Quotes from The Girl I Was Before

Ginger Scott ·  0 pages

Rating: (2.1K votes)


“I’ve learned that life twists and turns on you, that unexpected shit falls in your lap, and sometimes it’s a blessing and other times it’s your worst nightmare. Through all of that, I’ve learned that wasting time missing out on the things that really matter is just that—a waste of time.”
― Ginger Scott, quote from The Girl I Was Before


“Paige needs someone who has a spotlight,” Cass starts. I feel Houston shift, and I keep my eyes at my drink. I should argue with her, be offended or defend myself. But the old me, the girl I was before, wouldn’t. She’d agree. “Paige”
― Ginger Scott, quote from The Girl I Was Before


“I just feel like even the ugliest truth feels a whole lot better than carrying around the weight of lies.”
― Ginger Scott, quote from The Girl I Was Before


“That’s how I know it was really love, I guess,” he says, his words bringing my head back to level, my eyes right to him. He’s still lost in the stars. “When you want something for someone else more than you want them to be here for you—when you just wish they had more time, rather than more time with you. I’m pretty sure that’s love.”
― Ginger Scott, quote from The Girl I Was Before


“But thing is, with anyone else, you’d just be their girlfriend, and with me…you’re kind of my world.”
― Ginger Scott, quote from The Girl I Was Before



About the author

Ginger Scott
Born place: in Arizona, The United States
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Popular quotes

“Myrna was part of a ballet troupe and Jack had seen her and the other dancers perform—his mother often made him go with her and it was mostly boring stuff, like church or Sunrise Semester on TV. But he had never seen Myrna in practice . . . never that close up. He had been impressed and a little frightened by the contrast between seeing ballet on stage, where everyone seemed to either glide or mince effortlessly on the tips of their pointes, and seeing it from less than five feet away, with harsh daylight pouring in the floor-to-ceiling windows and no music—only the choreographer rhythmically clapping his hands and yelling harsh criticisms. No praise; only criticisms. Their faces ran with sweat. Their leotards were wet with sweat. The room, as large and airy as it was, stank of sweat. Sleek muscles trembled and fluttered on the nervous edge of exhaustion. Corded tendons stood out like insulated cables. Throbbing veins popped out on foreheads and necks. Except for the choreographer’s clapping and angry, hectoring shouts, the only sounds were the thrup-thud of ballet dancers on pointe moving across the floor and harsh, agonized panting for breath. Jack had suddenly realized that these dancers were not just earning a living; they were killing themselves. Most of all he remembered their expressions—all that exhausted concentration, all that pain . . . but transcending the pain, or at least creeping around its edges, he had seen joy. Joy was unmistakably what that look was, and it had scared Jack because it had seemed inexplicable. What kind of person could get off by subjecting himself or herself to such steady, throbbing, excruciating pain?”
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