Quotes from Slightly Dangerous

Mary Balogh ·  365 pages

Rating: (13.8K votes)


“And infatuated be damned. He was near to being blinded by his attraction to her. He was in love, damn it all. He disliked her, he resented her, he disapproved of almost everything about her, yet he was head over ears in love with her, like a foolish schoolboy.
He wondered grimly what he was going to do about it.

He was not amused.

Or in any way pleased.”
― Mary Balogh, quote from Slightly Dangerous


“I would be consumed by you,' she said, and blinked her eyes furiously when she felt them fill with tears. 'You would sap all the energy and all the joy from me. You would put out all the fire of my vitality.'

'Give me a chance to fan the flames of that fire,' he said, 'and to nurture your joy.”
― Mary Balogh, quote from Slightly Dangerous


“And of course the word love has many shades of meaning, as do many, many of the words in our living, breathing language”
― Mary Balogh, quote from Slightly Dangerous


“I do not admire greatness that has no substance.”
― Mary Balogh, quote from Slightly Dangerous


“played any sort of game. Ten.”
― Mary Balogh, quote from Slightly Dangerous



“But why always think the worst of people? What would she be doing to herself if she adopted that attitude to life? It was better to think the best and be wrong than to think the worst and be wrong.”
― Mary Balogh, quote from Slightly Dangerous


About the author

Mary Balogh
Born place: Swansea, Wales, The United Kingdom
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“Gideon,” she said evenly, inclining her head in sparse respect. “What brings you to my chambers so close to dawn?”
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“I would not scan you without your permission, Magdelegna. Body Demons who become healers have codes of ethics the same as any others.”
“Funny,” she remarked, “I would have thought you to believe yourself above such a trivial matter as permission.”
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“She felt him shifting himself under her and around her, rearranging himself, until she was being held in a real embrace. She opened blurring eyes to find that he had tucked her between his forelegs with his neck curled around her.
"Shhh-" he said, as she closed her eyes and threw her arms around his warm, soft, slippery neck. "I know, I know. It's all horrible. Just go ahead and cry, Andie. Go ahead and let it out. I think you've been holding it in too long."
She couldn't have stopped the flood now if she'd wanted to, and she really didn't want to. He was right. She'd been holding it in too long. She sobbed against his neck, eyes streaming and burning, throat raw and sore, chest aching. She babbled between the sobs, nothing really coherent, but just-
She'd wanted a mother. She'd wanted to make Cassiopeia proud of her so that she'd 'be' that mother. Show her that even her if her daughter wasn't like 'her,' she was still worth something. Was useful. Could stand at the Queen's side and-
That was all she wanted.
And her mother found her so unworthy that Cassiopeia threw her away to feed a monster, like so much offal.
"Oh, Andie," Peri sighed in her ear. "Oh, my poor girl. It's Cassiopeia that's unworthy of 'you.”
― Mercedes Lackey, quote from One Good Knight


“I have a story to tell you. It has many beginnings, and perhaps one ending. Perhaps not. Beginnings and endings are contingent things anyway; inventions, devices. Where does any story really begin? There is always context, always an encompassingly greater epic, always something before the described events, unless we are to start every story with “BANG! Expand! Sssss…,” then itemize the whole subsequent history of the universe before settling down, at last, to the particular tale in question. Similarly, no ending is final, unless it is the end of all things…”
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“He not only had the gift of “reading” men and women, of seeing into their hearts, he also had the gift of putting himself in their place, of not just seeing what they felt but of feeling what they felt, almost as if what had happened to them had happened to him, too.”
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“The Gauls’ own ships were built and rigged in a different manner from ours. They were made with much flatter bottoms, to help them to ride shallow water caused by shoals or ebb-tides. Exceptionally high bows and sterns fitted them for use in heavy seas and violent gales, and the hulls were made entirely of oak, to enable them to stand any amount of shocks and rough usage. The cross-timbers, which consisted of beams a foot wide, were fastened with iron bolts as thick as a man’s thumb. The anchors were secured with iron chains instead of ropes. They used sails made of raw hides or thin leather, either because they had no flax and were ignorant of its use, or more probably because they thought that ordinary sails would not stand the violent storms and squalls of the Atlantic and were not suitable for such heavy vessels. In meeting them the only advantage our ships possessed was that they were faster and could be propelled by oars; in other respects the enemy’s were much better adapted for sailing such treacherous and stormy waters. We could not injure them by ramming because they were so solidly built, and their height made it difficult to reach them with missiles or board them with grappling-irons. Moreover, when it began to blow hard and they were running before the wind, they weathered the storm more easily; they could bring in to shallow water with greater safety, and when left aground by the tide had nothing to fear from reefs or pointed rocks – whereas to our ships all these risks were formidable.”
― Gaius Julius Caesar, quote from The Conquest of Gaul


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