“Insomniacs know better than anyone how it would be to haunt a house.”
― Michael Cunningham, quote from By Nightfall
“A stray fact: insects are not drawn to candle flames, they are drawn to the light on the far side of the flame, they go into the flame and sizzle to nothingness because they're so eager to get to the light on the other side.”
― Michael Cunningham, quote from By Nightfall
“What do you do when you're no longer the hero of your own story?”
― Michael Cunningham, quote from By Nightfall
“Please, God, send me something to adore.”
― Michael Cunningham, quote from By Nightfall
“We always worry about the wrong things, don't we?”
― Michael Cunningham, quote from By Nightfall
“Youth is the only sexy tragedy. It's James Dean jumping into his Porsche Spyder, it's Marilyn heading off to bed.”
― Michael Cunningham, quote from By Nightfall
“You have failed in the most base and human of ways--you have not imagined the lives of others.”
― Michael Cunningham, quote from By Nightfall
“Maybe it’s not, in the end, the virtues of others that so wrenches our hearts as it is the sense of almost unbearably poignant recognition when we see them at their most base, in their sorrow and gluttony and foolishness. You need the virtues, too—some sort of virtues—but we don’t care about Emma Bovary or Anna Karenina or Raskolnikov because they’re good. We care about them because they’re not admirable, because they’re us, and because great writers have forgiven them for it.”
― Michael Cunningham, quote from By Nightfall
“What marriage doesn't involve uncountable accretions, a language of gestures, a sense of recognition sharp as a toothache? Unhappy, sure. What couple isn't unhappy, at least part of the time? But how can the divorce rate be, as they say, skyrocketing? How miserable would you have to get to be able to bear the actual separation, to go off and live your life so utterly unrecognized?”
― Michael Cunningham, quote from By Nightfall
“Accept that, like many men, you have a streak of the homoerotic in you. Why would you, why would anyone, want to be that straight?”
― Michael Cunningham, quote from By Nightfall
“He's one of those smart, drifty young people who, after certain deliberations, decides he wants to do Something in the Arts but won't, possibly can't, think in terms of an actual job; who seems to imagine that youth and brains and willingness will simply summon an occupation, the precise and perfect nature of which will reveal itself in its own time.”
― Michael Cunningham, quote from By Nightfall
“You know what I am?" he says.
"What?"
"I'm an ordinary person."
"Come on."
"I know. Who isn't an ordinary person? How horribly presumptuous to want to be anything else. But I have to tell you. I've been treated as something special for so long and I've tried my hardest to be something special but I'm not, I'm not exceptional, I'm smart enough, but I'm not brilliant and I'm not spiritual or even all that focused. I think I can stand that, but I'm not sure if the people around me can.”
― Michael Cunningham, quote from By Nightfall
“Any other vexations to report?" he asks.
"I love the word 'vexations.'"
"It's the 'x.' Nice to jump off a 'v' and bite into an 'x' like that."
"Just the usual ones," she says.
"How was the weekend?"
"Vexing. Not really, I just wanted to say it. You?”
― Michael Cunningham, quote from By Nightfall
“The point of sex is...
Sex doesn't have a point.”
― Michael Cunningham, quote from By Nightfall
“The problem with the truth is, it's so often mild and clichéd.”
― Michael Cunningham, quote from By Nightfall
“He believes that a real work of art can be owned but should not be subject to capture; that it should radiate such authority, such bizarre but confident beauty (or unbeauty) that it can't be undone by even the most ludicrous sofas or side tables. A real work of art should rule the room, and the clients should call up not to complain about the art but to say that the art has helped them understand how the room is all a horrible mistake, can Peter suggest a designer to help them start over again.”
― Michael Cunningham, quote from By Nightfall
“It's the world, you live in it, even if some boy has made a fool of you.”
― Michael Cunningham, quote from By Nightfall
“Peter glances out at the falling snow. Oh, little man. You have brought down your house not through passion but by neglect. You who dared to think of yourself as dangerous. You are guilty not of the epic transgressions but the tiny crimes. You have failed in the most base and human of ways - you have not imagined the lives of others.”
― Michael Cunningham, quote from By Nightfall
“It's impossible to imagine, isn't it? Most men probably go through the same motions, more or less, but what's in their minds, what agitates their blood? What could be more mortifyingly personal, what veers closer to the depths, than whatever it is that makes us come? If we knew, if we could see what's in the cartoon balloons over other guy's heads as they jerk off, would we be moved, or repelled?”
