, not educated spiritual aristocrats." They called for schoolchildren to rebel against their teachers again; in January 1974, classroom windows, tables, and chairs in schools in Peking were smashed, as in 1966. Mme Mao claimed this was like "the revolutionary action of English workers destroying machines in the eighteenth century." All this demagoguery' had one purpose: to create trouble for Zhou Enlai and Deng Xiao-ping and generate chaos. It was only in persecuting people and in destruction that Mme Mao and the other luminaries of the Cultural Revolution had a chance to "shine." In construction they had no place.
Zhou and Deng had been making tentative efforts to open the country up, so Mme Mao launched a fresh attack on foreign culture. In early 1974 there was a big media campaign denouncing the Italian director Michelangelo Antonioni for a film he had made about China, although no one in China had seen the film, and few had even heard of it or of Antonioni. This xenophobia was extended to Beethoven after a visit by the Philadelphia Orchestra.
In the two years since the fall of Lin Biao, my mood had changed from hope to despair and fury. The only source of comfort was that there was a fight going on at all, and that the lunacy was not reigning supreme, as it had in the earlier years of the Cultural Revolution. During this period, Mao was not giving his full backing to either side.
He hated the efforts of Zhou and Deng to reverse the Cultural Revolution, but he knew that his wife and her acolytes could not make the country work.
Mao let Zhou carry on with the administration of the country, but set his wife upon Zhou, particularly in a new campaign to 'criticize Confucius." The slogans ostensibly denounced Lin Biao, but were really aimed at Zhou, who, it was widely held, epitomized the virtues advocated by the ancient sage. Even though Zhou had been unwaveringly loyal, Mao still could not leave him alone. Not even now, when Zhou was fatally ill with advanced cancer of the bladder.”
― Jung Chang, quote from Wild Swans: Three Daughters of China
“"I don't know; Killers are sort of romantic. Imagine your dying with his hands around his throat. He'd strangle the life out of you, and the last thing you would see would be his face."”
― L.J. Smith, quote from The Awakening / The Struggle
“I know...and I love you. But I don't think we love each other in the same way. And...I think keeping you near me, would destroy me.”
― S.C. Stephens, quote from Thoughtless
“Fue así como ocurrió. Lo que antes parecía puro azar adquirió de repente una dimensión diferente.”
― Stieg Larsson, quote from The Millennium Trilogy
“Then why was his tongue in your mouth? Was he conducting a clinical test of your gag reflex?" He smiled, but not nicely. "How is your gag reflex, Ms. Lane? Are you a hair trigger?"
Barrons likes to use sexual innuendo to try to shut me up. I think he expects the well-raised southern belle in me will think eew and back off. Sometimes, I do think eew, but I don't back off. "I'm a spitter, if that's what you're asking." I flashed him a too-sweet smile.
"Didn't look that way to me. I think you're a swallower. His tongue was halfway to China and you were still taking it."
"Jealous?”
― Karen Marie Moning, quote from Faefever
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