“The world was full of beauty.
She wanted to grab hold of it and take it down into her bones. Yet always it seemed beyond her grasp. Sometimes only by a little, like now. The thinnest membrane.
Usually, though, by miles.
She couldn’t expect to be that kind of happy all the time. She knew that.
But sometimes you could. Sometimes you should be allowed a tiny bit of joy that should stay with you for more than five minutes. That wasn’t too much to ask. To have a moment like this, and be able to hold on to it.
To cross that membrane, and feel alive.”
“There's a lot that is awful. That's the struggle of getting old. To make sure you don't let what's hard...obscure the beauty.”
“Or she could return to the beginning, to the first moment she`d started to feel like playing wasn`t for her anymore. But she coudn`t rehash every hurt, every disappointment, every moment that felt like betrayal. And expect to arrive anywhere good.”
“Love.
That was the piece that had been missing, way before Prague. That was that piece that had been missing in her life until Will came and made her feel it, for their work together and for the beauty and also for him, though it was hard sometimes to separate those things. Maybe she didn`t love Will like she thought. Or couldn’t in this moment.
But what they’d done together, what had been open by becoming so close, she could still love that. She could love their conversations and their hours at the piano and the results of their work. She could even love the way it hurt right now, because when was the last time she gave her whole heart to something?
That, all of it, belonged to her. She didn’t have to let Will take it away, the way she’d let her grandfather, the business, herself, take her love for music.”
“Why do people...we...why do we drag around like life is so awful?' Why did they forget that there was so much to love? He took off his glasses and rubbed his eyes. 'I guess...because there's a lot that is awful. That's the struggle of getting old. To make sure you don't let what's hard or painful or whatever obscure the beauty.”
“The sight of them (her friends) let a little air into her soul.”
“That's what music did. It made you feel.
...
Music, her grandfather always told her, was language. A special language, a gift from the Muses, something all people are born understanding but few people can thoroughly translate.”
“You are beautiful, Lucy. Inside and out. And that hurts, too. It hurts more specifically. More personally.”
“Das wird sich alles finden.
Everything will be okay.”
“Why do we drag around like life is so awful?' Why did they forget that there was so much to love?”
“Because every thought she had, everything she observed around her, every conversation, every experience, everything that made her laugh - she imagined telling him, or him watching. She wanted herself, the particular way he saw her and the way she like to be seen by him, reflected back, over and over.
It was like there was this letter to him in her head that she was always writing and never getting to send.
It reminded her of being a kid and making a new best friend, how the two of you made your own world with just that person, and never wanted to leave it.
And though she'd never been in love, it reminded her of that, too.”
“No" she jerked back, stared up at him.
Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering.
"Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah."
His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to.
He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held.
"Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all.
He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me."
Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.”
“Well, Betsy," he said, "your mother tells me that you are going to use Uncle Keith's trunk for a desk. That's fine. You need a desk. I've often noticed how much you like to write. The way you eat up those advertising tablets from the store! I never saw anything like it. I can't understand it though. I never write anything but checks myself. "
"Bob!" said Mrs. Ray. "You wrote the most wonderful letters to me before we were married. I still have them, a big bundle of them. Every time I clean house I read them over and cry."
"Cry, eh?" said Mr. Ray, grinning. "In spite of what your mother says, Betsy, if you have any talent for writing, it comes from family. Her brother Keith was mighty talented, and maybe you are too. Maybe you're going to be a writer."
Betsy was silent, agreeably abashed.
"But if you're going to be a writer," he went on, "you've got to read. Good books. Great books. The classics.”
“The library would've cheered me up, most days. I loved the heavy oaken tables, the high walls stacked with books to the ceiling, the musty smell of old pages and the heavy brass fixtures that had gone dark with age and wear.”
“There's always risk in life's most rewarding pursuits, isn't there?”
“the race of men born to the exercise of arms, was sought for in the country rather than in cities; and it was very reasonably presumed, that the hardy occupations of smiths, carpenters, and huntsmen, would supply more vigour and resolution, than the sedentary trades which are employed in the service of luxury.”
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