― Michael Cunningham, quote from By Nightfall
“He feels, as he sometimes does, as most people must, a presence in the room, what he can only think of as his and Rebecca's living ghosts, the amalgamation of their dreams and their breathing, their smells. He does not believe in ghosts, but he believes in...something. Something viable, something living, that's surprised when he wakes at this hour, that's neither glad nor sorry to see him awake but that recognizes the fact, because it has been interrupted in its nocturnal inchoate musings.”
― Michael Cunningham, quote from By Nightfall
“There's no denying his resemblance to the Rodin bronze - the slender, effortless muscularity of youth, the extravagant nonchalance of it; that sense that beauty is in fact the natural human condition and not the rarest of mutations.”
― Michael Cunningham, quote from By Nightfall
“Milwaukee, Rebecca. Order and sobriety and a devotion to cleanliness that scours out the soul. Decent people doing their best to live decent lives, three's nothing really to hate them for, they do their jobs and maintain their property and love their children (most of the time); they take family vacations and visit relatives and decorate their houses for the holidays, collect some things and save up for other things; they're good people (most of them, most of the time), but if you were me, if you were young Pete Harris, you felt the modesty of it eroding you, depopulating you, all those little satisfactions and no big, dangerous ones; no heroism, no genius, no terrible yearning for anything you can't at least in theory actually have. If you were young lank-haired, pustule-plagued Pete Harris you felt like you were always about to expire from the safety of your life, its obdurate sensibleness, that Protestant love of the unexceptional; the eternal certainty of the faithful that flamboyance and the macabre are not just threatening but - worse - uninteresting.”
― Michael Cunningham, quote from By Nightfall
“This is a Southern gift, isn't it - tremendous self-regard diluted with humor and modesty. That's what they mean by Southern charm, right?”
― Michael Cunningham, quote from By Nightfall
“The art we produce lives in queasy balance with the art we can imagine the art the room expects.”
― Michael Cunningham, quote from By Nightfall
“Silly humans. Banging on a tub to make a bear dance when we would move the stars to pity.”
― Michael Cunningham, quote from By Nightfall
“Remember, how often the great art of the past didn't look great at first, how often it didn't look like art at all; how much easier it is, decades or centuries later, to adore it, not only because it is, in fact, great but because it's still here; because the inevitable little errors and infelicities tend to recede in an object that's survived the War of 1812, the eruption of Krakatoa, the rise and fall of Nazism.”
― Michael Cunningham, quote from By Nightfall
“I have to keep reminding myself that almost everybody is always lying.”
― Michael Cunningham, quote from By Nightfall
“I'm just a child who's learned to impersonate an adult.”
― Michael Cunningham, quote from By Nightfall
“And here he is, letting the massive steel street door click shut behind him, standing at the top of the three iron steps that lead down to the shattered sidewalk. New York is probably, in this regard at least, the strangest city in the world, so many of its denizens living as they (we) do among the unreconstructed remnants of nineteenth-century sweatshops and tenements, the streets potholed and buckling while right over there, around the corner, is a Chanel boutique. We go shopping amid the rubble, like the world's richest, best-dressed refugees.”
― Michael Cunningham, quote from By Nightfall
“And so, a never-ending, rather edgy conversation between them, an undercurrent of roiling sound that reminded them they were married, they had two sons, they were living a life, they had preparations to make and disasters to avert and a world to interpret, sign by sign, symbol by symbol, to each other, and that at this point the only fate worse than staying together would be trying, each of them, to live alone.”
― Michael Cunningham, quote from By Nightfall
“The breaking of so great a thing should make
A greater crack. The round world
Should have shook lions into civil streets
And citizens to their dens. The death of Anthony
Is not a single doom, in the name lay
A moiety of the world.”
― William Shakespeare, quote from Antony and Cleopatra
“This is my reassured face," Neil said, pointing up at his blank expression.”
― Nora Sakavic, quote from The Foxhole Court
“I recognized no obstacle to miraculous change but the incredulity of others. This was an idea that died hard, if it ever really died at all.”
― Tobias Wolff, quote from This Boy's Life
“It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?”
“Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size.
“Will you light them, please?” she urged. “I-I can’t see a thing in here.”
“His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.”
Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?”
“I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light.
“Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room.
“Here-on your left.”
Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.”
Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.”
“I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room.
“Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her.
“Saints preserve us!”
With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!”
― Judith McNaught, quote from Almost Heaven
“A monkey glances up and sees a banana, and that's as far as he looks. A visionary looks up and sees the moon.”
― Eoin Colfer, quote from Airman
BookQuoters is a community of passionate readers who enjoy sharing the most meaningful, memorable and interesting quotes from great books. As the world communicates more and more via texts, memes and sound bytes, short but profound quotes from books have become more relevant and important. For some of us a quote becomes a mantra, a goal or a philosophy by which we live. For all of us, quotes are a great way to remember a book and to carry with us the author’s best ideas.
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