Wallace Stegner · 576 pages
Rating: (5.9K votes)
“There was somewhere, if you knew where to find it, some place where money could be made like drawing water from a well, some Big Rock Candy Mountain where life was effortless and rich and unrestricted and full of adventure and action, where something could be had for nothing.”
― Wallace Stegner, quote from The Big Rock Candy Mountain (Contemporary American Fiction)
“People, he had said, were always being looked at as points, and they ought to be looked at as lines. There weren't any points, it was false to assume that a person ever was anything. He was always becoming something, always changing, always continuous and moving, like the wiggly line on a machine used to measure earthquake shocks. He was always what he was in the beginning, but never quite exactly what he was; he moved along a line dictated by his heritage and his environment, but he was subject to every sort of variation within the narrow limits of his capabilities.
...
She shut her mind on that too. There was danger in looking at people as lines. The past spread backward and you saw things in perspective that you hadn't seen then, and that made the future ominous, more ominous than if you just looked at the point, at the moment. There might be truth in what Bruce said, but there was not much comfort.”
― Wallace Stegner, quote from The Big Rock Candy Mountain (Contemporary American Fiction)
“Where do I belong in this country? Where is home?”
― Wallace Stegner, quote from The Big Rock Candy Mountain (Contemporary American Fiction)
“girl of eighteen named Elsa Norgaard,”
― Wallace Stegner, quote from The Big Rock Candy Mountain (Contemporary American Fiction)
“within yourself, you became a grave for her as you were a grave for Chet, and you carried your dead unquietly within you. —”
― Wallace Stegner, quote from The Big Rock Candy Mountain (Contemporary American Fiction)
“All right, I’ll go with this one called ‘Handsome Devil’. That’s me after all.”
― April Brookshire, quote from Young Love Murder
“junio de 1969 dos motivos tan afortunados”
― Antonio Skármeta, quote from The Postman
“Even if his talk carried him to Paris, for example, to a place like the Faubourg Montmartre, he spiced and flavored it with his Attic ingredients, with thyme, sage, tufa, asphodel, honey, red clay, blue roofs; acanthus trimmings, violet light, hot rocks, dry winds, dust, rezina, arthritis and the electrical crackle that plays over the low hills like a swift serpent with a broken spine. He was a strange contradiction, even in his talk. With his snake-like tongue which struck like lightning, with fingers moving nervously, as though wandering over an imaginary spinet, with pounding, brutal gestures which somehow never smashed anything but simply raised a din, with all the boom of surf and the roar and sizzle and razzle-dazzle, if you suddenly observed him closely you got the impression that he was sitting there immobile, that only the round falcon's eye was alert, that he was a bird which had been hypnotized, or had hypnotized itself, and that his claws were fastened to the wrist of an invisible giant, a giant like the earth. All this flurry and din, all these kaleidoscopic prestidigitations of his, was only a sort of wizardry which he employed to conceal the fact that he was a prisoner—that was the impression he gave me when I studied him, when I could break the spell for a moment and observe him attentively. But to break the spell, required a power and a magic almost equal to his own; it made one feel foolish and impotent, as one always does when one succeeds in destroying the power of illusion. Magic is never destroyed —the most we can do is to cut ourselves off, amputate the mysterious antennae which serve to connect us with forces beyond our power of understanding.”
― Henry Miller, quote from The Colossus of Maroussi
“Instead of saying, “I love you because you’re so beautiful,” tell her that you love her because there is no one else in the world like her.”
― quote from Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know
“El error de los hombres superiores es gastar los años de su juventud en hacerse dignos de la estimación de los demás.”
― Honoré de Balzac, quote from The Wild Ass's Skin
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