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“Anyone up for a little breaking and entering?”
― Matthew Cody, quote from Powerless
“These days she always moved like that, as if she were made of glass in a house full of hard edges.”
― Matthew Cody, quote from Powerless
“You know, as you get older the gray matter starts to fail on you and your memories get all fuzzy—they disappear into mist.”
― Matthew Cody, quote from Powerless
“I don’t remember much from my childhood, but I do remember staring out that window and dreaming. I bet I had wonderful dreams….”
― Matthew Cody, quote from Powerless
“She might even have a doll hidden on her somewhere. Well,”
― Matthew Cody, quote from Powerless
Matthew Cody
Born place: St. Louis, The United States
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“She never said so out loud, but some things speak loud enough on their own.”
― David Arnold, quote from Mosquitoland
“All of this suggests that one of the best things each of us can do—not only for ourselves, but also for our children and grandchildren—is to metabolize our pain and heal our trauma. When we heal and make more room for growth in our nervous systems, we have a better chance of spreading our emotional health to our descendants, via healthy DNA expression. In contrast, when we don’t address our trauma, we may pass it on to future generations, along with some of our fear, constriction, and dirty pain.”
― Resmaa Menakem, quote from My Grandmother's Hands: Racialized Trauma and the Mending of Our Bodies and Hearts
“They must have had a great deal of practice, though I don’t think it can be wholly due to practice, do you? I never met a rake before, or thought much about it, but I should suppose that a man could scarcely become one – well, not a very successful one, at all events – if he were not naturally engaging.”
― Georgette Heyer, quote from Venetia
“but one egg isn't good for anything at all”
― L. Frank Baum, quote from Ozma of Oz
“What about you, Ellen?' he asked. 'What does music mean to you?'
It was a while before she answered. 'When I was at school... quite little still... there was a girl there who had perfect pitch and a lovely voice and she played the piano. I used to hear people talking about her.' She paused, lacing her fingers together. '"She's musical," they used to say, "Deirdre's musical," and it was as if they'd said: "She's angelic." That's how it seemed to me to be musical: to be angelic.'
Isaac turned to her. 'My God, Ellen,' he said huskily, 'it is you who are angelic. If there's anyone in the world who is angelic it is you.”
― Eva Ibbotson, quote from A Song for Summer
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