“Don't forget - no one else sees the world the way you do, so no one else can tell the stories that you have to tell.”
“The thing to remember when you're writing is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader.”
“The thing to remember when you're writing," he said, " is, it's not whether or not what you put on paper is true. It's whether it wakes a truth in your reader. I don't care what literary device you might use, or belief systems you tap into--if you can make a story true for the reader, if you can give them a glimpse into another way of seeing the world, or another way that they can cope with their problems, then that story is a succes.”
“Everybody has a soul." I turn to Pelly. "And that means you, too."
"I'm not so sure of that," he says. "What does it feel like?"
"Having a soul?" I look at Maxine, but she only shrugs. "I don't know," I tell Pelly. "I don't have anything to compare it to- you know, what not having a sould would feel like."
We fall into a kind of awkward silence. I don't know about the others, but I'm working on what a soul is and not coming up with a whole lot. I mean, I just always thought of it as me- what I feel like being me. But surely Pelly feels like himself, so that means he's got a soul right? But if that's not your soul, then what is?
It's weird and not something you really think about, is it?”
“Have you ever noticed' I said 'how everyone says they want to be different, but as soon as they meet someone who really is different, they ostracize them?”
“There's nothing wrong with a youthful prospective. Don't forget- no one else sees the world the way you do, so no one else can tell the stories you have to tell.”
“Old England is an imaginary place, a landscape built from words, woodcuts, films, paintings, picturesque engravings. It is a place imagined by people, and people do not live very long or look very hard. We are very bad at scale. The things that live in the soil are too small to care about; climate change too large to imagine. We are bad at time too. We cannot remember what lived here before we did; we cannot love what is not. Nor can we imagine what will be different when we are dead. We live out our three score and ten, and tie our knots and lines only to ourselves. We take solace in pictures, and we wipe the hills of history.”
“If I were giving a young man advice as to how he might succeed in life, I would say to him, pick out a good father and mother, and begin life in Ohio. WILBUR WRIGHT”
“No, since we began this case, another possibility has presented itself to me--the thought that, although my mother cared for her children, their welfare was simply not her first priority. And the real question is not why that should have been so, but why it should have been such a difficult theory to either formulate or accept--why, indeed, it should have taken a murder case to make me think of it. After all, a man who makes his children of secondary or even minor importance, though he may be criticized by some, is hardly held to be unusual. Why should we believe any differently of a woman?”
“Platitudes might satisfy for a short time, father—but soon or late, the people will realize they are being fed form without substance. What I tell them must be the truth, and I must believe it, and I must hold to it.”
“I can't help but think that it's an unfortunate custom to name children after people who come to sticky ends. Even if they are fictional characters, it doesn't bode well for the poor things. There are too many Judes and Tesses and Clarissas and Cordelias around. If we must name our children after literary figures then we should search out happy ones, although it's true they are much harder to find.”
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