“Don't forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.”
“The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.”
“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”
“Everybody has a soul." I turn to Pelly. "And that means you, too."
"I'm not so sure of that," he says. "What does it feel like?"
"Having a soul?" I look at Maxine, but she only shrugs. "I don't know," I tell Pelly. "I don't have anything to compare it to- you know, what not having a sould would feel like."
We fall into a kind of awkward silence. I don't know about the others, but I'm working on what a soul is and not coming up with a whole lot. I mean, I just always thought of it as me- what I feel like being me. But surely Pelly feels like himself, so that means he's got a soul right? But if that's not your soul, then what is?
It's weird and not something you really think about, is it?”
“Have you ever noticed' I said 'how everyone says they want to be different, but as soon as they meet someone who really is different, they ostracize them?”
“There's nothing wrong with a youthful prospective. Don't forget- no one else sees the world the way you do, so no one else can tell the stories you have to tell.”
“in Christ Jesus you who once were far off have been brought near by the blood of Christ. 14For he himself is our peace, who has made us both one and has broken down in his flesh the dividing wall of hostility 15by abolishing the law of commandments expressed in ordinances, that he might create in himself one new man in place of the two, so making peace,”
“Bella. "Nathan Malone is dead." He caught her shoulders, shook her.
"No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't.
"look at me," he yelled. "Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible."
"No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. "The name may be dead, but you are not dead. "You weren't just a SEAL," she cried. "You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. "You are my husband. My lover.
It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart.”
“She tried to act as though it were nothing to go to the library alone. But her happiness betrayed her. Her smile could not be restrained, and it spread from her tightly pressed mouth, to her round cheeks, almost to the hair ribbons tied in perky bows over her ears.”
“The library would've cheered me up, most days. I loved the heavy oaken tables, the high walls stacked with books to the ceiling, the musty smell of old pages and the heavy brass fixtures that had gone dark with age and wear.”
“She suddenly began to jump up and down, screaming at the top of her lungs. "The arks are after me! The arks are after me! Help me, the arks are after me!"
....
"The arks! You don't understand, I have the ring and the arks are after me!"
....
(and so the police officer is puzzled long enough for Miriam and Seth to escape)”
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