“There were never moments in your life when you actually saw something end, for whether you knew it or not something else was always flowering. Never a disappearance, always a transformation.”
― Glen David Gold, quote from Carter Beats the Devil
“Faith was a choice. So, it followed, was wonder.”
― Glen David Gold, quote from Carter Beats the Devil
“His curse in life was to be attracted to people who understood him.”
― Glen David Gold, quote from Carter Beats the Devil
“Each piece of the set was on a winch and pulley, bag-dropped, counterbalanced by nests of fifty-pound bags of sand. The setup was called a "Fairbanks," for the reason that when a stagehand so wanted, he could stand upon a knot on the rope, untie as few or as many bags of sand as he wanted, and ride nearly to the rafters like Zorro as the scenery lowered.
There was no particular reason to ride that way, but because Carter allowed it, the team of men did so all night long, trading places at the top, jumping onto the ropes and riding back down later. With the mighty Egyptian set descending in its many pieces, the audience was deprived of a behind-the-scenes tableau of beauty: Carter's team swiftly riding ropes up to the catwalk and down to the stage again, simply because they could.”
― Glen David Gold, quote from Carter Beats the Devil
“The most beautiful experience we can have is the mysterious. It is the fundamental emotion which stands at the cradle of true art and true science. Whoever does not know it and can no longer wonder, no longer marvel, is as good as dead, and his eyes are dimmed. —ALBERT EINSTEIN”
― Glen David Gold, quote from Carter Beats the Devil
“She knew him. Somehow. And wasn't that quite marvelous?”
― Glen David Gold, quote from Carter Beats the Devil
“He thought of the boys and girls who looked for sweethearts at Mountain View Cemetery, and chorus girls who met their beaux behind scrim, and office romances that flourished in the buildings on Market Street, and he felt like there were little lights in alcoves here and there across the city, in cozy dens, in doorways during rainstorms, or even a chilly balcony on the Ferry building. Everywhere, little pairs of glowing lights. When you walked a city, wherever you looked, someone had probably fallen in love.”
― Glen David Gold, quote from Carter Beats the Devil
“Life is a tale told by an idiot, signifying nothing.”
― Glen David Gold, quote from Carter Beats the Devil
“Man cannot survive by bread and water alone, but bread and water and hate?”
― Glen David Gold, quote from Carter Beats the Devil
Glen David Gold
Born date January 1, 1964
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“As ingenious as this explanation is, it seems to me to miss entirely the emotional significance of the text- its beautiful and beautifully economical evocation of certain difficult feelings that most ordinary people, at least, are all too familiar with: searing regret for the past we must abandon, tragic longing for what must be left behind. (...) Still, perhaps that's the pagan, the Hellenist in me talking. (Rabbi Friedman, by contrast, cannot bring himself even to contemplate that what the people of Sodom intend to do to the two male angels, as they crowd around Lot's house at the beginning of the narrative, is to rape them, and interpretation blandly accepted by Rashi, who blithely points out thta if the Sodomites hadn't wanted sexual pleasure from the angels, Lot wouldn't have suggested, as he rather startingly does, that the Sodomites take his two daughter as subsitutes. But then, Rashi was French.)
It is this temperamental failure to understand Sodom in its own context, as an ancient metropolis of the Near East, as a site of sophisticated, even decadent delights and hyper-civilized beauties, that results in the commentator's inability to see the true meaning of the two crucial elements of this story: the angel's command to Lot's family not to turn and look back at the city they are fleeing, and the transformation of Lot's wife into a pillar of salt. For if you see Sodom as beautiful -which it will seem to be all the more so, no doubt, for having to be abandoned and lost forever, precisely the way in which, say, relatives who are dead are always somehow more beautiful and good than those who still live- then it seems clear that Lot and his family are commanded not to look back at it not as a punishment, but for a practical reason: because regret for what we have lost, for the pasts we have to abandon, often poisons any attempts to make a new life, which is what Lot and his family now must do, as Noah and his family once had to do, as indeed all those who survive awful annihilations must somehow do. This explanation, in turn, helps explain the form that the punishment of Lot's wife took- if indeed it was a punishment to begin with, which I personally do not believe it was, since to me it seems far more like a natural process, the inevitable outcome of her character. For those who are compelled by their natures always to be looking back at what has been, rather than forward into the future, the great danger is tears, the unstoppable weeping that the Greeks, if not the author of Genesis, knew was not only a pain but a narcotic pleasure, too: a mournful contemplation so flawless, so crystalline, that it can, in the end, immobilize you.”
― Daniel Mendelsohn, quote from The Lost: A Search for Six of Six Million
“She frowned as she looked at the bear, changed. He had a new leg, sewn out of blue-and-gray plaid. It wasn’t exactly the same shape as the surviving leg; it was just a stuffed flannel tube stuck on the bear, but he was symmetrical now. “What did you do?” she asked, taking the bear. Preacher shrugged. “I told him I’d give it a try. Looks pretty silly, I guess, but it was a good idea at the time.”
― Robyn Carr, quote from Shelter Mountain
“The genuinely powerful, unlike the Vuyos of this world, don't give a fuck about making an impression.”
― Lauren Beukes, quote from Zoo City
“In some ways I liked the struggle better, I think. It clarified what was important.”
― Robin Oliveira, quote from My Name is Mary Sutter
“Do you want to just fuck me in front of all your friends? Because all you seem to be doing is fucking me over Ramsey.”
― K.A. Linde, quote from Avoiding Responsibility
New York
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The Pigman
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